- published: 23 Sep 2017
- views: 26476
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
Découvrez notre playlist French Classics sur Deezer et Spotify : https://VA.lnk.to/FrenchClassics 00:00:00 Générique 00:01:57 Guitare pour Thérese 00:05:11 Non-lieu 00:06:48 Thérèse Desqueyroux 00:09:40 Chanson du décervelage 00:12:40 Chanson polonaise 00:13:52 Eleuthere 00:14:40 Entrée des financiers 00:15:13 Entrée des magistrats 00:16:39 La prison 00:17:16 Les hommes libres 00:18:29 Ouverture 00:19:55 Tango du plumeau 00:21:32 Valse hésitation 00:23:04 Générique 00:25:32 Lamentu 00:27:48 Tango guitare 00:30:01 Thème Frederic 00:33:01 Générique 00:35:48 Lamthon lotus d'or 00:38:54 Petite sœur 00:40:19 Thème du Ramayana 00:42:08 Chant traditionnel de Massadah 00:44:55 Ein Gueddi 00:46:10 Marche de la génération du désert 00:48:00 Massadah 00:49:26 Sodome 00:51:32 Enterrement à l'asile 00...
This week we celebrate 10 of the most memorable film music scores by legendary composer Maestro Maurice Jarre, whose work ranges from 'Lawrence of Arabia' to 'Jacob's Ladder', we have only included a small section from the main themes and strongly advise you buy the full soundtracks to enjoy them in all their glory. Let us know what you think by liking and commenting and please subscribe for more weekly videos, you can follow us on: Twitter- https://twitter.com/FilmPhonic Facebook- https://www.facebook.com/FilmPhonic Welcome to the FilmPhonic "10 of the Best" video series, where we put together 10 of the best examples of a specific Movie topic. There is no set criteria, it's just what we think are the most original, memorable and entertaining scenes in movies we think you should watch, o...
The stunning Main Theme from one of the greatest movies of all time: David Lean's Lawrence of Arabia. Starring risky choice Peter O'Toole in his first film role, Lawrence Of Arabia won Best Picture of 1962, beating out To Kill A Mockingbird. With a magnificent supporting cast, Lawrence of Arabia is a landmark in the history of film, and debateably the greatest epic of all time. Starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail and Jack Hawkins. Directed By: David Lean Score by: Maurice Jarre Year: 1962 My Rating: Movie 10/10, Music 10/10.
© Copyright Pye International 1977
Here are a few excepts from a two hour in-depth interview with the distinguished film composer: Maurice Jarre for the Film Music Foundation. Here he discusses his experiences scoring Lawrence of Arabia.
Composer Maurice Jarre conducts the Royal Philharmonic Orchestra playing his scores for David Lean's "Lawrence of Arabia", "Doctor Zhivago", "Ryan's Daughter" and "A Passage to India".
4 Titles of the original soundtrack of the 1976 movie the message 00:00 - Hegira 04:39 - The faith of islam 07:10 - The presence of mohammad 09:20 - Building the first mosque
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
Q'un seul tienne et tous les autres suivront
Tu te rends compte, on l'a fait
Plantés au métro toute la journée
Aujourd'hui on est artistes reconnus, renommés
Pourtant, je me revois dire à mes parents
Je fais du rap, j'arrête le taf
J'ai cru qu'ils allaient me tuer
Mon père m'aurait bien collé quelques baffes
Les baffles collées sur les oreilles
Mon premier texte est né, engagé socialement
Du genre: énervé toute l'année
Aigri avant d'avoir vécu
Chaque fois qu'on avait bu, on refaisait la terre
Les pieds collés à la rue
Coller nos pieds au cul des skins
Il a fallu sévir avec plaisir
On pouvait pas laisser des étrangers nous envahir
Le freetime est devenu la maison
En toute saison, sur les sièges étaient collés nos prénoms
Coller nos prénoms sur les murs, ça nous a plu
Un temps très court
Ce qu'on voulait tous, c'était
Déchirer sur la mesure
Regarde nous maintenant toujours ensemble
Plus forts, réalisant nos rêves
Comme un minot découvre un trésor
Alors s'il faut recommencer, j'irai
Sauf si c'est pas avec les mêmes personnes
Rares sont ceux qui ont des amis sur qui compter
Et puis, tout seul, ça sera moins bien
C'est sûr, je préfère de loin y aller avec les miens
Refrain:
Je marche avec les miens
Combien te diront la même chose
Je garde tes arrières, tu gardes les miens
Pas de marche arrière, rien ne change un homme
Seul * et viande à loup
Moi, si j'en encaisse trop, je sais qui rendra les coups
T'auras affaire aux miens
Beaucoup te diront la même chose
Je garde tes arrières, tu gardes les miens
Pas de marche arrière, rien ne change un homme
Seul *et viande à loup
Mais eux, s'ils en encaissent trop
Ils savent qui rendra les coups
On vient de M.A.R.S.
Sept ans déjà, j'y crois pas
En fait, personne n'y croyait
A l'époque je crois qu'on était
Vingt tout au plus
L'arrêt de bus devenait squat quant il pleuvait
Vu qu'on était dehors même quand
Les sac à puces se planquaient
Remarquez c'est sûr, il valait mieux
Ambitieux, pas au point d'agresser l'écureuil
Ou de braquer des vieux
Accros du micro, ça nous a aidé à lire plus de bouquins
A moins faire le malin
A vouloir continuer même si demain c'est loin
C'est loin le temps de la maison hantée
Les buildings sur la tête, on en voulait au monde entier
Sur des rythmes effrénés
Effrayés, certains nous prenaient pour des voyous
Même nos potes nous chambraient
A part nous, personne croyait en nous
Dix ans de carrière ont passés, gazier
Beaucoup de disques écoulés
Si on faisait de la variété
On réveillonnerait chez Barclay
En deux navets, on serait gavés
Pire, peut-être qu'on ferait construire à Saint-Tropez
Pour flamber en cabriolet
C'est pas le genre de la maison
Tout pour la rime, sans concessions
Sous nos stylos, la vie subit une prise de tension
Pourtant la tension monte d'un cran
Comme quoi on avait raison
Malgré le qu'en dira-t-on
Après dix ans, on brandit le blason
Comme Toubon
Marseillais, on s'engueule parfois
Mais on se marre plus alors ça va
Les disputes ne durent pas
Je dis qu'il a fallut passer par là
Les joies, les peurs
Les potes écoutent ce qu'on dit
Maintenant ils savent qu'on écrit avec le coeur
Même si on leur dit pas