- published: 23 Sep 2017
- views: 26476
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
A Walk in the Clouds is a 1995 American romantic drama film directed by Alfonso Arau and starring Keanu Reeves, Aitana Sánchez-Gijón, Giancarlo Giannini, and Anthony Quinn. Written by Robert Mark Kamen, Mark Miller, and Harvey Weitzman, it is about a young soldier returning home from World War II who is looking to settle down and start a family with the woman he impulsively married just before enlisting. After learning she is not what he imagined her to be, he heads north alone to Sacramento in search of work. Along the way he meets a beautiful young woman who is heading home from college to her family vineyard to help with the grape harvest. When he learns she is pregnant and was abandoned by her boyfriend, he offers to stand in as her husband so she can face her Old World domineering father. During his stay at the vineyard, they fall in love and face the angry rejection of her father together. The film is based on the 1942 Italian film Four Steps in the Clouds, written by Piero Tellini, Cesare Zavattini, and Vittorio de Benedetti.
A Walk in the Clouds is the original soundtrack recording of the 1995 Golden Globe-winning film A Walk in the Clouds starring Keanu Reeves, Aitana Sánchez-Gijón, Anthony Quinn, Giancarlo Giannini and Debra Messing. Released on the Milan Records label, the original score and songs were composed by Maurice Jarre except "Crush the grapes" and the famous "Mariachi Serenade", that were composed by Leo Brouwer (music) and Alfonso Arau (lyrics). The film won the Golden Globe Award for Best Original Score.
The Clouds (Ancient Greek: Νεφέλαι Nephelai) is a Greek comedy play written by the celebrated playwright Aristophanes. A lampooning of intellectual fashions in classical Athens, it was originally produced at the City Dionysia in 423 BC and was not as well-received as the author had hoped, coming last of the three plays competing at the festival that year. It was revised between 420-417 BC and was thereafter circulated in manuscript form.
No copy of the original production survives, and scholarly analysis indicates that the revised version is an incomplete form of Old Comedy. This incompleteness, however, is not obvious in translations and modern performances. Retrospectively, The Clouds can be considered the world's first extant 'comedy of ideas', and is considered by literary critics to be among the finest example of the genre. The play also, however, remains notorious for its caricature of Socrates, and is mentioned in Plato's Apology as a contributor to the philosopher's trial and execution.
The Clouds is an album of gospel music composed and produced by Indianapolis musician and multimedia artist Stuart Hyatt, and performed by local gospel choirs and amateur singers in Sumter County, Alabama.
The Clouds received a Grammy nomination for Best Recording Package in 2005 for Hyatt's handmade corrugated cardboard CD package. The album was originally released on Hyatt's own label, Team Records, and later re-released by Minneapolis label Innova Recordings.
The Clouds were a Greater Manchester-based indie band signed to Chris and Julia Nagle's 'Wobble Records'. They recorded a John Peel session in 1991 and appeared live on Mark Radcliffe's 'Hit the North' Radio 5 show in the same year. The band received some regional and national radio airplay and appeared live as a support act with World of Twist (1991), Intastella (1991) and Flowered Up (1991) as well as in their own right at venues in the North West. For the duration of the time they were signed to Wobble Records, the band were made up of;
The band was formed after the three remaining members of the 'Dillen Experience' Tim Jones, Simon Moss and Simon Dickinson were joined by Ex 'Dillen Experience', 'Rig' and 'Resonance' keyboard player Dave Drennan. They were joined by Simon Maguire (previously in Sale band 'The Sewage') shortly afterwards. They signed to Wobble Records following regular plays of a demo featuring 'Moon Llama' to clients and staff at Strawberry Studios where Dave Drennan was employed. Three of the group were called Simon, which led to an array of obligatory pseudonyms, including Vincent Van Void, Sonic Windpipe, Balloon, Doctor Kecks, Bruce Starbuck, The Beast and Jimmy Goggles.
Découvrez notre playlist French Classics sur Deezer et Spotify : https://VA.lnk.to/FrenchClassics 00:00:00 Générique 00:01:57 Guitare pour Thérese 00:05:11 Non-lieu 00:06:48 Thérèse Desqueyroux 00:09:40 Chanson du décervelage 00:12:40 Chanson polonaise 00:13:52 Eleuthere 00:14:40 Entrée des financiers 00:15:13 Entrée des magistrats 00:16:39 La prison 00:17:16 Les hommes libres 00:18:29 Ouverture 00:19:55 Tango du plumeau 00:21:32 Valse hésitation 00:23:04 Générique 00:25:32 Lamentu 00:27:48 Tango guitare 00:30:01 Thème Frederic 00:33:01 Générique 00:35:48 Lamthon lotus d'or 00:38:54 Petite sœur 00:40:19 Thème du Ramayana 00:42:08 Chant traditionnel de Massadah 00:44:55 Ein Gueddi 00:46:10 Marche de la génération du désert 00:48:00 Massadah 00:49:26 Sodome 00:51:32 Enterrement à l'asile 00...
This week we celebrate 10 of the most memorable film music scores by legendary composer Maestro Maurice Jarre, whose work ranges from 'Lawrence of Arabia' to 'Jacob's Ladder', we have only included a small section from the main themes and strongly advise you buy the full soundtracks to enjoy them in all their glory. Let us know what you think by liking and commenting and please subscribe for more weekly videos, you can follow us on: Twitter- https://twitter.com/FilmPhonic Facebook- https://www.facebook.com/FilmPhonic Welcome to the FilmPhonic "10 of the Best" video series, where we put together 10 of the best examples of a specific Movie topic. There is no set criteria, it's just what we think are the most original, memorable and entertaining scenes in movies we think you should watch, o...
The stunning Main Theme from one of the greatest movies of all time: David Lean's Lawrence of Arabia. Starring risky choice Peter O'Toole in his first film role, Lawrence Of Arabia won Best Picture of 1962, beating out To Kill A Mockingbird. With a magnificent supporting cast, Lawrence of Arabia is a landmark in the history of film, and debateably the greatest epic of all time. Starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail and Jack Hawkins. Directed By: David Lean Score by: Maurice Jarre Year: 1962 My Rating: Movie 10/10, Music 10/10.
© Copyright Pye International 1977
Here are a few excepts from a two hour in-depth interview with the distinguished film composer: Maurice Jarre for the Film Music Foundation. Here he discusses his experiences scoring Lawrence of Arabia.
Composer Maurice Jarre conducts the Royal Philharmonic Orchestra playing his scores for David Lean's "Lawrence of Arabia", "Doctor Zhivago", "Ryan's Daughter" and "A Passage to India".
4 Titles of the original soundtrack of the 1976 movie the message 00:00 - Hegira 04:39 - The faith of islam 07:10 - The presence of mohammad 09:20 - Building the first mosque
HIDDEN ERROR: Usage of "spouses" is not recognizedHIDDEN ERROR: Usage of "birthname" is not recognized
Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
I have been waiting on a response for days
There has been a complication
It seems your heart needed a break
From pumping the blood through your veins
And keeping the oxygen ok
I still see your face
Any day when I see your eyes in a bottle that was way too tall
I finished it to just see if we could talk
Now I am speaking with your ghost again
It’s Telling me that I don’t understand
Can we be friends in another lifetime
And I might pretend
That we are right now
Jumping feelings from a dying dream
I drank the poison from a black moon sleep
Then I saw you
I felt your kiss in a dream I had
I felt your skin in a monument
Then I went home to live a brand new life without you
And buried your face
Beneath the giant shadows of the clouds
And they will stay there under ground
But no matter what I do
I never will stop talking to you
I never did get the last word in
You said I always did
I never did get the last word in
You said I always did
I never did get the last word in
You said I always did
I never did get the last word in
You said I always did
I never did get the last word in
You said I always did
I never did get the last word in
You said I always did
I never did get the last word in
You said I always did
I never did get the last word in