- published: 23 Sep 2017
- views: 26476
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
Découvrez notre playlist French Classics sur Deezer et Spotify : https://VA.lnk.to/FrenchClassics 00:00:00 Générique 00:01:57 Guitare pour Thérese 00:05:11 Non-lieu 00:06:48 Thérèse Desqueyroux 00:09:40 Chanson du décervelage 00:12:40 Chanson polonaise 00:13:52 Eleuthere 00:14:40 Entrée des financiers 00:15:13 Entrée des magistrats 00:16:39 La prison 00:17:16 Les hommes libres 00:18:29 Ouverture 00:19:55 Tango du plumeau 00:21:32 Valse hésitation 00:23:04 Générique 00:25:32 Lamentu 00:27:48 Tango guitare 00:30:01 Thème Frederic 00:33:01 Générique 00:35:48 Lamthon lotus d'or 00:38:54 Petite sœur 00:40:19 Thème du Ramayana 00:42:08 Chant traditionnel de Massadah 00:44:55 Ein Gueddi 00:46:10 Marche de la génération du désert 00:48:00 Massadah 00:49:26 Sodome 00:51:32 Enterrement à l'asile 00...
This week we celebrate 10 of the most memorable film music scores by legendary composer Maestro Maurice Jarre, whose work ranges from 'Lawrence of Arabia' to 'Jacob's Ladder', we have only included a small section from the main themes and strongly advise you buy the full soundtracks to enjoy them in all their glory. Let us know what you think by liking and commenting and please subscribe for more weekly videos, you can follow us on: Twitter- https://twitter.com/FilmPhonic Facebook- https://www.facebook.com/FilmPhonic Welcome to the FilmPhonic "10 of the Best" video series, where we put together 10 of the best examples of a specific Movie topic. There is no set criteria, it's just what we think are the most original, memorable and entertaining scenes in movies we think you should watch, o...
The stunning Main Theme from one of the greatest movies of all time: David Lean's Lawrence of Arabia. Starring risky choice Peter O'Toole in his first film role, Lawrence Of Arabia won Best Picture of 1962, beating out To Kill A Mockingbird. With a magnificent supporting cast, Lawrence of Arabia is a landmark in the history of film, and debateably the greatest epic of all time. Starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail and Jack Hawkins. Directed By: David Lean Score by: Maurice Jarre Year: 1962 My Rating: Movie 10/10, Music 10/10.
© Copyright Pye International 1977
Here are a few excepts from a two hour in-depth interview with the distinguished film composer: Maurice Jarre for the Film Music Foundation. Here he discusses his experiences scoring Lawrence of Arabia.
Composer Maurice Jarre conducts the Royal Philharmonic Orchestra playing his scores for David Lean's "Lawrence of Arabia", "Doctor Zhivago", "Ryan's Daughter" and "A Passage to India".
4 Titles of the original soundtrack of the 1976 movie the message 00:00 - Hegira 04:39 - The faith of islam 07:10 - The presence of mohammad 09:20 - Building the first mosque
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
Dans nos quartiers r?gne l’illusion, qu’?tre un homme fort, c’est
Collectionner arrestations et bastons
Et c’est cette illusion qui les perd
Les enferme, les enterre
Ils confondent courage et folie, raison et l?chet?
Et n’peuvent, distinguer entre orgueil et honneur
Leur besoin devient cupidit?
Ils courent apr?s une vision d?form?e du bonheur
J’dis qu’mes fr?res ont fauss? les valeurs
Alors sur eux s’abattent les malheurs
Le mal est devenu bien ? leurs yeux
C’est l’regard noir des c?urs aveugl?s en banlieue
Mais j’dis que l’homme fort est celui qui ma?trise ses passions
Indulgent, sinc?re, modeste et patient
Il pardonne car esp?re ?tre pardonn?
Ma?trise sa col?re m?me s’il peut l’exercer
Et quand le faible se plaint, le fort se bat
Il ne cautionne pas l’injustice, mais la combat
La pauvret? ne l’am?ne pas ? la corruption
Il voit ? travers les ?preuves une b?n?diction
Le fort a du c?ur, donc pleure
Parfois, par inqui?tude pour le faible
Lui, fait face ? la r?alit?
Tandis que le faible fume, pour anesth?sier sa douleur
Et la femme forte sait dire non
On l’aime pour c’qu’elle est et pas seulement pour c’qu’elle para?t
Qu’elle soit s?ur ou m?re, forte, fi?re
Refrain
Hasheem
"La force d’un homme se compte aux larmes
Que verse son ?me, quand il se sait dans l’erreur
La force d’un homme, n’est pas dans son arme
Mais dans la grandeur de son c?ur"
Soprano (Psy 4 de la Rime)
Tu sais Kery, faut qu’les fr?res atterrissent
La r?alit?, ils te l’ont alt?r?e, c’est pas en pompant qu’on devient costaud
Qu’ils s’gu?rissent de ce mal de vivre
Qui fait que la haine livre au c?ur la chaleur de Moscou
?tre libre, c’est pas qu’avoir des cha?nes bris?es
Vois l’homme moderne, esclave des cha?nes t?l?vis?es
Ils t’lavent des principes que nos parents nous apprennent
Disent qu’?tre un homme, c’est ?tre riche, c’est c’qui freine nos fr?res ? Fresnes
Font croire au monde qu’?tre fort
C’est avoir un magnum comme Harry, une Ferrari comme Magnum,
ils nous marient avec le vouloir faire 10
Puis le pouvoir faire nous fait oublier le devoir faire
De Mars ? Paris
C’est c’qui nous rend faible, de croire ? leur fable
Faire le contraire de c’que veulent nos c?urs, suivre leurs vibes
?tre un mouton dans leur bouse
La force d’un homme ne se lit pas sur la virgule de leurs shoes
Mais sur les rides qui d?crivent l’histoire de nos p?res
Sur ces ampoules qui ?clairent leurs doigts pour payer nos Roberts
Sur les cernes que l’inqui?tude dessine sous les yeux de nos m?res
Jusqu’? la mort, j’resterai fort, pour leur honneur, pour leur amour, fier
Pour tout ce qu’ils ont abandonn?,
pour me donner la chance d’avoir une vie d?cente au lieu d’?tre cantonn?
A une vie d’chien, du whisky en guise de Friskies
Tout ?a j’esquive, avant qu’mes narines fassent du Jet ski
Aliyy, que Allah nous guide
Qu’on se rallie, tous sur le droit chemin
Que Allah nous guide, que la foi nous donne la force de couper les algues
qui me tirent vers le fond, que Allah nous guide
Refrain
Rohff
Ne profite pas d’ta force, ton poids sur les plus faibles que toi,
c’est pas loyal, l?ve-toi, tu lui fais mal, tu l’?crases 1 et
Tu feras fort si tu l’?crases quand l’faible a raison
En v?rit? la raison du plus fort ne l’a jamais emport?
?a craint d’?tre craint, la hagla ne paie pas c’est prouv?
C’est comme la balle dans la roulette russe, si tu la cherches tu vas la trouver
Tu vas crever comme un pneu, orgueilleux, born?, haineux
Fataliste au point de n’plus pouvoir d?nouer tes propres n?uds
Beaucoup vivent pour l’regard des autres, pour c’que pensent
Beaucoup vivent pour l’regard des autres, pour c’que pensent les autres,
personne pour rattraper l’autre
Puisque faut toujours aller, plus loin que l’autre
La guerre continue, y’a plus d’respect, plus d’vertus
L’incompr?hension s’perp?tue, on valorise c’qui nous tue
Le faible fournit des efforts et l’fort n’a pas besoin d’renforts
Souvent le fort aboie, le faible boit, croyant qu’?a l’rend fort
Cet homme indiff?rent aux insultes j’honore
Consult?, on lui dit « C’est toi qu’j’insulte » il r?pondit « c’est toi qu’j’ignore »
Encore plus fort, un aveugle qui s’plaint pas de vivre dans l’noir
Fort d’porter aucune attache aux richesses au pouvoir
Prends l’argent, le laisse pas t’prendre, il va t’surprendre
Crois-moi j’me fous d’l’or, ?a vaut pas une ha?anah apr?s la mort
La jalousie, la m?disance sont des faiblesses en soi
Y’a pas plus fort qu’la science, le silence pour pas dire n’importe quoi, l’abstinence
Fort d’aider celui qui a des lacunes
Faible l’?go?sme, la l?chet?, la rancune
Fort d’?tre souriant malgr? les d?boires
Fort d’partager une miette accepter un verre de calcaire ? boire
Fort mes rimes car elles contiennent la foi
Fort le Din, faible la Dounya
Forte l’expression du visage de ceux qui reviennent du p?lerinage
Fort d’amener l’argent halal ? la raqueba
Y’a pas plus fort que prier, Allahou ‘Akbar