- published: 07 Apr 2013
- views: 160665
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb surmounted by a cross, known as a globus cruciger. The latter symbolizes the Earth, and the whole composition has strong eschatological undertones.
The theme was made popular by Northern painters such as Jan van Eyck, Hans Memling, and Albrecht Dürer. There are also several versions of the theme attributed to Titian, notably the one in the Hermitage Museum. A painting of the subject has been attributed to Leonardo da Vinci in 2011.
Leonardo da Vinci, Salvator Mundi (c. 1500)
Leonardo da Vinci, Salvator Mundi (c. 1500)
Andrea Previtali, Salvator Mundi (1519)
Andrea Previtali, Salvator Mundi (1519)
Titian's version of Salvator Mundi (1570)
Titian's version of Salvator Mundi (1570)
Unknown artist, Salvator Mundi (third quarter of 16th century)
Unknown artist, Salvator Mundi (third quarter of 16th century)
Salvator Mundi is a painting of Christ as Salvator Mundi recently attributed to Leonardo da Vinci, who is known to have painted the subject. It was lost and later rediscovered, and restored and exhibited in 2011. The painting shows Christ, in Renaissance garb, giving a benediction with his raised right hand and crossed fingers while holding a crystal sphere in his left hand.
In France, Leonardo da Vinci painted the subject, Jesus Christ, for Louis XII of France between 1506 and 1513. The recently authenticated work was once owned by Charles I of England and recorded in his art collection in 1649 before being auctioned by the son of the Duke of Buckingham and Normanby in 1763. It next appeared in 1900, when it was purchased by a British collector, Francis Cook, 1st Viscount of Monserrate. The painting was damaged from previous restoration attempts, and its authorship unclear. Cook's descendants sold it at auction in 1958 for £45.
In 2005, the painting was acquired by a consortium of art dealers that included Robert Simon, a specialist in Old Masters. It was heavily overpainted so that it looked like a copy, and was described as “a wreck, dark and gloomy”. It was then restored and authenticated as a painting by Leonardo. It was exhibited by London's National Gallery during the Leonardo da Vinci: Painter at the Court of Milan from 9 November 2011 to 5 February 2012. In 2013 the painting was sold to Russian collector Dmitry Rybolovlev for $127.5 million.
Mundi is a town under Khandwa district in the Indian state of Madhya Pradesh. It is a thousand years old town. It is surrounded by significant forest area which belongs to Narmada River Valley. It is 120 km from Indore, the commercial capital of the state.
As of 2012 India census, Mundi had a population of 30,000. Males constitute 52% of the population and females 48%. Mundi has an average literacy rate of 72%, higher than the national average of 59.5%: male literacy is 70%, and female literacy is 52%. In Mundi, 15% of the population is under 6 years of age.
"Mundi" is located at 22°04′N 76°30′E / 22.07°N 76.5°E / 22.07; 76.5. It has an average elevation of 300 metres (1000 feet)."Mundi" is located on the Main Road's & Highway's, with daily connections to Khandwa, Indore, Bhopal, Dewas etc.
The name of the city is derived from "Mundari" (meaning ring or circle shape). During the rise of Buddhism, the East Nimar region was included in the Avanti Kingdom under Chand Pradyota Mahesana, which was later added to the growing empire of Magadha by Shishunaga. From the early 2nd century BC to the late 15th century AD, the Nimar Region (earlier a part of Khandesh) was ruled by many emperors from many dynasties, which include Mauryas, Shungas, Satvahanas, Kardamakas, Abhiras, Vakatakas, Imperial Guptas, Kalchuris, Vardhanas (of Harsha Vardhana fame), Chalukyas, Kanungos, Rashtrakutas, Paramaras, Faruki etc. A Well is situated at ‘’’Koteshwer’’’ or ‘’’Loteshwer’’’, created by Pandhawas. ‘’’Renuka Dham’’’ is another ancient temple. Since the mid-16th century to the early 18th century, the Nimar region, was under the rule of Aurangzeb, Bahadur Shah, Peshwas, Sindhia, Bawaniya, Holkar, Pawar, (Marathas), Pindaris etc. Later from early part of the mid-18th century, the management of the Nimar region came under the British.
William Byrd Work: The Battell Orchestra: Philip Jones Brass Ensemble Conductor: Elgar Howarth
William Byrd: Mass for 4 Voices http://en.wikipedia.org/wiki/William_byrd Scores: http://www0.cpdl.org/wiki/index.php/Mass_for_Four_Voices_(William_Byrd) Mass for 4 Voices: 01 Kyrie - 0:00 02 Gloria - 1:55 03 Credo - 7:52 04 Sanctus/Benedictus - 15:50 05 Agnus Dei - 19:44
William Byrd (1542 - 1623). The Three Masses Mass For Five Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Four Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Three Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei * Ave Verum Corpus – Alison Gough, soprano - Sally Dunkley, soprano – Michael Chance, countertenor - Robert Harre-Jones, countertenor – Charles Daniels, tenor - Mark Padmore, tenor - Nicolas Robertson, tenor - Rufus Müller, tenor – Francis Steele, bass - Jeremy White, bass The Tallis Scholars Peter Phillips
Ave, verum corpus natum ex Maria Virgine: vere passum, immolatum in cruce pro homine: cuius latus perforatum unda fluxit et sanguine: esto nobis praegustatum, in mortis examine. O dulcis, O pie, O Jesu, Fili Mariae. Miserere mei. Amen. *----------*----------* Hail the true body, born of the Virgin Mary: You who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: Be a foretaste for us in the trial of death. [O sweet, O merciful, O Jesus, Son of Mary.] [Have mercy on me. Amen.] *-----------*-----------* Salve, verdadero cuerpo, nacido de María Virgen, que fue inmolado en la cruz por los hombres, cuyo lado perforado manó sangre y agua, dejanos degustarte en el trance de la muerte. http://www.cpdl.org/wiki/index.php/Ave_v...
William Byrd's five Easter motets performed at Trinitatis Kirke in Copenhagen for the Easter of 2021. Ars Nova Copenhagen conducted by Paul Hillier. Resurrexi 0:00 Haec Dies 5:30 Victimae Paschali 9:14 Terra tremuit 15:07 Pascha Nostrum 16:00 Sound by Danish Radio P2 Video by Julie Malmstrøm Edition by David Fraser Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610) This video is a re-upload of the video available for Easterday 2021.
William Byrd Consort Songs & Music for Viols 1. O Lord, within thy tabernacle 0:00 2. In Nomine à 5 (I) 4:16 3. Quis me statim 7:24 4. In Nomine à 5 (IV) 10:22 5. With lilies white (An elegy for Lady Magdalen Montague, d.1608) 13:12 6. Fantasia à 5 18:04 7. Wretched Albinus (Upon the fall of the Earl of Essex, 1601) 24:56 8. In Nomine à 5 (II) 27:50 9. Blame I confess 31:15 10. Prelude and ground à 5 33:59 11. Ye sacred Muses (An elegy for Thomas Tallis, d.23 November 1585 39:54 12. In Nomine à 5 (V) 43:34 13. Rejoice unto the Lord (In honour of Queen Elizabeth I, 1586) 46:40 14. Browning à 5 50:00 15. Fair Britain Isle (Elegy for Henry, Prince of Wales, d.1612) 54:25 16. In Nomine à 5 (III) 1:00:35 Gerard Lesne Alto Wieland Kuijken Viola da Gamba Ensemble Orlando Gibbons
VOCES8 performs William Byrd’s double motet ‘Ne Irascaris Domine’ and ‘Civitas Sancti Tui’ in the Gresham Centre in London. Audio available at https://orcd.co/end4pyk Text Ne irascaris, Domine, satis et ne ultra memineris iniquitatis nostrae. Ecce, respice, populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. (Isaiah 64 v. 9) Translation Be not angry, O Lord, still, neither remember our iniquity for ever. Behold, see, we beseech thee, we are all thy people. The holy cities are a wilderness. Sion is a wilderness, Jerusalem a desolation.
Ave Verum Corpus I William Byrd Ensemble ZENE I Direction: Bruno Kele-Baujard The CD is available on our website: https://www.ensemblezene.com/online-store/VIA-DOLOROSA-p137418940
Byrd: Motets – listen here: http://smarturl.it/byrdmotets Professor Iain Fenlon, King's College Cambridge, talks about the life of the English Renaissance composer William Byrd.
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.