- published: 07 Apr 2013
- views: 160665
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
William Byrd Work: The Battell Orchestra: Philip Jones Brass Ensemble Conductor: Elgar Howarth
William Byrd: Mass for 4 Voices http://en.wikipedia.org/wiki/William_byrd Scores: http://www0.cpdl.org/wiki/index.php/Mass_for_Four_Voices_(William_Byrd) Mass for 4 Voices: 01 Kyrie - 0:00 02 Gloria - 1:55 03 Credo - 7:52 04 Sanctus/Benedictus - 15:50 05 Agnus Dei - 19:44
William Byrd (1542 - 1623). The Three Masses Mass For Five Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Four Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Three Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei * Ave Verum Corpus – Alison Gough, soprano - Sally Dunkley, soprano – Michael Chance, countertenor - Robert Harre-Jones, countertenor – Charles Daniels, tenor - Mark Padmore, tenor - Nicolas Robertson, tenor - Rufus Müller, tenor – Francis Steele, bass - Jeremy White, bass The Tallis Scholars Peter Phillips
Ave, verum corpus natum ex Maria Virgine: vere passum, immolatum in cruce pro homine: cuius latus perforatum unda fluxit et sanguine: esto nobis praegustatum, in mortis examine. O dulcis, O pie, O Jesu, Fili Mariae. Miserere mei. Amen. *----------*----------* Hail the true body, born of the Virgin Mary: You who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: Be a foretaste for us in the trial of death. [O sweet, O merciful, O Jesus, Son of Mary.] [Have mercy on me. Amen.] *-----------*-----------* Salve, verdadero cuerpo, nacido de María Virgen, que fue inmolado en la cruz por los hombres, cuyo lado perforado manó sangre y agua, dejanos degustarte en el trance de la muerte. http://www.cpdl.org/wiki/index.php/Ave_v...
William Byrd's five Easter motets performed at Trinitatis Kirke in Copenhagen for the Easter of 2021. Ars Nova Copenhagen conducted by Paul Hillier. Resurrexi 0:00 Haec Dies 5:30 Victimae Paschali 9:14 Terra tremuit 15:07 Pascha Nostrum 16:00 Sound by Danish Radio P2 Video by Julie Malmstrøm Edition by David Fraser Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610) This video is a re-upload of the video available for Easterday 2021.
William Byrd Consort Songs & Music for Viols 1. O Lord, within thy tabernacle 0:00 2. In Nomine à 5 (I) 4:16 3. Quis me statim 7:24 4. In Nomine à 5 (IV) 10:22 5. With lilies white (An elegy for Lady Magdalen Montague, d.1608) 13:12 6. Fantasia à 5 18:04 7. Wretched Albinus (Upon the fall of the Earl of Essex, 1601) 24:56 8. In Nomine à 5 (II) 27:50 9. Blame I confess 31:15 10. Prelude and ground à 5 33:59 11. Ye sacred Muses (An elegy for Thomas Tallis, d.23 November 1585 39:54 12. In Nomine à 5 (V) 43:34 13. Rejoice unto the Lord (In honour of Queen Elizabeth I, 1586) 46:40 14. Browning à 5 50:00 15. Fair Britain Isle (Elegy for Henry, Prince of Wales, d.1612) 54:25 16. In Nomine à 5 (III) 1:00:35 Gerard Lesne Alto Wieland Kuijken Viola da Gamba Ensemble Orlando Gibbons
VOCES8 performs William Byrd’s double motet ‘Ne Irascaris Domine’ and ‘Civitas Sancti Tui’ in the Gresham Centre in London. Audio available at https://orcd.co/end4pyk Text Ne irascaris, Domine, satis et ne ultra memineris iniquitatis nostrae. Ecce, respice, populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. (Isaiah 64 v. 9) Translation Be not angry, O Lord, still, neither remember our iniquity for ever. Behold, see, we beseech thee, we are all thy people. The holy cities are a wilderness. Sion is a wilderness, Jerusalem a desolation.
Ave Verum Corpus I William Byrd Ensemble ZENE I Direction: Bruno Kele-Baujard The CD is available on our website: https://www.ensemblezene.com/online-store/VIA-DOLOROSA-p137418940
Byrd: Motets – listen here: http://smarturl.it/byrdmotets Professor Iain Fenlon, King's College Cambridge, talks about the life of the English Renaissance composer William Byrd.
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
[Jim Jones]
Come on, yo, yo
[Verse]
Aiyoo my Dip Set Taliban, we are not a crew
We're more like a movement, more like in tuned with
The moon and the stars, some say I'll soon be doomed for them bars
But I could be caught, pissy clubs, saloons and some bars
Industry think that they grooming a star nah
I'm more like a thug misproving the odds, run around my city all crazy
With my goons in some cars
[Bridge: Cam'Ron]
I tell 'em
Wake up, wake up
Gotta go get that cake up, break up
Divide that payroll, aiyyoo
Go get that ya-yo, ya-yo
Killa, paper, holla at Pedro
On the 8-0 and wait for my son the lay low
Ba' bro
[Cam'Ron]
When I beef, names will be said tool will be spread
Two in your head, body be bagged, eulogy read
Dog in the news will get read, cause what I deal with is usually feds
On the first
[Chorus: repeat 2X]
Aiyoo, aiyoo, aiyoo, aiyoo, aiyoo, aiyoo
It's the first of the month..
Ya-yo, ya-yo, ya-yo, ya-yo-, ya-yo, ya-yo, ya-yo, ya-yo, ya-yo
It's the first of the month..
[Juelz Santana]
Now I'm the type of dude, post up sell drugs on your property
Stone cold hustler, ain't no fucking denying me
I sell drugs in varieties, you want it, I got it
You see it, you like it, we count it, you buy it from me
I'm what the people call a menace to the public society
Fuck 'em I'm riding, my gun on the side of me
Fuck it I'm driving, I'm puffing high as can be
I'm speeding, I'm weaving, I'm bugging my eye on the street
Cam signed to the Roc it's time that we eat
Harlem's back, this time it's for keeps
You rolling or not?
The Takeover's now, y'all focused or not?
We been ready it's just that our promotion was not
But I can't blame no one for this, I'm all right with that
Can't be racist cause I sell too much white for that
So I decided I'mma milk these crackers for all they milk and crackers
Until I'm rich and these mills don't matter
Uh, you niggaz follow my plot?
If not, swallow these shots, Santana swallow your block
I run with enforcers, big dudes and bosses
Black, British and Walter, the phone call will cost ya'
Keep rolling in them caravans acting
We got big trucks with chrome Taliban action
Send one up to Jabar, my nigga maxed in
T-Money's home and he's never going back in
[Chorus]
[Cam'Ron]
Aiyo, I swear to God, you think I had a violin the way I fiddle triggers
How you older than me, and still a little nigga
On the first, I hate these chickens
Get their check, hair, nails done, steak and chicken, for they friends
And they kids fly, I ain't open friend, on the 11th, you gonna be broke again
Word to Jehova man, hoes in they shoes, barking like a Doberman
Coming to see Cam, for some coke again
[Jim Jones]
Shit, it's the first of the month
Yo, I'm the first on the block for the cycle
A rock that is first like shoots from a rifle
See they tainted our image, it's fucked up how the game painted our image
They say we dangerous people, why, because we sell caine to the people
That don't be the reason I be aiming this eagle, my aims to get equal
The first and fifteenth's got some restraints on my people
[Chorus]
[Jim Jones - talking]
Dip set nigga, Jim Jones, Capo Status
Killah the don, Juelz Santana, FREEKY
Harlem, my Taliban
Eastside, B's up
The first and fifteenth
We still going through it
Welfare, medicade, some liquor stores
Broadway, 7th, 15th, 40th
Y'all know the struggle
Holla
Roc-A-Fella (Whoo!)