- published: 07 Apr 2013
- views: 160665
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
William Byrd Work: The Battell Orchestra: Philip Jones Brass Ensemble Conductor: Elgar Howarth
William Byrd: Mass for 4 Voices http://en.wikipedia.org/wiki/William_byrd Scores: http://www0.cpdl.org/wiki/index.php/Mass_for_Four_Voices_(William_Byrd) Mass for 4 Voices: 01 Kyrie - 0:00 02 Gloria - 1:55 03 Credo - 7:52 04 Sanctus/Benedictus - 15:50 05 Agnus Dei - 19:44
William Byrd (1542 - 1623). The Three Masses Mass For Five Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Four Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Three Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei * Ave Verum Corpus – Alison Gough, soprano - Sally Dunkley, soprano – Michael Chance, countertenor - Robert Harre-Jones, countertenor – Charles Daniels, tenor - Mark Padmore, tenor - Nicolas Robertson, tenor - Rufus Müller, tenor – Francis Steele, bass - Jeremy White, bass The Tallis Scholars Peter Phillips
Ave, verum corpus natum ex Maria Virgine: vere passum, immolatum in cruce pro homine: cuius latus perforatum unda fluxit et sanguine: esto nobis praegustatum, in mortis examine. O dulcis, O pie, O Jesu, Fili Mariae. Miserere mei. Amen. *----------*----------* Hail the true body, born of the Virgin Mary: You who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: Be a foretaste for us in the trial of death. [O sweet, O merciful, O Jesus, Son of Mary.] [Have mercy on me. Amen.] *-----------*-----------* Salve, verdadero cuerpo, nacido de María Virgen, que fue inmolado en la cruz por los hombres, cuyo lado perforado manó sangre y agua, dejanos degustarte en el trance de la muerte. http://www.cpdl.org/wiki/index.php/Ave_v...
William Byrd's five Easter motets performed at Trinitatis Kirke in Copenhagen for the Easter of 2021. Ars Nova Copenhagen conducted by Paul Hillier. Resurrexi 0:00 Haec Dies 5:30 Victimae Paschali 9:14 Terra tremuit 15:07 Pascha Nostrum 16:00 Sound by Danish Radio P2 Video by Julie Malmstrøm Edition by David Fraser Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610) This video is a re-upload of the video available for Easterday 2021.
William Byrd Consort Songs & Music for Viols 1. O Lord, within thy tabernacle 0:00 2. In Nomine à 5 (I) 4:16 3. Quis me statim 7:24 4. In Nomine à 5 (IV) 10:22 5. With lilies white (An elegy for Lady Magdalen Montague, d.1608) 13:12 6. Fantasia à 5 18:04 7. Wretched Albinus (Upon the fall of the Earl of Essex, 1601) 24:56 8. In Nomine à 5 (II) 27:50 9. Blame I confess 31:15 10. Prelude and ground à 5 33:59 11. Ye sacred Muses (An elegy for Thomas Tallis, d.23 November 1585 39:54 12. In Nomine à 5 (V) 43:34 13. Rejoice unto the Lord (In honour of Queen Elizabeth I, 1586) 46:40 14. Browning à 5 50:00 15. Fair Britain Isle (Elegy for Henry, Prince of Wales, d.1612) 54:25 16. In Nomine à 5 (III) 1:00:35 Gerard Lesne Alto Wieland Kuijken Viola da Gamba Ensemble Orlando Gibbons
VOCES8 performs William Byrd’s double motet ‘Ne Irascaris Domine’ and ‘Civitas Sancti Tui’ in the Gresham Centre in London. Audio available at https://orcd.co/end4pyk Text Ne irascaris, Domine, satis et ne ultra memineris iniquitatis nostrae. Ecce, respice, populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. (Isaiah 64 v. 9) Translation Be not angry, O Lord, still, neither remember our iniquity for ever. Behold, see, we beseech thee, we are all thy people. The holy cities are a wilderness. Sion is a wilderness, Jerusalem a desolation.
Ave Verum Corpus I William Byrd Ensemble ZENE I Direction: Bruno Kele-Baujard The CD is available on our website: https://www.ensemblezene.com/online-store/VIA-DOLOROSA-p137418940
Byrd: Motets – listen here: http://smarturl.it/byrdmotets Professor Iain Fenlon, King's College Cambridge, talks about the life of the English Renaissance composer William Byrd.
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
Di-Di-Di-Di-Di-Digital
Yo, I beat the case, now I face the acquittal
You nizzles try to belittle, but ya'll lest in spittle
From a baby's lip, the digi made me flip
Plus they paid me chips, just to spray the clip
And empty out on you, in sync like the SMPTE output on the MPC 2002
We be housin' crews, plus we housin' fools
In abandoned apartments with a thousand tools
Crazy shootin' dudes buck off the beat
Brainless boutless fools who be stuck off the leaf
Two guns in their hands yellin' "Fuck the police!"
On the weekend get drunk and they fuck with the niece
Of the precint chief, she got the tattoo
On her breast that's shaped like The W
Go 'head snatch the guns, son, I'll cover you
And if they get past me we got another two, yeah...
We smoke those blunts the size of bats
We got those gats as long as ax
We snatch that cheese right off the trap
We put those Beez all on your map
I shoot the fair one, I dare ya'll run through New York City
Or any city or place, my face, royal taste, pace myself
Ace my health, great with wealth
Undetected like the wings of a Stealth, I move for self
Or any man, woman or child that I call fam
That's the way I am, word to Glock, my sister Pam
Son, lived through the terror of the World Trade blues
Nine o'clock news, abused the mind of many fools
Braves and jewels, made my moves, paid my dues
From the School of Intelligence, I stayed benevolent
Most high, magnify, multiply, as I add to the Kings of Kings
We never die, built my name, sustained like blood
Flow through the veins divine sign
Dine with wine forever sunshine
We smoke...
From the Vil to Brazil, live on your C-SPAN radio band
Explicit, dice kiss it, pour a little liquor
Golden imported from Cuba, Miss Aruba
Sexy as Asia, met her up in Mecca
Getting up in Just Cipher, hit it on the first date
Plotted my escape, twelve hours shift at the gate
How can you beat a G a week in '88?
Trips to the Pocono Lodge, the fresh Izod
Mama shouldn't work so hard to pay the landlord
A grand in your birthday card, times is hard
The gun hammer click, when the pigs blitz
We scramble like Vick, automatic six plus one to the head
Yo, the east so hot, it's red, but that's home
And my Glock still burn your skin to the bone