- published: 29 Jul 2011
- views: 4481
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
In Nomine is a title given to a large number of pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century.
This "most conspicuous single form in the early development of English consort music" (Edwards 2001) originated in the early 16th century from a six-voice mass composed before 1530 by John Taverner on the plainchant Gloria Tibi Trinitas. In the Benedictus section of this mass, the Latin phrase "in nomine Domini" was sung in a reduced, four-part counterpoint, with the plainchant melody in the mean (alto part). At an early point, this attractive passage became popular as a short instrumental piece, though there is no evidence that Taverner himself was responsible for any of these arrangements (Bowers, Doe, and Benham 2001). Over the next 150 years, English composers worked this melody into "In Nomine" pieces of ever greater stylistic range.
In Nomines are typically consort pieces for four or five instruments, especially consorts of viols. One instrument plays the theme through as a cantus firmus with each note lasting one or even two measures; usually this is the second part from the top. The other parts play more complex lines, often in imitative counterpoint. Usually they take up several new motifs in turn, using each one as a point of imitation. However, there are In Nomines composed for solo or duo keyboard instruments and even one for the lute: a fantasy titled Farewell by John Dowland (Edwards 2001).
Europa Universalis III is a grand strategy video game developed by Paradox Development Studio and published by Paradox Interactive. The main game was released for Windows on January 2007, and was later ported to Mac OS X by Virtual Programming on 2 November 2007.
The player controls a nation and handles matters concerning war, diplomacy, trade, and economy. The original game without expansions starts in 1453, right after the Fall of Constantinople, and continues to 1789, just past the beginning of the French Revolution. The expansion Napoleon's Ambition extends the end game year forward to 1821, whereas the expansion In Nomine moves the starting year back to 1399.
Europa Universalis III has a 3D engine that requires the system to meet the Pixel Shader 2.0 specification. The map has 1,700 land and sea provinces encompassing most of the world, with 250 playable historical nations. The game also uses elements of other Paradox games such as Crusader Kings, Victoria, and Hearts of Iron II.
In Nomine is a role-playing game designed by Derek Pearcy and published in 1997 by Steve Jackson Games, based on the French game In Nomine Satanis/Magna Veritas. Players typically assume the role of angels and demons in a setting that draws heavily on the traditional Christian mythos.In Nomine won the Origins Award for Best Graphic Presentation of a Roleplaying Game, Adventure, or Supplement of 1997.
The game combines the supernatural with mundane reality, with campaigns often set in the modern world. Supernatural characters take on a human (or other mundane) form to further their various agendas. Although individual campaigns can focus on combat or direct conflict, Heaven and Hell settled into a Cold War called the "Great Game". Angels and demons typically struggle indirectly, by attempting to draw humans closer to their respective sides. Open hostilities are costly, and in the game setting, rarely prove to be the most efficient option. This allows In Nomine to have the qualities of a morality play as well as those of a more standard role-playing game.
In Nomine a 4, for instrumental consort No. 2 & In Nomine a 5, for instrumental consort No. 5 Rose Consort of Viols As the sixteenth century unfolded English musicians began to explore the possibilities opened up to them by the new, acoustically superior viols that had begun to appear on the continent earlier in the century. The new rage for purely instrumental (or consort) music inspired many composers of lesser and greater status, but none, perhaps, so strongly as William Byrd, who we can rightly claim to be one of the first to develop a style of instrumental composition wholly separate from the dominant vocal tradition. Of Byrd's many consort works, several are representatives of the native English In nomine tradition, so called because such works take the portion of John Taverner's e...
Provided to YouTube by NAXOS of America In Nomine No. 5 · Rose Consort of Viols, The Byrd: Consort and Keyboard Music / Songs and Anthems ℗ 1994 Naxos Released on: 1994-06-28 Ensemble: Rose Consort of Viols, The Composer: William Byrd Auto-generated by YouTube.
Provided to YouTube by Warner Classics In Nomine à 5 (VdGS no. 3) · Fretwork Dances from John Dowland's Lachrimae and Consort music and songs by William Byrd ℗ 1990 Erato/Warner Classics, Warner Music UK Ltd Lute, Musicians: Christopher Wilson Ensemble, Vocals: Fretwork Musicians: Julia Hodgson Viol: Julia Hodgson Counter-tenor Vocals: Michael Chance Producer: Nicholas Parker Musicians: Richard Boothby Viol: Richard Boothby Musicians: Richard Campbell Viol: Richard Campbell Musicians: Wendy Gillespie Viol: Wendy Gillespie Musicians: William Hunt Viol: William Hunt Composer: William Byrd Auto-generated by YouTube.
Byrd: Fretwork The Consort Music Ensamble de Viols 01 - Prelude & Ground a 5 (0:00) 02 - Christe redemptor a 4 (5:58) 03 - Sermone blando a 3, MB 108 (8:56) 04 - Pavan & Galliard a 5, MB 127 (13:15) 05 - Fantasia a 5 in C Major, "Two in One" (17:25) 06 - In nomine a 4, No. 1 (23:36) 07 - In nomine a 4, No. 2 (25:54) 08 - Fantasia a 3, No. 1 in C Major (28:43) 09 - Fantasia a 3, No. 2 in C Major (30:28) 10 - Fantasia a 3, No. 3 in C Major (32:14) 11 - Fantasia a 4, No. 1 in G Minor (33:34) 12 - Browning a 5 (36:19) 13 - Pavan & Galliard a 6 in C Major (40:34) 14 - In nomine a 5, No. 1 (44:51) 15 - In nomine a 5, No. 2, "On the sharpe" (47:10) 16 - In nomine a 5, No. 3 (49:47) 17 - In nomine a 5, No. 4 (52:34) 18 - In nomine a 5, No. 5 (55:19) 19 - Fantasia a 6, No. 3 (57:52) 20 - Christe ...
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
a hell of self caused pain
lewd paints harass me
no heart was ever caught and cursed
in such venial lust
decay of dreammade fear
overflows my tired heart
only disgust remained of sweetness bleeding
in caddish pain
loud rushes the sirens well
dark hales the sphynx before our guilt
our hearts trembling with filth
we cry forgive us our sins
tortured by god and crushed in my face
from our souls' darkened bliss
remained only a feeling of bashfulness
the day before in distorted glance
beating to bars of heretic songs
in despair and sadful grace
brighter the stars of forgotten hope
reflecting our godless sin
away you haunting face
with unamable fear
thrill of delight trembles the embers
of my breath
come and get me
you never succeed
choke the life out of you with pale
hands
I open it the door of life
and breathe the world again
I am
am sound and hot coloured life
still my blood flows