- published: 07 Apr 2013
- views: 160665
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The Hail Holy Queen is also the final prayer of the Rosary.
The work was composed during the Middle Ages and originally appeared in Latin, the prevalent language of Western Christianity until modern times. Though traditionally ascribed to the eleventh-century German monk Hermann of Reichenau, it is regarded as anonymous by most musicologists. Traditionally it has been sung in Latin, though many translations exist. These are often used as spoken prayers.
Marian antiphons have been sung, since the thirteenth century, at the close of Compline, the last Office of the day. Peter Canisius (d. 1597) noted that one praises God in Mary when one turns to her in song. Liturgically, the Salve Regina is the best known of four prescribed Marian Anthems recited after Compline, and, in some uses, after Lauds or other Hours. Its use after Compline is likely traceable to the monastic practice of intoning it in chapel and chanting it on the way to sleeping quarters. As a piece of music, it is not part of the much older Gregorian chant repertoire, but may date back to the 11th century.
Salve Regina (Hail Holy Queen, literally: Hail, Queen) is a Marian anthem, a setting by Arvo Pärt of the Latin hymn "Salve Regina" for mixed choir and organ in 2001. It was first performed in Essen Cathedral on 22 May 2002. It was published by Universal Edition in 2002. Pärt arranged the composition for choir, celesta and string orchestra in 2011 for a celebration of 150 years of Italian unity.
Salve Regina was commissioned for the celebration on 22 May 2002 of 1150 years since the foundation of Stift Essen (Essen Abbey) and the city of Essen. The day was also the 75th birthday of Hubert Luthe, then Bishop of Essen, to whom the work is dedicated. It was Luthe's wish to have a setting of this text to venerate the Golden Madonna.
Salve Regina was performed by three choirs of the cathedral with the organist Jürgen Karsawa, conducted by Wolfgang Endrös. The work in one movement takes about 12 minutes to perform. It was published by Universal Edition in July 2002.
Pärt arranged the composition for choir, celesta and string orchestra in 2011 for a celebration of 150 years of Italian unity. It was commissioned by the cities of Turin and Milan and was first performed at the Festival Internazionale della Musica di Milano.
Salve Regina, S. 66, is a musical setting of the Salve Regina hymn composed by Franz Liszt in 1885. It is written for an a cappella SATB choir.
This is the only example of unaccompanied church music in Liszt's hand. It is also Liszt's last religious composition. Liszt had previously composed an organ version of the hymn in Zwei Kirchenhymnen, S. 669, in 1877.
Set in F major and common time, it is marked lento (slow) and is mostly marked piano (soft), with contrasts within this dynamic spectrum. The text contains the first line of the hymn, Salve, Regina, mater misericordiae, with repetitions.
William Byrd Work: The Battell Orchestra: Philip Jones Brass Ensemble Conductor: Elgar Howarth
William Byrd: Mass for 4 Voices http://en.wikipedia.org/wiki/William_byrd Scores: http://www0.cpdl.org/wiki/index.php/Mass_for_Four_Voices_(William_Byrd) Mass for 4 Voices: 01 Kyrie - 0:00 02 Gloria - 1:55 03 Credo - 7:52 04 Sanctus/Benedictus - 15:50 05 Agnus Dei - 19:44
William Byrd (1542 - 1623). The Three Masses Mass For Five Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Four Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Three Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei * Ave Verum Corpus – Alison Gough, soprano - Sally Dunkley, soprano – Michael Chance, countertenor - Robert Harre-Jones, countertenor – Charles Daniels, tenor - Mark Padmore, tenor - Nicolas Robertson, tenor - Rufus Müller, tenor – Francis Steele, bass - Jeremy White, bass The Tallis Scholars Peter Phillips
Ave, verum corpus natum ex Maria Virgine: vere passum, immolatum in cruce pro homine: cuius latus perforatum unda fluxit et sanguine: esto nobis praegustatum, in mortis examine. O dulcis, O pie, O Jesu, Fili Mariae. Miserere mei. Amen. *----------*----------* Hail the true body, born of the Virgin Mary: You who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: Be a foretaste for us in the trial of death. [O sweet, O merciful, O Jesus, Son of Mary.] [Have mercy on me. Amen.] *-----------*-----------* Salve, verdadero cuerpo, nacido de María Virgen, que fue inmolado en la cruz por los hombres, cuyo lado perforado manó sangre y agua, dejanos degustarte en el trance de la muerte. http://www.cpdl.org/wiki/index.php/Ave_v...
William Byrd's five Easter motets performed at Trinitatis Kirke in Copenhagen for the Easter of 2021. Ars Nova Copenhagen conducted by Paul Hillier. Resurrexi 0:00 Haec Dies 5:30 Victimae Paschali 9:14 Terra tremuit 15:07 Pascha Nostrum 16:00 Sound by Danish Radio P2 Video by Julie Malmstrøm Edition by David Fraser Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610) This video is a re-upload of the video available for Easterday 2021.
William Byrd Consort Songs & Music for Viols 1. O Lord, within thy tabernacle 0:00 2. In Nomine à 5 (I) 4:16 3. Quis me statim 7:24 4. In Nomine à 5 (IV) 10:22 5. With lilies white (An elegy for Lady Magdalen Montague, d.1608) 13:12 6. Fantasia à 5 18:04 7. Wretched Albinus (Upon the fall of the Earl of Essex, 1601) 24:56 8. In Nomine à 5 (II) 27:50 9. Blame I confess 31:15 10. Prelude and ground à 5 33:59 11. Ye sacred Muses (An elegy for Thomas Tallis, d.23 November 1585 39:54 12. In Nomine à 5 (V) 43:34 13. Rejoice unto the Lord (In honour of Queen Elizabeth I, 1586) 46:40 14. Browning à 5 50:00 15. Fair Britain Isle (Elegy for Henry, Prince of Wales, d.1612) 54:25 16. In Nomine à 5 (III) 1:00:35 Gerard Lesne Alto Wieland Kuijken Viola da Gamba Ensemble Orlando Gibbons
VOCES8 performs William Byrd’s double motet ‘Ne Irascaris Domine’ and ‘Civitas Sancti Tui’ in the Gresham Centre in London. Audio available at https://orcd.co/end4pyk Text Ne irascaris, Domine, satis et ne ultra memineris iniquitatis nostrae. Ecce, respice, populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. (Isaiah 64 v. 9) Translation Be not angry, O Lord, still, neither remember our iniquity for ever. Behold, see, we beseech thee, we are all thy people. The holy cities are a wilderness. Sion is a wilderness, Jerusalem a desolation.
Ave Verum Corpus I William Byrd Ensemble ZENE I Direction: Bruno Kele-Baujard The CD is available on our website: https://www.ensemblezene.com/online-store/VIA-DOLOROSA-p137418940
Byrd: Motets – listen here: http://smarturl.it/byrdmotets Professor Iain Fenlon, King's College Cambridge, talks about the life of the English Renaissance composer William Byrd.
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
Salve Regina coelitum, O Maria!
Sors unica terrigenum, O Maria!
Jubilate, Cherubim,
Exsultate, Seraphim!
Consonante perpetim:
Salve, Salve, Salve Regina.
Mater misericordiae, O Maria!
Dulcis parens clementiae, O Maria!
Jubilate, Cherubim,
Exsultate, Seraphim!
Consonante perpetim:
Salve, Salve, Salve Regina.
English Version: (Hail, Holy Queen)
Hail holy Queen enthroned above,
Oh Maria,
Hail mother of Mercy and of Love,
Oh Maria,
Triumph all ye cherubim!
Sing with us ye seraphim!
Heaven and Earth, resound the hymn!
Salve (salve), salve, salve Regina!
(Clapping Hands)
Hail holy Queen enthroned above,
Oh Maria,
Hail mother of Mercy and of Love,
Oh Maria,
Triumph all ye cherubim!
Sing with us ye seraphim!
Heaven and Earth, resound the hymn!
Salve, salve-salve, salve Regina!
(Piano)
Our life, our sweetness here below,
(Oh-o-o)Oh Maria,
Our hope in sorrow and in woe (woe-oh-oh),
Oh Maria,
Triumph all ye cherubim (cherubim),
Sing with us ye seraphim (seraphim),
Heaven and Earth resound the Hymn!
Salve, salve-salve, salve Regina!
A-le-lu-iah
Mater ad mater inter marata
Sanctus sanctus dominus
Virgo respice mater ad spice
Sanctus sanctus dominus
A-le-lu-iah (A-le-lu-iah)
Our life, our sweetness here below,
Oh-o-oh-o Maria,
Our hope in sorrow and in woe,
Woh-o-oh-o Maria,
Triumph all ye cherubim (cherubim),
Sing with us ye seraphim (sweet seraphim)
Heaven and Earth, resound the Hymn!
Salve, salve-salve, salve Regina! (Salve yeah)
Salve Regina! (woh-o-oh)