- published: 07 Apr 2013
- views: 160665
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
Veni Creator Spiritus ("Come Creator Spirit") is a hymn believed to have been written by Rabanus Maurus in the 9th century. When the original Latin text is used, it is normally sung in Gregorian Chant. As an invocation of the Holy Spirit, in the practice of the Roman Catholic Church it is sung during the liturgical celebration of the feast of Pentecost (at both Terce and Vespers). It is also sung at occasions such as the entrance of Cardinals to the Sistine Chapel, when electing a new pope, as well as at the consecration of bishops, the ordination of priests, when celebrating the sacrament of Confirmation, the dedication of churches, the celebration of synods or councils, the coronation of kings, the profession of members of religious institutes and other similar solemn events.
The hymn is also widely used in the Anglican Communion and appears, for example, in the Ordering of Priests and in the Consecration of Bishops in the Book of Common Prayer, 1662. It has been translated into several languages; one English example is Creator Spirit! by whose aid, written 1690 by John Dryden and published in The Church Hymn book 1872 (n. 313). Martin Luther used it as the basis for his chorale for Pentecost "Komm, Gott Schöpfer, Heiliger Geist", first published in 1524.
William Byrd Work: The Battell Orchestra: Philip Jones Brass Ensemble Conductor: Elgar Howarth
William Byrd: Mass for 4 Voices http://en.wikipedia.org/wiki/William_byrd Scores: http://www0.cpdl.org/wiki/index.php/Mass_for_Four_Voices_(William_Byrd) Mass for 4 Voices: 01 Kyrie - 0:00 02 Gloria - 1:55 03 Credo - 7:52 04 Sanctus/Benedictus - 15:50 05 Agnus Dei - 19:44
William Byrd (1542 - 1623). The Three Masses Mass For Five Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Four Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Three Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei * Ave Verum Corpus – Alison Gough, soprano - Sally Dunkley, soprano – Michael Chance, countertenor - Robert Harre-Jones, countertenor – Charles Daniels, tenor - Mark Padmore, tenor - Nicolas Robertson, tenor - Rufus Müller, tenor – Francis Steele, bass - Jeremy White, bass The Tallis Scholars Peter Phillips
Ave, verum corpus natum ex Maria Virgine: vere passum, immolatum in cruce pro homine: cuius latus perforatum unda fluxit et sanguine: esto nobis praegustatum, in mortis examine. O dulcis, O pie, O Jesu, Fili Mariae. Miserere mei. Amen. *----------*----------* Hail the true body, born of the Virgin Mary: You who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: Be a foretaste for us in the trial of death. [O sweet, O merciful, O Jesus, Son of Mary.] [Have mercy on me. Amen.] *-----------*-----------* Salve, verdadero cuerpo, nacido de María Virgen, que fue inmolado en la cruz por los hombres, cuyo lado perforado manó sangre y agua, dejanos degustarte en el trance de la muerte. http://www.cpdl.org/wiki/index.php/Ave_v...
William Byrd's five Easter motets performed at Trinitatis Kirke in Copenhagen for the Easter of 2021. Ars Nova Copenhagen conducted by Paul Hillier. Resurrexi 0:00 Haec Dies 5:30 Victimae Paschali 9:14 Terra tremuit 15:07 Pascha Nostrum 16:00 Sound by Danish Radio P2 Video by Julie Malmstrøm Edition by David Fraser Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610) This video is a re-upload of the video available for Easterday 2021.
William Byrd Consort Songs & Music for Viols 1. O Lord, within thy tabernacle 0:00 2. In Nomine à 5 (I) 4:16 3. Quis me statim 7:24 4. In Nomine à 5 (IV) 10:22 5. With lilies white (An elegy for Lady Magdalen Montague, d.1608) 13:12 6. Fantasia à 5 18:04 7. Wretched Albinus (Upon the fall of the Earl of Essex, 1601) 24:56 8. In Nomine à 5 (II) 27:50 9. Blame I confess 31:15 10. Prelude and ground à 5 33:59 11. Ye sacred Muses (An elegy for Thomas Tallis, d.23 November 1585 39:54 12. In Nomine à 5 (V) 43:34 13. Rejoice unto the Lord (In honour of Queen Elizabeth I, 1586) 46:40 14. Browning à 5 50:00 15. Fair Britain Isle (Elegy for Henry, Prince of Wales, d.1612) 54:25 16. In Nomine à 5 (III) 1:00:35 Gerard Lesne Alto Wieland Kuijken Viola da Gamba Ensemble Orlando Gibbons
VOCES8 performs William Byrd’s double motet ‘Ne Irascaris Domine’ and ‘Civitas Sancti Tui’ in the Gresham Centre in London. Audio available at https://orcd.co/end4pyk Text Ne irascaris, Domine, satis et ne ultra memineris iniquitatis nostrae. Ecce, respice, populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. (Isaiah 64 v. 9) Translation Be not angry, O Lord, still, neither remember our iniquity for ever. Behold, see, we beseech thee, we are all thy people. The holy cities are a wilderness. Sion is a wilderness, Jerusalem a desolation.
Ave Verum Corpus I William Byrd Ensemble ZENE I Direction: Bruno Kele-Baujard The CD is available on our website: https://www.ensemblezene.com/online-store/VIA-DOLOROSA-p137418940
Byrd: Motets – listen here: http://smarturl.it/byrdmotets Professor Iain Fenlon, King's College Cambridge, talks about the life of the English Renaissance composer William Byrd.
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
i know, i know, i know, don't say sorry
now i get the check, get the check, get the check, its the problem of your's
when i heard the news i got worried
you gotta know if youever give up, if you ever give up on me
i know i know theres nothing to it
what a thing to say
oh it's a problem of mine, oh about time you can find
just stand up and walk away
sanitize me, honest, i'll be
ultra violently, rewind, rewind me
tapes get older, tapes they get slower
hold me closer, it's not over
wait up, wait up, wait up, what's the hurry?
just get off the phone, get off the phone, get off the phone, you i'm talking to you
when i saw the tapes i got lonely
find a place to review the tapes and they got us on growing up
wait up wait up wait up, just what's the hurry
what a thing to say
oh its' a problem of mine, oh about time you get by
just get up and walk away
watch me, time me, over-time me,
fall in line, please remind, remind me
tapes get older tapes they get slower
hold me closer, it's not over
sanitize me, honest, i'll be
ultra violently, rewind, rewind me
tapes get older, tapes they get slower