- published: 07 Apr 2013
- views: 160665
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William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
William Byrd may refer to:
William 'Daddy' Byrd (July 15, 1907 – January 4, 1991) was an American professional baseball player in the Negro leagues. Born in Canton, Georgia, he was a right-handed pitcher. He participated in six All-Star games. Byrd also saw action with the Criollos de Caguas and Cangrejeros de Santurce clubs of the Puerto Rico Winter League, where he was considered one of the best hurlers. He died at age 83 in Philadelphia, Pennsylvania.
William Byrd Work: The Battell Orchestra: Philip Jones Brass Ensemble Conductor: Elgar Howarth
William Byrd: Mass for 4 Voices http://en.wikipedia.org/wiki/William_byrd Scores: http://www0.cpdl.org/wiki/index.php/Mass_for_Four_Voices_(William_Byrd) Mass for 4 Voices: 01 Kyrie - 0:00 02 Gloria - 1:55 03 Credo - 7:52 04 Sanctus/Benedictus - 15:50 05 Agnus Dei - 19:44
William Byrd (1542 - 1623). The Three Masses Mass For Five Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Four Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei Mass For Three Voices * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei * Ave Verum Corpus – Alison Gough, soprano - Sally Dunkley, soprano – Michael Chance, countertenor - Robert Harre-Jones, countertenor – Charles Daniels, tenor - Mark Padmore, tenor - Nicolas Robertson, tenor - Rufus Müller, tenor – Francis Steele, bass - Jeremy White, bass The Tallis Scholars Peter Phillips
Ave, verum corpus natum ex Maria Virgine: vere passum, immolatum in cruce pro homine: cuius latus perforatum unda fluxit et sanguine: esto nobis praegustatum, in mortis examine. O dulcis, O pie, O Jesu, Fili Mariae. Miserere mei. Amen. *----------*----------* Hail the true body, born of the Virgin Mary: You who truly suffered and were sacrificed on the cross for the sake of man. From whose pierced flank flowed water and blood: Be a foretaste for us in the trial of death. [O sweet, O merciful, O Jesus, Son of Mary.] [Have mercy on me. Amen.] *-----------*-----------* Salve, verdadero cuerpo, nacido de María Virgen, que fue inmolado en la cruz por los hombres, cuyo lado perforado manó sangre y agua, dejanos degustarte en el trance de la muerte. http://www.cpdl.org/wiki/index.php/Ave_v...
William Byrd's five Easter motets performed at Trinitatis Kirke in Copenhagen for the Easter of 2021. Ars Nova Copenhagen conducted by Paul Hillier. Resurrexi 0:00 Haec Dies 5:30 Victimae Paschali 9:14 Terra tremuit 15:07 Pascha Nostrum 16:00 Sound by Danish Radio P2 Video by Julie Malmstrøm Edition by David Fraser Source: William Byrd: Gradualia, seu cantionum sacrarum... Liber secundus (1st edition, 1607, 2nd edition, 1610) This video is a re-upload of the video available for Easterday 2021.
William Byrd Consort Songs & Music for Viols 1. O Lord, within thy tabernacle 0:00 2. In Nomine à 5 (I) 4:16 3. Quis me statim 7:24 4. In Nomine à 5 (IV) 10:22 5. With lilies white (An elegy for Lady Magdalen Montague, d.1608) 13:12 6. Fantasia à 5 18:04 7. Wretched Albinus (Upon the fall of the Earl of Essex, 1601) 24:56 8. In Nomine à 5 (II) 27:50 9. Blame I confess 31:15 10. Prelude and ground à 5 33:59 11. Ye sacred Muses (An elegy for Thomas Tallis, d.23 November 1585 39:54 12. In Nomine à 5 (V) 43:34 13. Rejoice unto the Lord (In honour of Queen Elizabeth I, 1586) 46:40 14. Browning à 5 50:00 15. Fair Britain Isle (Elegy for Henry, Prince of Wales, d.1612) 54:25 16. In Nomine à 5 (III) 1:00:35 Gerard Lesne Alto Wieland Kuijken Viola da Gamba Ensemble Orlando Gibbons
VOCES8 performs William Byrd’s double motet ‘Ne Irascaris Domine’ and ‘Civitas Sancti Tui’ in the Gresham Centre in London. Audio available at https://orcd.co/end4pyk Text Ne irascaris, Domine, satis et ne ultra memineris iniquitatis nostrae. Ecce, respice, populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. (Isaiah 64 v. 9) Translation Be not angry, O Lord, still, neither remember our iniquity for ever. Behold, see, we beseech thee, we are all thy people. The holy cities are a wilderness. Sion is a wilderness, Jerusalem a desolation.
Ave Verum Corpus I William Byrd Ensemble ZENE I Direction: Bruno Kele-Baujard The CD is available on our website: https://www.ensemblezene.com/online-store/VIA-DOLOROSA-p137418940
Byrd: Motets – listen here: http://smarturl.it/byrdmotets Professor Iain Fenlon, King's College Cambridge, talks about the life of the English Renaissance composer William Byrd.
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for use in Anglican services, although he himself became a Roman Catholic in later life and wrote Catholic sacred music as well.
Thanks largely to the research of John Harley, knowledge of Byrd's biography has expanded in recent years. According to Harley, Thomas Byrd, the grandson of Richard Byrd of Ingatestone, Essex, probably moved to London in the 15th century. Thereafter succeeding generations of the family are described as gentlemen. William Byrd was born in London, the son of another Thomas Byrd about whom nothing further is known, and his wife, Margery. The specific year of Byrd's birth is uncertain. In his will, dated 15 November 1622, he describes himself as "in the 80th year of my age", suggesting a birthdate of 1542 or 1543. However a document dated 2 October 1598 written in his own hand states that he is "58 yeares or ther abouts", indicating an earlier birthdate of 1539 or 1540. Byrd had two brothers, Symond and John, who became London merchants, and four sisters, Alice, Barbara, Mary, and Martha.
I granted my neighborhood immunity
During the Rodney King riots when niggas burnt down and looted they're communities
Instead I pulled bricks from the walls of my imagination and threw 'em
Through the window of opportunity
Every studio date booked is a date closer to death procession
We in overtime with 0.6 seconds left, possession
Still life's depth perception begins at the rectum
So I'm defecated from opposite ends of the spectrum
So, take these gems and stick 'em in y'all [? ]
My definition of on-point affect hemophiliacs and virgins all in the same
Manner, one prick and it's all over
And you can lick the gun clips
But it's a sin to wet me like nun clits
None spit, with my ferocity
I over shadow passion
Take my brain off safety and watch my ideas drop shells and blaze battlefields
[Hook:]
[sampled from Big L – Flamboyant:] "Yo, the spotlight is mine! "
"So betta get the name right"
[sampled from Jay-Z – H to the Izzo:] "V to the Izzay"
"I only want to build with skill"
[sampled from O.C. – Time's Up:] "That's what I consider real... "
There's more to Va than sick rhymes invented
I gas hoes with lines demented
At times I'm timid cause
When niggas talk dirty to women
That's sexual harassment
But when women talk dirty to niggas it's $5.99 a minute
And it's an ongoing nigga-feud
The sisters driven, fueled by maxing credit cards and getting jewels
And we motivated by getting screwed
And running up in bitches ribs like Adam in the Indian-giving mood
And we all getting [? ]; shit, if I was Adam
Eve would have to count my ribs every night to see if I tricked off
Please - hoes is like tornadoes
They scream when they come/cum, and take everything when they leave
I give a bitch a warm reception instead of fur
Should the crazy notion of marriage in my head occur
And lawfully wedded her
It's all good, WIFE's an acronym for Wash, Iron, Fuck, Etcetera
[Hook: x2]
[sampled from Big L – Flamboyant:] "Yo, the spotlight is mine! "
"So betta get the name right"
[sampled from Jay-Z – H to the Izzo:] "V to the Izzay"
... scratches and sampling of "uh-huh" and "alright"...
"I only want to build with skill"
[sampled from O.C. – Time's Up:] "That's what I consider real, in this field of music"
I surgically carved my niche in the face of adversity
Till it cursedly inherit Jack-O-Lantern's like scars irreversible
Chicago only get dispersed
Cause most of us that successfully get our foot in first
Close doors on those that put in work
And I can count on one hand, how many succeed in this occupation
Out of a city with a two million nine-hundred and seventy-seven plus population
Not including fertilized eggs and ovulation from copulation self-mission
One reason why the presence of a Vakill and Juice album waits on a record store shelf missing
Thought you knew, niggas here blow-up and move out-of-state
Fuck the share-the-wealth vision
Blow up or not, I'll never sever my block ties
My determination's magnified 800 times over, watch my stock rise
I'm so against the grain, when I'm dropping shit my toilets flush clockwise