Bobby Hutcherson (born January 27, 1941) in Los Angeles is a jazzvibraphone and marimba player. "Little B's Poem" (from the album Components) is one of his best-known compositions. Hutcherson has influenced younger vibraphonists including Steve Nelson, Joe Locke and Stefon Harris.
Biography
Early life and career
Bobby Hutcherson was born to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson's orchestra and personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when he heard Milt Jackson play "Bemsha Swing" on the Miles Davis and the Modern Jazz Giants LP at the age of 12. Still in his teens, Hutcherson began his professional career in the late fifties working with Curtis Amy and Carmell Jones, as well as with Dolphy and Charles Lloyd at Pandora's Box on the Sunset Strip. He made his recording debut on August 3, 1960, cutting two songs for a 7-inch single with the Les McCann trio for Pacific Jazz (released 1961), followed by the LP Groovin' Blue with the Curtis Amy-Frank Butler sextet on December 10 (also released by Pacific Jazz in 1961). In January 1962, Hutcherson joined the Billy Mitchell-Al Grey group for dates at The Jazz Workshop in San Francisco and Birdland in New York City (opposite Art Blakey). After touring with the Mitchell-Grey group for a year, Hutcherson settled in New York City (on 165th street in The Bronx) where he worked part-time as a taxi driver, before fully entering the jazz scene via his childhood friend, bassist Herbie Lewis.
Togo (i/ˈtoʊɡoʊ/), officially the Togolese Republic (French:République Togolaise), is a country in West Africa bordered by Ghana to the west, Benin to the east and Burkina Faso to the north. It extends south to the Gulf of Guinea, where its capitalLomé is located. Togo covers 57,000 square kilometres (22,000sqmi), making it one of the smallest countries in Africa, with a population of approximately 7.5 million.
From the 11th to the 16th century, various tribes entered the region from all directions. From the 16th century to the 18th century, the coastal region was a major trading center for Europeans in search of slaves, earning Togo and the surrounding region the name "The Slave Coast". In 1884, Germany declared Togoland a protectorate. After World War I, rule over Togo was transferred to France. Togo gained its independence from France in 1960.
Togo is a character in the popular Nancy Drew mystery series. Togo is Nancy Drew's dog. He was introduced in the original version of The Whispering Statue as a Bull Terrier. In both the original and revised versions of The Ghost of Blackwood Hall he is a Fox Terrier. In Mystery of Crocodile Island he is a Bull Terrier. Togo helps Nancy sometimes in her cases.
Nancy Drew PC Games
Secret of The Scarlet Hand
In 2002, Togo could be seen as the background for Nancy's laptop.
The Haunted Carousel
In 2003, Nancy gets emails from her housekeeper, Hannah Gruen, saying that Togo lost his favorite yellow squeaky toy under the TV and is refusing to eat.
Alibi in Ashes
In 2011, Togo can be heard barking as police come to arrest Nancy. He stays at George's house during the game and is sad to see Nancy on television. His bed is visible in the Drew home.
from the album "Head On" Blue Note -- BST 84376 (1971)
visit and sub my channel http://www.youtube.com/user/327v8Malibu?feature=guide
Vibraphone, Marimba -- Bobby Hutcherson
Bass -- James Leary III*, Reginald Johnson*
Electric Piano -- William Henderson
Flugelhorn, Trumpet -- Oscar Brashear
Piccolo Flute -- Fred Jackson
Saxophone [Tenor], Flute -- Harold Land
Arranged By, Piano -- Todd Cochran
bobby hutcherson,harold land,william henderson,jazz,funk,fender,rhodes
published: 19 Nov 2012
Bobby Hutcherson • Todd Cochran - Togo Land
Composed and Arranged by Todd Cochran
Recorded at Poppi Recording Studios, Los Angeles - July 2, 1971
Vibraphone , Marimba – Bobby Hutcherson
Tenor Saxophone , Flute – Harold Land
Flugelhorn , Trumpet – Oscar Brashear
Trombone – George Bohanon
Flute – Donald Smith
Piccolo Flute – Fred Jackson
Piano – Todd Cochran
Electric Piano – William Henderson
Bass – James Leary III
Drums , Percussion – Stix Hooper , Sunship Woody Theus , Ndugu Leon Chancler
Congas, Bongos, Percussion – Warren Bryant
Congas – Robert Jenkins
Reeds – Ernie Watts , Charles Owens , Delbert Hill , Herman Riley
published: 28 Jul 2020
Bobby Hutcherson - Mtume
Bobby Hutcherson - Mtume, off the bonus tracks from the album Head On - uploaded via http://www.mp32u.net/
published: 13 Oct 2011
Oat Meal ~ Bobby Hutcherson With Les McCann Ltd
Great early 60's Cool Jazz......................A Metropolitan Soul Fave Rave ! #MetropolitanSoul
published: 30 Jun 2020
Todd Cochran - The River Bends
This is a track from Todd´s first solo album "Todd" (1991)
from the album "Head On" Blue Note -- BST 84376 (1971)
visit and sub my channel http://www.youtube.com/user/327v8Malibu?feature=guide
Vibraphone, Marimba -- Bob...
from the album "Head On" Blue Note -- BST 84376 (1971)
visit and sub my channel http://www.youtube.com/user/327v8Malibu?feature=guide
Vibraphone, Marimba -- Bobby Hutcherson
Bass -- James Leary III*, Reginald Johnson*
Electric Piano -- William Henderson
Flugelhorn, Trumpet -- Oscar Brashear
Piccolo Flute -- Fred Jackson
Saxophone [Tenor], Flute -- Harold Land
Arranged By, Piano -- Todd Cochran
bobby hutcherson,harold land,william henderson,jazz,funk,fender,rhodes
from the album "Head On" Blue Note -- BST 84376 (1971)
visit and sub my channel http://www.youtube.com/user/327v8Malibu?feature=guide
Vibraphone, Marimba -- Bobby Hutcherson
Bass -- James Leary III*, Reginald Johnson*
Electric Piano -- William Henderson
Flugelhorn, Trumpet -- Oscar Brashear
Piccolo Flute -- Fred Jackson
Saxophone [Tenor], Flute -- Harold Land
Arranged By, Piano -- Todd Cochran
bobby hutcherson,harold land,william henderson,jazz,funk,fender,rhodes
Composed and Arranged by Todd Cochran
Recorded at Poppi Recording Studios, Los Angeles - July 2, 1971
Vibraphone , Marimba – Bobby Hutcherson
Tenor Saxoph...
Composed and Arranged by Todd Cochran
Recorded at Poppi Recording Studios, Los Angeles - July 2, 1971
Vibraphone , Marimba – Bobby Hutcherson
Tenor Saxophone , Flute – Harold Land
Flugelhorn , Trumpet – Oscar Brashear
Trombone – George Bohanon
Flute – Donald Smith
Piccolo Flute – Fred Jackson
Piano – Todd Cochran
Electric Piano – William Henderson
Bass – James Leary III
Drums , Percussion – Stix Hooper , Sunship Woody Theus , Ndugu Leon Chancler
Congas, Bongos, Percussion – Warren Bryant
Congas – Robert Jenkins
Reeds – Ernie Watts , Charles Owens , Delbert Hill , Herman Riley
Composed and Arranged by Todd Cochran
Recorded at Poppi Recording Studios, Los Angeles - July 2, 1971
Vibraphone , Marimba – Bobby Hutcherson
Tenor Saxophone , Flute – Harold Land
Flugelhorn , Trumpet – Oscar Brashear
Trombone – George Bohanon
Flute – Donald Smith
Piccolo Flute – Fred Jackson
Piano – Todd Cochran
Electric Piano – William Henderson
Bass – James Leary III
Drums , Percussion – Stix Hooper , Sunship Woody Theus , Ndugu Leon Chancler
Congas, Bongos, Percussion – Warren Bryant
Congas – Robert Jenkins
Reeds – Ernie Watts , Charles Owens , Delbert Hill , Herman Riley
from the album "Head On" Blue Note -- BST 84376 (1971)
visit and sub my channel http://www.youtube.com/user/327v8Malibu?feature=guide
Vibraphone, Marimba -- Bobby Hutcherson
Bass -- James Leary III*, Reginald Johnson*
Electric Piano -- William Henderson
Flugelhorn, Trumpet -- Oscar Brashear
Piccolo Flute -- Fred Jackson
Saxophone [Tenor], Flute -- Harold Land
Arranged By, Piano -- Todd Cochran
bobby hutcherson,harold land,william henderson,jazz,funk,fender,rhodes
Composed and Arranged by Todd Cochran
Recorded at Poppi Recording Studios, Los Angeles - July 2, 1971
Vibraphone , Marimba – Bobby Hutcherson
Tenor Saxophone , Flute – Harold Land
Flugelhorn , Trumpet – Oscar Brashear
Trombone – George Bohanon
Flute – Donald Smith
Piccolo Flute – Fred Jackson
Piano – Todd Cochran
Electric Piano – William Henderson
Bass – James Leary III
Drums , Percussion – Stix Hooper , Sunship Woody Theus , Ndugu Leon Chancler
Congas, Bongos, Percussion – Warren Bryant
Congas – Robert Jenkins
Reeds – Ernie Watts , Charles Owens , Delbert Hill , Herman Riley
Bobby Hutcherson (born January 27, 1941) in Los Angeles is a jazzvibraphone and marimba player. "Little B's Poem" (from the album Components) is one of his best-known compositions. Hutcherson has influenced younger vibraphonists including Steve Nelson, Joe Locke and Stefon Harris.
Biography
Early life and career
Bobby Hutcherson was born to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson's orchestra and personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when he heard Milt Jackson play "Bemsha Swing" on the Miles Davis and the Modern Jazz Giants LP at the age of 12. Still in his teens, Hutcherson began his professional career in the late fifties working with Curtis Amy and Carmell Jones, as well as with Dolphy and Charles Lloyd at Pandora's Box on the Sunset Strip. He made his recording debut on August 3, 1960, cutting two songs for a 7-inch single with the Les McCann trio for Pacific Jazz (released 1961), followed by the LP Groovin' Blue with the Curtis Amy-Frank Butler sextet on December 10 (also released by Pacific Jazz in 1961). In January 1962, Hutcherson joined the Billy Mitchell-Al Grey group for dates at The Jazz Workshop in San Francisco and Birdland in New York City (opposite Art Blakey). After touring with the Mitchell-Grey group for a year, Hutcherson settled in New York City (on 165th street in The Bronx) where he worked part-time as a taxi driver, before fully entering the jazz scene via his childhood friend, bassist Herbie Lewis.
[KIM:] Hello? [SHORT:] It's Too Short baby wassup [KIM:] hhmmm mmmm, you tell me [SHORT:] Shit, i'm comin out that way tonight, i'm tryin ta get with you [KIM:] Oh, really? [SHORT:] Wassup, yeah [KIM:] You know i waited a long time for this [SHORT:] Well look, as soon as i get there i'ma call you aight? [KIM:] Bring me what i need? [SHORT:] yeah (call me, just call me) [CHORUS] when you need some one to talk to, someone to fuck you (call me) satisfaction guaranteed, (just call me) i'll give you what you need (X2) [SHORT] My plane touches down at eleven forty-five I'm comin thru, want you bout to show you why i got the game from the pimps and players you goin feel me, baby when i get there I'm a give you what you want so i could get what i need we could get hella freaky while we smoke some weed We don't need champagne, fuck the gin and juice these nigga's know what Short Dawg and Lil' Kim can do imagination is a understatement anything you can think of we could make it big money hit records watch us get reckless we butt-naked, we never sexless And when i get there, you know it's time to fuck cuz all night long ain't long enough ta come up it's just us ya wanna know sumthin it's a big dick tight pussy thang make us both cum [CHORUS] [KIM] Everybody know the Queen gettin down and dirty drive you crazy like a 730 it ain't a secret rumors they could keep it You know there's only one ghetto Queen with a guillotine real bitch that carry gats by the spleen Na mean? Some bitch is on the other line, answer that if it's a booty call cancel that you want pure satisfaction i'ma handle that all i need is a candle and the porno channel lubricate the top, now i'm startin to sweat peel my Gucci sheets back so they don't get wet now check it Adjust ya phone volume Lil' Kim is shore ta bring the nuts out ya imagine me suckin blood out ya like a hickey, i love the phone quickie i slip myself a mickey, now thats the proper set off You could reach out and touch ME MCI style Kim and Short fuckin Cali bed sty style Tell me what you want, i'll tell you what i need You could fuck me til i bleed Oh Short i'm bout ta OG (and i like it) [CHORUS X2] [SHORT:] You say it's cool ta fuck baby jes open up [KIM:] Well since you showed up what's the hold up? [SHORT:] The blunts ain't rolled up, let's mix sex with the weed smell [KIM:] then ride me nigga like you do them V-12's I'll be yo SLK and you can drop my top [SHORT:] And i'll be all up in the cock from midnight to six o'clock The way you suck dick you off the heez-ay [KIM:] Get off yer kneez-ay, they say you are what you eat baby [SHORT:] This ain't no 69 it's more like a 138, everytime we have sex it's like watchin dirty tapes, yer my personal, private porno star ya wanna see us fuck buy the tape at the corner store Queen Bee gettin stung by Too Sheezee I'm smokin indo, buzzin with the breezee I'll teach you all about the nigga's from the O-A-K we take the money and the pussy cuz we sho' don't play (And i like it) [CHORUS X2] [laughing] [KIM:] HhmmmM [SHORT:] And I'm lovin it [KIM:] HOw much? [SHORT:] How much? [KIM:] yeah [SHORT:] It's like this every time [KIM:] I know your good MMMMMMM [SHORT:] my dick...in your.... [KIM:] is that what you wanna talk about [SHORT:] some of this gonna make it on to the record [KIM:] talk to me