- published: 15 Apr 2017
- views: 7338
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Claude-Achille Debussy (French: [klod aʃil dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of nontraditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.
Songs of Travel is a song cycle of nine songs originally written for baritone voice composed by Ralph Vaughan Williams, with poems selected from the Robert Louis Stevenson collection of the same name. A complete performance of the entire cycle lasts between 20 and 24 minutes.
They were originally written for voice and piano. Vaughan Williams orchestrated the first, third, and eighth songs, and his assistant Roy Douglas later orchestrated the remaining songs using the same instrumentation. The orchestral version has often been recorded, but not always with Douglas acknowledged as its co-orchestrator.
Notable performers of this cycle include Bryn Terfel, Sir Thomas Allen, Sir John Tomlinson, Roderick Williams and John Shirley-Quirk.
Surely one of the most popular English art songs written. I have five versions -- it appears in a good proportion of song anthologies. But which one to choose for this lesson in interpretation? I almost settled on the Dame Felicity Lott rendition as it's a lovely change in what is a man's song. In the end I chose the Thomas Allen version because the accompaniment is better. (c) EMI Records Ltd, 2001. The album, "On The Idle Hill Of Summer, song cycles and songs by Vaughan Williams, Butterworth, Quilter, Graham Peel" is worth owning.
Provided to YouTube by Sony Music Entertainment The Vagabond · Simon Keenlyside · John Ireland Songs of War ℗ 2011 Sony Music Entertainment UK Limited Lyricist: John Masefield Producer: Mark Brown Engineer: Julian Millard Piano: Malcolm Martineau Auto-generated by YouTube.
7. Whither must I wander? selections from "Songs of Travel" by Ralph Vaughan Williams Tenor: Jesse Newby Jesse Newby's Senior Recital July 13th 2010 @ The Music School of Delaware Voice Teacher: Dr. Michael Larkin Tenor: Jesse Newby Pianist: Wendy McNally
Claude-Achille Debussy (French: [klod aʃil dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of nontraditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.
Wasted away on the edge of the city lights
At the top of the Southern heights
You smoked the last one
Breaking away from the cold chains of memory
From the us and the them, or we
Somehow the same
And you were the vagabond at the end of the road
You were never really gone, but you were never really
home
You spread your arms on the edge of the jagged cliff
I could feel my arms get stiff
As I clenched your shoulder
Stained skin and scars, and the glow of the Norther
star
Above the clamor of the speeding cars
In the valley below
And you were the vagabond at the end of the road
You were never really gone, but you were never really
home
And you were the vagabond, lost on the way
You were never really gone, but you were never here to
stay
Break of the day, you were standing there
With your vacant stare
Fixed on the view
And you were the vagabond at the end of the road
You were never really gone, but you were never really
home
And you were the vagabond, lost on the way
You were never really gone, but you were never really
here to stay