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Complete Recordings by Debussy: The Composer as Pianist | Piano Rolls & Acoustic Recordings, 1904-13
Piano Rolls Recordings from 1913 and Acoustic Recordings fom 1904.
Recordings of Debussy playing the piano
It is not very well known that Debussy made recordings of himself playing the piano.
I The Piano Rolls
He recorded several of his own pieces on piano rolls, to be played on a mechanical Welte Mignon player piano. The Welte "reproducing system" could capture the performance of the pianist, and reproduce it more or less accurately, complete with dynamics and pedalling. The piano rolls are now in the Simonton collection at the University of Southern California. There would probably also exist some copies of the rolls elsewhere.
Roll no. 2738
- Préludes I: Danseuses de Delphes
- La cathédrale engloutie
- La Danse de Puck
Roll no. 2739
- Préludes I: Minstrels
- Le vent dans la plaine
...
published: 30 Jun 2018
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The Best of Debussy
Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.
Debussy's orchestral...
published: 31 May 2013
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"Reverie" Composer:Claude Debussy, Alice-Sara Ott piano recital part1
Reverie
Composer:Claude Debussy
Piano:Alice-Sara Ott
published: 20 Sep 2019
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CLAUDE DEBUSSY: CLAIR DE LUNE
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Stay current with our most recent uploads & updates
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published: 06 Oct 2008
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Claude Debussy - Petite Suite for Piano 4 hands (1889)
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Please support my channel:
https://ko-fi.com/bartjebartmans
Petite Suite for Piano 4-hands (1886-89)
I - En Bateau (0:00)
II - Cortège (3:11)
III - Menuet (6:15)
IV - Ballet (9:08)
Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital a...
published: 29 Aug 2015
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Seong-Jin Cho – Debussy: Suite bergamasque, L.75: III. Clair de lune
Listen to Debussy’s 3rd Movement “Clair de Lune” on his “Suite bergamasque” played by Seong-Jin Cho. On the eve of the 100th anniversary of Claude Debussy’s death, 2015 Chopin Competition winner Seong-Jin Cho explores the great French composer’s piano music. Following his two best-selling all-Chopin albums, the pianist brings together some of Debussy’s most popular works and cycles, including Suite bergamasque (with the beloved “Clair de lune”) and Children’s Corner.
Composer: Claude Debussy
Repertoire: Suite bergamasque, 3. Clair de Lune
Place: Siemensvilla, Berlin
Produced by: Sid McLauchlan [Audio]
Video Director: Jürgen Schindler
Video Production: Jürgen Schindler
Video Production Company: Jürgen Schindler Documentary Gigolos
Publisher: Editions Durand, Paris – Complete Works of Clau...
published: 13 Oct 2017
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Debussy plays Debussy | Clair de Lune (1913)
Claude-Achille Debussy - Clair de Lune (Mondglanz, Mondschein, Moonlight), Suite Bergamasque, Debussy, piano. The Suite bergamasque was first composed in 1890-1905.
"Claude Debussy Plays His Finest Works"
Claude Debussy, Piano Roll, 1913.
NOTE: This is NOT an ACOUSTIC RECORDING. This is a recording obtained by PIANO ROLL, see further details below. But acoustic recordings were made by Debussy with Mary Garden and you can hear here: https://youtu.be/W3NX_TrxfVk?t=1h17m25s (tempo 01:17:25)
From 1903 to 1913, Claude Debussy recorded several of his own pieces on piano rolls. Debussy was delighted with the reproduction quality, saying in a letter to Edwin Welte: “It is impossible to attain a greater perfection of reproduction than that of the Welte apparatus. I am happy to assure you in these...
published: 21 Nov 2017
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Claude Debussy - Elegie (audio + sheet music)
Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of atonality. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.
The Élégie was written i...
published: 03 Apr 2015
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The Best of Debussy - Classical Music for Studying and Concentration Piano Relaxation Playlist Mix
2 Hours the Best of Debussy Piano Playlist Mix.
This 2-hour Classical Music arrangement features some of the best pieces by Claude Debussy, the famous French composer of the late 19th and early 20th centuries.
Thank you so much for watching this video. I hope you enjoy it and don't forget to share it!
- Music accreditations:
"Children's Corner" and "Suite bergamasque" are performed by Bernd Krueger (http://www.piano-midi.de/)
"Prelude to the Afternoon of a Faun" is performed by Natalia Ensemble (https://musopen.org/es/music/2687/claude-debussy/prelude-to-the-afternoon-of-a-faun-ensemble-arr/)
"Beau Soir" is performed by John Michel
(https://en.wikipedia.org/wiki/File:CELLO_LIVE_PERFORMANCES_JOHN_MICHEL-DEBUSSY_BEAU_SOIR.ogg)
"Syrinx" is performed by Sarah Bassingthwaite
(https://e...
published: 13 Aug 2015
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Claude Debussy - Cello Sonata
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Maurice Gendron (cello), Jean Françaix (piano)
- Year of recording: 1964
Sonata for Cello and Piano in D minor, written in 1915.
00:00 - I. Prologue (Lent)
05:02 - II. Sérénade (Modérément animé)
08:52 - III. Finale (animé) {Léger et nerveux}
The Cello Sonata is a late work by the French composer Claude Debussy. It was the first of a planned series of 'Six sonates pour divers instruments', however Debussy only completed two others, the sonata for violin and the sonata for flute, viola and harp. The sonata is notable for its brevity, most performances not exceeding 11-12 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instru...
published: 27 Sep 2015
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Claude Debussy - Violin Sonata
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Shlomo Mintz (violin), Yefim Bronfman (piano)
- Year of recording: 1986
Violin Sonata in G minor, L 140, for violin and piano, written in 1916-1917.
00:00 - I. Allegro vivo
04:43 - II. Intermède (fantasque et léger)
08:49 - III. Finale (Très animé)
Debussy's Violin Sonata presents a superb balance of sweetness, fire, humor, and nostalgia. It is a work imbued with deep melancholy that also embodies other characteristic traits that make Debussy's work distinguishable from others: a sense of fantasy, freedom, and affective depth. Written at the very end of the composer's life, the Sonata is one of the finest examples of Debussy's compositional and artistic dexterity. At the time of this composition, Debussy ...
published: 27 Sep 2015
49:36
Complete Recordings by Debussy: The Composer as Pianist | Piano Rolls & Acoustic Recordings, 1904-13
Piano Rolls Recordings from 1913 and Acoustic Recordings fom 1904.
Recordings of Debussy playing the piano
It is not very well known that Debussy made recordi...
Piano Rolls Recordings from 1913 and Acoustic Recordings fom 1904.
Recordings of Debussy playing the piano
It is not very well known that Debussy made recordings of himself playing the piano.
I The Piano Rolls
He recorded several of his own pieces on piano rolls, to be played on a mechanical Welte Mignon player piano. The Welte "reproducing system" could capture the performance of the pianist, and reproduce it more or less accurately, complete with dynamics and pedalling. The piano rolls are now in the Simonton collection at the University of Southern California. There would probably also exist some copies of the rolls elsewhere.
Roll no. 2738
- Préludes I: Danseuses de Delphes
- La cathédrale engloutie
- La Danse de Puck
Roll no. 2739
- Préludes I: Minstrels
- Le vent dans la plaine
Roll no. 2736
- La plus que lente
Roll no. 2735
- Estampes: La soirée dans Grenade
Roll no. 2733
- Childrens Corner: Doctor Gradus ad Parnassum
- Jimbo's Lullaby
- Serenade for the Doll
- The Snow is Dancing
- The Little Shepherd
- Golliwog's Cake Walk
Roll no. 2734
- D'un cahier d'esquisses
II The Acoustic recordings
Acoustic recordings are of course more interesting when we want to get an impression of Debussy's playing, since piano rolls cannot be completely trusted to faithfully reproduce what the pianist played. Unfortunately there are not many acoustic recordings of Debussy. He did however make a recording accompanying the singer Mary Garden for the G & T (Gramophone and Typewriter Co.) in 1904.
The songs they recorded:
- W Mes longs cheveux (Pelléas et Mélisande)
- W Green (Ariettes Oubliées)
- W L'ombre des arbres (Ariettes Oubliées)
- W Il pleure dans mon coeur (Ariettes Oubliées)
https://wn.com/Complete_Recordings_By_Debussy_The_Composer_As_Pianist_|_Piano_Rolls_Acoustic_Recordings,_1904_13
Piano Rolls Recordings from 1913 and Acoustic Recordings fom 1904.
Recordings of Debussy playing the piano
It is not very well known that Debussy made recordings of himself playing the piano.
I The Piano Rolls
He recorded several of his own pieces on piano rolls, to be played on a mechanical Welte Mignon player piano. The Welte "reproducing system" could capture the performance of the pianist, and reproduce it more or less accurately, complete with dynamics and pedalling. The piano rolls are now in the Simonton collection at the University of Southern California. There would probably also exist some copies of the rolls elsewhere.
Roll no. 2738
- Préludes I: Danseuses de Delphes
- La cathédrale engloutie
- La Danse de Puck
Roll no. 2739
- Préludes I: Minstrels
- Le vent dans la plaine
Roll no. 2736
- La plus que lente
Roll no. 2735
- Estampes: La soirée dans Grenade
Roll no. 2733
- Childrens Corner: Doctor Gradus ad Parnassum
- Jimbo's Lullaby
- Serenade for the Doll
- The Snow is Dancing
- The Little Shepherd
- Golliwog's Cake Walk
Roll no. 2734
- D'un cahier d'esquisses
II The Acoustic recordings
Acoustic recordings are of course more interesting when we want to get an impression of Debussy's playing, since piano rolls cannot be completely trusted to faithfully reproduce what the pianist played. Unfortunately there are not many acoustic recordings of Debussy. He did however make a recording accompanying the singer Mary Garden for the G & T (Gramophone and Typewriter Co.) in 1904.
The songs they recorded:
- W Mes longs cheveux (Pelléas et Mélisande)
- W Green (Ariettes Oubliées)
- W L'ombre des arbres (Ariettes Oubliées)
- W Il pleure dans mon coeur (Ariettes Oubliées)
- published: 30 Jun 2018
- views: 24775
1:12:59
The Best of Debussy
Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected...
Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.
Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include two books of Préludes and two of Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.
With early influences including Russian and far-eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.
Claude Debussy
Tracklist
OBRAS PARA PIANO
1. Arabesque Nº1
2. Arabesque Nº2
3. Clair De Lune
4. Passepied
5. Rêverie
6. Hommage A Rameau
7. Voiles
8. Les Sons Et Les Parfums Tournent Dans L'air Du Soir
9. La Fille Aux Cheveux De Lin
10. La Cathédral Engloutie
11. Musiciens
12. Le Petit Berger
13. Golliwogg's Cakewalk
14. L'isle Joyeuse
15. Prelúdio para a tarde de um fauno
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Debussy
https://wn.com/The_Best_Of_Debussy
Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.
Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include two books of Préludes and two of Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.
With early influences including Russian and far-eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.
Claude Debussy
Tracklist
OBRAS PARA PIANO
1. Arabesque Nº1
2. Arabesque Nº2
3. Clair De Lune
4. Passepied
5. Rêverie
6. Hommage A Rameau
7. Voiles
8. Les Sons Et Les Parfums Tournent Dans L'air Du Soir
9. La Fille Aux Cheveux De Lin
10. La Cathédral Engloutie
11. Musiciens
12. Le Petit Berger
13. Golliwogg's Cakewalk
14. L'isle Joyeuse
15. Prelúdio para a tarde de um fauno
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Debussy
- published: 31 May 2013
- views: 28180252
5:03
CLAUDE DEBUSSY: CLAIR DE LUNE
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Stay current with our most recent uploads & updates
Channel 3 YouTube
=PLEASE SUBSCRIBE=
https://www.youtube.com/c/CHANNEL3YOUTUBE
Stay current with our most recent uploads & updates
Channel 3 YouTube
https://wn.com/Claude_Debussy_Clair_De_Lune
=PLEASE SUBSCRIBE=
https://www.youtube.com/c/CHANNEL3YOUTUBE
Stay current with our most recent uploads & updates
Channel 3 YouTube
- published: 06 Oct 2008
- views: 96017088
12:14
Claude Debussy - Petite Suite for Piano 4 hands (1889)
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated wit...
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Please support my channel:
https://ko-fi.com/bartjebartmans
Petite Suite for Piano 4-hands (1886-89)
I - En Bateau (0:00)
II - Cortège (3:11)
III - Menuet (6:15)
IV - Ballet (9:08)
Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital at the Small hall of the Moscow Conservatoire.
The suite, which was composed from 1886 to 1889, was first performed on 2 February 1889 by Debussy and pianist–publisher Jacques Durand at a salon in Paris. It may have been written due to a request – possibly from Durand – for a piece that would be accessible to skilled amateurs, as its simplicity is in stark contrast with the modernist works that Debussy was writing at the time.
The first two movements are settings of poems from the volume Fêtes galantes by Paul Verlaine
https://wn.com/Claude_Debussy_Petite_Suite_For_Piano_4_Hands_(1889)
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Please support my channel:
https://ko-fi.com/bartjebartmans
Petite Suite for Piano 4-hands (1886-89)
I - En Bateau (0:00)
II - Cortège (3:11)
III - Menuet (6:15)
IV - Ballet (9:08)
Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital at the Small hall of the Moscow Conservatoire.
The suite, which was composed from 1886 to 1889, was first performed on 2 February 1889 by Debussy and pianist–publisher Jacques Durand at a salon in Paris. It may have been written due to a request – possibly from Durand – for a piece that would be accessible to skilled amateurs, as its simplicity is in stark contrast with the modernist works that Debussy was writing at the time.
The first two movements are settings of poems from the volume Fêtes galantes by Paul Verlaine
- published: 29 Aug 2015
- views: 883552
5:34
Seong-Jin Cho – Debussy: Suite bergamasque, L.75: III. Clair de lune
Listen to Debussy’s 3rd Movement “Clair de Lune” on his “Suite bergamasque” played by Seong-Jin Cho. On the eve of the 100th anniversary of Claude Debussy’s dea...
Listen to Debussy’s 3rd Movement “Clair de Lune” on his “Suite bergamasque” played by Seong-Jin Cho. On the eve of the 100th anniversary of Claude Debussy’s death, 2015 Chopin Competition winner Seong-Jin Cho explores the great French composer’s piano music. Following his two best-selling all-Chopin albums, the pianist brings together some of Debussy’s most popular works and cycles, including Suite bergamasque (with the beloved “Clair de lune”) and Children’s Corner.
Composer: Claude Debussy
Repertoire: Suite bergamasque, 3. Clair de Lune
Place: Siemensvilla, Berlin
Produced by: Sid McLauchlan [Audio]
Video Director: Jürgen Schindler
Video Production: Jürgen Schindler
Video Production Company: Jürgen Schindler Documentary Gigolos
Publisher: Editions Durand, Paris – Complete Works of Claude Debussy, Vol .I – edt. Roy Howat
Seong-Jin Cho – Debussy: Suite bergamasque, L.75: III. Clair de lune
Listen to 'Debussy': https://DG.lnk.to/cho-debussy-LP
Subscribe here - The Best Of Classical Music: http://bit.ly/Subscribe_DG
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Music video for 3. Clair de lune. (C) 2017 Deutsche Grammophon GmbH, Berlin
#피아노 #클래식 #피아니스트 #Debussy #Piano #ClassicalMusic
https://wn.com/Seong_Jin_Cho_–_Debussy_Suite_Bergamasque,_L.75_Iii._Clair_De_Lune
Listen to Debussy’s 3rd Movement “Clair de Lune” on his “Suite bergamasque” played by Seong-Jin Cho. On the eve of the 100th anniversary of Claude Debussy’s death, 2015 Chopin Competition winner Seong-Jin Cho explores the great French composer’s piano music. Following his two best-selling all-Chopin albums, the pianist brings together some of Debussy’s most popular works and cycles, including Suite bergamasque (with the beloved “Clair de lune”) and Children’s Corner.
Composer: Claude Debussy
Repertoire: Suite bergamasque, 3. Clair de Lune
Place: Siemensvilla, Berlin
Produced by: Sid McLauchlan [Audio]
Video Director: Jürgen Schindler
Video Production: Jürgen Schindler
Video Production Company: Jürgen Schindler Documentary Gigolos
Publisher: Editions Durand, Paris – Complete Works of Claude Debussy, Vol .I – edt. Roy Howat
Seong-Jin Cho – Debussy: Suite bergamasque, L.75: III. Clair de lune
Listen to 'Debussy': https://DG.lnk.to/cho-debussy-LP
Subscribe here - The Best Of Classical Music: http://bit.ly/Subscribe_DG
_______________
Find Deutsche Grammophon Online
Homepage: http://deutschegrammophon.com
Facebook: http://fb.com/deutschegrammophon
Twitter: http://twitter.com/dgclassics
Instagram: http://instagram.com/dgclassics
Newsletter: http://deutschegrammophon.com/gpp/ind...
_______________
最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe_DG
最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe_DG
Лучшая Классическая Музыка - Подписаться: http://bit.ly/Subscribe_DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe_DG
Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe_DG
Music video for 3. Clair de lune. (C) 2017 Deutsche Grammophon GmbH, Berlin
#피아노 #클래식 #피아니스트 #Debussy #Piano #ClassicalMusic
- published: 13 Oct 2017
- views: 3779180
3:51
Debussy plays Debussy | Clair de Lune (1913)
Claude-Achille Debussy - Clair de Lune (Mondglanz, Mondschein, Moonlight), Suite Bergamasque, Debussy, piano. The Suite bergamasque was first composed in 1890-1...
Claude-Achille Debussy - Clair de Lune (Mondglanz, Mondschein, Moonlight), Suite Bergamasque, Debussy, piano. The Suite bergamasque was first composed in 1890-1905.
"Claude Debussy Plays His Finest Works"
Claude Debussy, Piano Roll, 1913.
NOTE: This is NOT an ACOUSTIC RECORDING. This is a recording obtained by PIANO ROLL, see further details below. But acoustic recordings were made by Debussy with Mary Garden and you can hear here: https://youtu.be/W3NX_TrxfVk?t=1h17m25s (tempo 01:17:25)
From 1903 to 1913, Claude Debussy recorded several of his own pieces on piano rolls. Debussy was delighted with the reproduction quality, saying in a letter to Edwin Welte: “It is impossible to attain a greater perfection of reproduction than that of the Welte apparatus. I am happy to assure you in these lines of my astonishment and admiration of what I heard. I am, Dear Sir, Yours Faithfully, Claude Debussy.” More than one century old, these recordings allow us to listen to the great composer playing his own works. Debussy made his last recordings when he was 52 years old and suffering from cancer, in 1913. He died less than five years later, on March 25, 1918.
Rolls for the reproducing piano were generally made from the recorded performances of famous musicians. Typically, a pianist would sit at a specially designed recording piano, and the pitch and duration of any notes played would be either marked or perforated on a blank roll, together with the duration of the sustaining and soft pedal. Reproducing pianos can also re-create the dynamics of a pianist's performance by means of specially encoded control perforations placed towards the edges of a music roll, but this coding was never recorded automatically. Different companies had different ways of notating dynamics, some technically advanced (though not necessarily more effective), some secret, and some dependent entirely on a recording producer's handwritten notes, but in all cases these dynamic hieroglyphics had to be skillfully converted into the specialized perforated codes needed by the different types of instrument.
The playing of many pianists and composers is preserved on reproducing piano roll. Gustav Mahler, Camille Saint-Saëns, Edvard Grieg, Teresa Carreño, Claude Debussy, Manuel de Falla, Scott Joplin, Sergei Rachmaninoff, Sergei Prokofiev, Alexander Scriabin, Jelly Roll Morton and George Gershwin are amongst the composers and pianists who have had their performances recorded in this way.
Claude Debussy's famous Clair de lune is the third piece of the Suite bergamasque for piano, a work whose title was chosen as much for its composer's love of the word-sounds as for its Renaissance implications (though the work can rightly be described as something of a tribute to the French harpsichordists of olden days).
The D flat major of Clair de lune is perfectly chosen, the gleaming melody in parallel thirds (con sordina, Debussy requests) expertly balanced by the beautifully dissonant tempo rubato that follows it. During the un poco mosso middle section of Clair de lune, the music swells far past the pianissimo of the opening, and in its climax one might say that the young composer has crafted more of sunlight than of moonlight; the incessant arpeggios may well be overdone, but one can cherish them all the same. Little wisps of these arpeggios find their way over into the reprise of the opening music, and the rolling tones of the middle section are given a few measures to plead their case once more before the final chromatic cadence, a moment of absolute tranquility, is made.
Clair de Lune is a French poem written by Paul Verlaine in the year 1869. It is the inspiration for the third and most famous movement of Debussy's 1890 Suite bergamasque of the same name. 'Clair de lune' ('Moonlight') is from Verlaine's early collection Fêtes galantes (Gallant Parties, 1869).
Clair de lune
Votre âme est un paysage choisi
Que vont charmant masques et bergamasques
Jouant du luth et dansant et quasi
Tristes sous leurs déguisements fantasques.
Tout en chantant sur le mode mineur
L'amour vainqueur et la vie opportune,
Ils n'ont pas l'air de croire à leur bonheur
Et leur chanson se mêle au clair de lune,
Au calme clair de lune triste et beau,
Qui fait rêver les oiseaux dans les arbres
Et sangloter d'extase les jets d'eau,
Les grands jets d'eau sveltes parmi les marbres.
Paul Verlaine
Moonlight
Your soul is a select landscape fair
Where charming masqueraders and bergamaskers go
Playing the lute and dancing and almost
Sad beneath their fantastic disguises.
All sing in a minor key
Of victorious love and the opportune life,
They do not seem to believe in their happiness
And their song mingles with the moonlight,
With the still moonlight, sad and beautiful,
Which gives the birds to dream in the trees
And makes the fountain sprays sob in ecstasy,
The tall, slender fountain sprays among the marble statues.
Paul Verlaine
https://wn.com/Debussy_Plays_Debussy_|_Clair_De_Lune_(1913)
Claude-Achille Debussy - Clair de Lune (Mondglanz, Mondschein, Moonlight), Suite Bergamasque, Debussy, piano. The Suite bergamasque was first composed in 1890-1905.
"Claude Debussy Plays His Finest Works"
Claude Debussy, Piano Roll, 1913.
NOTE: This is NOT an ACOUSTIC RECORDING. This is a recording obtained by PIANO ROLL, see further details below. But acoustic recordings were made by Debussy with Mary Garden and you can hear here: https://youtu.be/W3NX_TrxfVk?t=1h17m25s (tempo 01:17:25)
From 1903 to 1913, Claude Debussy recorded several of his own pieces on piano rolls. Debussy was delighted with the reproduction quality, saying in a letter to Edwin Welte: “It is impossible to attain a greater perfection of reproduction than that of the Welte apparatus. I am happy to assure you in these lines of my astonishment and admiration of what I heard. I am, Dear Sir, Yours Faithfully, Claude Debussy.” More than one century old, these recordings allow us to listen to the great composer playing his own works. Debussy made his last recordings when he was 52 years old and suffering from cancer, in 1913. He died less than five years later, on March 25, 1918.
Rolls for the reproducing piano were generally made from the recorded performances of famous musicians. Typically, a pianist would sit at a specially designed recording piano, and the pitch and duration of any notes played would be either marked or perforated on a blank roll, together with the duration of the sustaining and soft pedal. Reproducing pianos can also re-create the dynamics of a pianist's performance by means of specially encoded control perforations placed towards the edges of a music roll, but this coding was never recorded automatically. Different companies had different ways of notating dynamics, some technically advanced (though not necessarily more effective), some secret, and some dependent entirely on a recording producer's handwritten notes, but in all cases these dynamic hieroglyphics had to be skillfully converted into the specialized perforated codes needed by the different types of instrument.
The playing of many pianists and composers is preserved on reproducing piano roll. Gustav Mahler, Camille Saint-Saëns, Edvard Grieg, Teresa Carreño, Claude Debussy, Manuel de Falla, Scott Joplin, Sergei Rachmaninoff, Sergei Prokofiev, Alexander Scriabin, Jelly Roll Morton and George Gershwin are amongst the composers and pianists who have had their performances recorded in this way.
Claude Debussy's famous Clair de lune is the third piece of the Suite bergamasque for piano, a work whose title was chosen as much for its composer's love of the word-sounds as for its Renaissance implications (though the work can rightly be described as something of a tribute to the French harpsichordists of olden days).
The D flat major of Clair de lune is perfectly chosen, the gleaming melody in parallel thirds (con sordina, Debussy requests) expertly balanced by the beautifully dissonant tempo rubato that follows it. During the un poco mosso middle section of Clair de lune, the music swells far past the pianissimo of the opening, and in its climax one might say that the young composer has crafted more of sunlight than of moonlight; the incessant arpeggios may well be overdone, but one can cherish them all the same. Little wisps of these arpeggios find their way over into the reprise of the opening music, and the rolling tones of the middle section are given a few measures to plead their case once more before the final chromatic cadence, a moment of absolute tranquility, is made.
Clair de Lune is a French poem written by Paul Verlaine in the year 1869. It is the inspiration for the third and most famous movement of Debussy's 1890 Suite bergamasque of the same name. 'Clair de lune' ('Moonlight') is from Verlaine's early collection Fêtes galantes (Gallant Parties, 1869).
Clair de lune
Votre âme est un paysage choisi
Que vont charmant masques et bergamasques
Jouant du luth et dansant et quasi
Tristes sous leurs déguisements fantasques.
Tout en chantant sur le mode mineur
L'amour vainqueur et la vie opportune,
Ils n'ont pas l'air de croire à leur bonheur
Et leur chanson se mêle au clair de lune,
Au calme clair de lune triste et beau,
Qui fait rêver les oiseaux dans les arbres
Et sangloter d'extase les jets d'eau,
Les grands jets d'eau sveltes parmi les marbres.
Paul Verlaine
Moonlight
Your soul is a select landscape fair
Where charming masqueraders and bergamaskers go
Playing the lute and dancing and almost
Sad beneath their fantastic disguises.
All sing in a minor key
Of victorious love and the opportune life,
They do not seem to believe in their happiness
And their song mingles with the moonlight,
With the still moonlight, sad and beautiful,
Which gives the birds to dream in the trees
And makes the fountain sprays sob in ecstasy,
The tall, slender fountain sprays among the marble statues.
Paul Verlaine
- published: 21 Nov 2017
- views: 2287699
2:29
Claude Debussy - Elegie (audio + sheet music)
Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated wit...
Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of atonality. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.
The Élégie was written in 1915 following the composer’s move to the coast. The outbreak of the First World War had initially depressed Debussy into a state of creative sterility but the move was to prove most productive. The Élégie was written for a charity and, dedicated to Queen Alexandra, honours the role of women in wartime. It is now rarely performed but Roger Nichols writes, ‘it is one of the composer’s most extraordinary works… and we are left wondering what on earth Debussy would have written in the 1920s and beyond’.
It appeared in 1916 in autograph facsimile, in a fundraising book called Pages inédites sur la femme et la guerre; its cello-like melody and D-minor key recall the Cello Sonata that Debussy had completed the previous summer. Under the last bar appears the date 15 December 1915; a week earlier Debussy had undergone a cancer operation from which he never properly recovered.
(Wikipedia, PrestoClassical, RoyHowat)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to 480p if the video is blurry.
Performance by: Ernst Ueckermann
(original audio: https://www.youtube.com/watch?v=GNfGzYAEqrc)
https://wn.com/Claude_Debussy_Elegie_(Audio_Sheet_Music)
Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of atonality. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.
The Élégie was written in 1915 following the composer’s move to the coast. The outbreak of the First World War had initially depressed Debussy into a state of creative sterility but the move was to prove most productive. The Élégie was written for a charity and, dedicated to Queen Alexandra, honours the role of women in wartime. It is now rarely performed but Roger Nichols writes, ‘it is one of the composer’s most extraordinary works… and we are left wondering what on earth Debussy would have written in the 1920s and beyond’.
It appeared in 1916 in autograph facsimile, in a fundraising book called Pages inédites sur la femme et la guerre; its cello-like melody and D-minor key recall the Cello Sonata that Debussy had completed the previous summer. Under the last bar appears the date 15 December 1915; a week earlier Debussy had undergone a cancer operation from which he never properly recovered.
(Wikipedia, PrestoClassical, RoyHowat)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to 480p if the video is blurry.
Performance by: Ernst Ueckermann
(original audio: https://www.youtube.com/watch?v=GNfGzYAEqrc)
- published: 03 Apr 2015
- views: 21667
2:23:14
The Best of Debussy - Classical Music for Studying and Concentration Piano Relaxation Playlist Mix
2 Hours the Best of Debussy Piano Playlist Mix.
This 2-hour Classical Music arrangement features some of the best pieces by Claude Debussy, the famous French ...
2 Hours the Best of Debussy Piano Playlist Mix.
This 2-hour Classical Music arrangement features some of the best pieces by Claude Debussy, the famous French composer of the late 19th and early 20th centuries.
Thank you so much for watching this video. I hope you enjoy it and don't forget to share it!
- Music accreditations:
"Children's Corner" and "Suite bergamasque" are performed by Bernd Krueger (http://www.piano-midi.de/)
"Prelude to the Afternoon of a Faun" is performed by Natalia Ensemble (https://musopen.org/es/music/2687/claude-debussy/prelude-to-the-afternoon-of-a-faun-ensemble-arr/)
"Beau Soir" is performed by John Michel
(https://en.wikipedia.org/wiki/File:CELLO_LIVE_PERFORMANCES_JOHN_MICHEL-DEBUSSY_BEAU_SOIR.ogg)
"Syrinx" is performed by Sarah Bassingthwaite
(https://en.wikipedia.org/wiki/File:Debussy_-_Syrinx.ogg)
"La Plus Que Lente" is performed by La Pianista
(https://en.wikipedia.org/wiki/File:La_Plus_Que_Lente.ogg)
"Danse Sacrée" and "Danse Profane" is performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig.
(https://en.wikipedia.org/wiki/File:Danse_Profane.ogg)
(https://en.wikipedia.org/wiki/File:Danse_Sacr%C3%A9e.ogg)
- Pictures purchased at Shutterstock and used under a Royalty-Free Subscription License Agreement (https://www.shutterstock.com/license)
Source: https://www.shutterstock.com
ID Number: 153260503
https://wn.com/The_Best_Of_Debussy_Classical_Music_For_Studying_And_Concentration_Piano_Relaxation_Playlist_Mix
2 Hours the Best of Debussy Piano Playlist Mix.
This 2-hour Classical Music arrangement features some of the best pieces by Claude Debussy, the famous French composer of the late 19th and early 20th centuries.
Thank you so much for watching this video. I hope you enjoy it and don't forget to share it!
- Music accreditations:
"Children's Corner" and "Suite bergamasque" are performed by Bernd Krueger (http://www.piano-midi.de/)
"Prelude to the Afternoon of a Faun" is performed by Natalia Ensemble (https://musopen.org/es/music/2687/claude-debussy/prelude-to-the-afternoon-of-a-faun-ensemble-arr/)
"Beau Soir" is performed by John Michel
(https://en.wikipedia.org/wiki/File:CELLO_LIVE_PERFORMANCES_JOHN_MICHEL-DEBUSSY_BEAU_SOIR.ogg)
"Syrinx" is performed by Sarah Bassingthwaite
(https://en.wikipedia.org/wiki/File:Debussy_-_Syrinx.ogg)
"La Plus Que Lente" is performed by La Pianista
(https://en.wikipedia.org/wiki/File:La_Plus_Que_Lente.ogg)
"Danse Sacrée" and "Danse Profane" is performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig.
(https://en.wikipedia.org/wiki/File:Danse_Profane.ogg)
(https://en.wikipedia.org/wiki/File:Danse_Sacr%C3%A9e.ogg)
- Pictures purchased at Shutterstock and used under a Royalty-Free Subscription License Agreement (https://www.shutterstock.com/license)
Source: https://www.shutterstock.com
ID Number: 153260503
- published: 13 Aug 2015
- views: 370428
11:59
Claude Debussy - Cello Sonata
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Maurice Gendron (cello), Jean Françaix (piano)
- Year of recording: 1964
Son...
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Maurice Gendron (cello), Jean Françaix (piano)
- Year of recording: 1964
Sonata for Cello and Piano in D minor, written in 1915.
00:00 - I. Prologue (Lent)
05:02 - II. Sérénade (Modérément animé)
08:52 - III. Finale (animé) {Léger et nerveux}
The Cello Sonata is a late work by the French composer Claude Debussy. It was the first of a planned series of 'Six sonates pour divers instruments', however Debussy only completed two others, the sonata for violin and the sonata for flute, viola and harp. The sonata is notable for its brevity, most performances not exceeding 11-12 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument.
The two final movements are joined by an attacca. Instead of sonata form, Debussy structures the piece in the style of the eighteenth-century monothematic sonata, and was particularly influenced by the music of François Couperin.
The piece makes use of modes and whole-tone and pentatonic scales, as is typical of Debussy's style. It also utilises many types of extended cello technique, including left-hand pizzicato, spiccato and flautando bowing, false harmonics and portamenti. Not surprisingly, the piece is considered technically demanding.
https://wn.com/Claude_Debussy_Cello_Sonata
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Maurice Gendron (cello), Jean Françaix (piano)
- Year of recording: 1964
Sonata for Cello and Piano in D minor, written in 1915.
00:00 - I. Prologue (Lent)
05:02 - II. Sérénade (Modérément animé)
08:52 - III. Finale (animé) {Léger et nerveux}
The Cello Sonata is a late work by the French composer Claude Debussy. It was the first of a planned series of 'Six sonates pour divers instruments', however Debussy only completed two others, the sonata for violin and the sonata for flute, viola and harp. The sonata is notable for its brevity, most performances not exceeding 11-12 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument.
The two final movements are joined by an attacca. Instead of sonata form, Debussy structures the piece in the style of the eighteenth-century monothematic sonata, and was particularly influenced by the music of François Couperin.
The piece makes use of modes and whole-tone and pentatonic scales, as is typical of Debussy's style. It also utilises many types of extended cello technique, including left-hand pizzicato, spiccato and flautando bowing, false harmonics and portamenti. Not surprisingly, the piece is considered technically demanding.
- published: 27 Sep 2015
- views: 465307
12:47
Claude Debussy - Violin Sonata
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Shlomo Mintz (violin), Yefim Bronfman (piano)
- Year of recording: 1986
Viol...
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Shlomo Mintz (violin), Yefim Bronfman (piano)
- Year of recording: 1986
Violin Sonata in G minor, L 140, for violin and piano, written in 1916-1917.
00:00 - I. Allegro vivo
04:43 - II. Intermède (fantasque et léger)
08:49 - III. Finale (Très animé)
Debussy's Violin Sonata presents a superb balance of sweetness, fire, humor, and nostalgia. It is a work imbued with deep melancholy that also embodies other characteristic traits that make Debussy's work distinguishable from others: a sense of fantasy, freedom, and affective depth. Written at the very end of the composer's life, the Sonata is one of the finest examples of Debussy's compositional and artistic dexterity. At the time of this composition, Debussy was already ill with terminal cancer. He had continued to write despite his failing health, partly for financial reasons. It was in 1915 that he began a project of writing six sonatas for various instrumentations; the Violin Sonata was the third in the set, and the last work he completed before his death.
The challenge for the violin-piano duo in the Violin Sonata is the collaboration of senses and spirit. Unlike sonatas from earlier periods, or other sonatas of Debussy's time, the two instruments do not accompany each other per se; rather, one instrument leads with a pulling energy against the counter melody or motif of the other. Ultimately, this creates a different kind of sonority and texture; the two instruments challenge one another but their arguments ultimately bring them closer together.
- The poignant opening chords of the first movement of Debussy's Violin Sonata, Allegro vivo, played by the piano, immediately transport the listener into a subdued atmosphere, enveloped in nostalgia and sadness. The movement is filled with rhythmic and harmonic ambiguity with an ongoing momentum, regardless of speed.
- In contrast, the middle movement, Fantasque et léger, as indicated by its marking, is mostly light and fantastic, capricious with a hint of coquettishness and with a second theme as surprisingly melodious as it is sensuous.
- Debussy finished the final movement, Très animé, in October 1916, four months before he completed the preceding two movements. It begins with running notes in the piano, punctuated with a melodic emphasis from the second theme of the previous movement. The violin then enters in a slightly modified handling of the nostalgic theme from the beginning of the sonata. The main bulk of the movement, however, is a showcase of agility with a splash. In particular, Debussy uses the maximum pitch range available on the violin, going from the open G (lowest possible note of the instrument) to a C-sharp at three octaves and a half-step above the middle C. For the piano, he demands a tremolo-like speed with atmospheric lightness of touch.
The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
https://wn.com/Claude_Debussy_Violin_Sonata
- Composer: Achille-Claude Debussy (22 August 1862 -- 25 March 1918)
- Performers: Shlomo Mintz (violin), Yefim Bronfman (piano)
- Year of recording: 1986
Violin Sonata in G minor, L 140, for violin and piano, written in 1916-1917.
00:00 - I. Allegro vivo
04:43 - II. Intermède (fantasque et léger)
08:49 - III. Finale (Très animé)
Debussy's Violin Sonata presents a superb balance of sweetness, fire, humor, and nostalgia. It is a work imbued with deep melancholy that also embodies other characteristic traits that make Debussy's work distinguishable from others: a sense of fantasy, freedom, and affective depth. Written at the very end of the composer's life, the Sonata is one of the finest examples of Debussy's compositional and artistic dexterity. At the time of this composition, Debussy was already ill with terminal cancer. He had continued to write despite his failing health, partly for financial reasons. It was in 1915 that he began a project of writing six sonatas for various instrumentations; the Violin Sonata was the third in the set, and the last work he completed before his death.
The challenge for the violin-piano duo in the Violin Sonata is the collaboration of senses and spirit. Unlike sonatas from earlier periods, or other sonatas of Debussy's time, the two instruments do not accompany each other per se; rather, one instrument leads with a pulling energy against the counter melody or motif of the other. Ultimately, this creates a different kind of sonority and texture; the two instruments challenge one another but their arguments ultimately bring them closer together.
- The poignant opening chords of the first movement of Debussy's Violin Sonata, Allegro vivo, played by the piano, immediately transport the listener into a subdued atmosphere, enveloped in nostalgia and sadness. The movement is filled with rhythmic and harmonic ambiguity with an ongoing momentum, regardless of speed.
- In contrast, the middle movement, Fantasque et léger, as indicated by its marking, is mostly light and fantastic, capricious with a hint of coquettishness and with a second theme as surprisingly melodious as it is sensuous.
- Debussy finished the final movement, Très animé, in October 1916, four months before he completed the preceding two movements. It begins with running notes in the piano, punctuated with a melodic emphasis from the second theme of the previous movement. The violin then enters in a slightly modified handling of the nostalgic theme from the beginning of the sonata. The main bulk of the movement, however, is a showcase of agility with a splash. In particular, Debussy uses the maximum pitch range available on the violin, going from the open G (lowest possible note of the instrument) to a C-sharp at three octaves and a half-step above the middle C. For the piano, he demands a tremolo-like speed with atmospheric lightness of touch.
The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
- published: 27 Sep 2015
- views: 547725