- published: 30 Jul 2018
- views: 2002
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Claude-Achille Debussy (French: [klod aʃil dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of nontraditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.
The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894 (see 1894 in poetry).
The poems are in the manner of Sappho; the collection's introduction claims they were found on the walls of a tomb in Cyprus, written by a woman of Ancient Greece called Bilitis, a courtesan and contemporary of Sappho to whose life Louÿs dedicated a small section of the book. On publication, the volume deceived even the most expert of scholars. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature.
Louÿs claimed the 143 prose poems, excluding 3 epitaphs, were entirely the work of this ancient poet — a place where she poured both her most intimate thoughts and most public actions, from childhood innocence in Pamphylia to the loneliness and chagrin of her later years.
Although for the most part The Songs of Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself. The poems are a blend of mellow sensuality and polished style in the manner of the Parnassian school, but underneath run subtle Gallic undertones that Louÿs could never escape.
Provided to YouTube by Universal Music Group Debussy: Chansons de Bilitis, L. 90 - La Chevelure · Renée Fleming · Jean-Yves Thibaudet Renée Fleming - Night Songs ℗ 2001 Decca Music Group Limited Released on: 2001-01-01 Producer: Andrew Cornall Composer: Claude Debussy Author: Pierre Louÿs Auto-generated by YouTube.
DEBUSSY “La Chevelure,” from Trois Chansons de Bilitis Ruby Dibble, mezzo-soprano Susan Nowicki, piano Performed on Wednesday, October 23, 2019 Field Concert Hall, Curtis Institute of Music, Philadelphia Join us next week as the Curtis Opera Theatre performs The Barber of Seville, Rossini’s effervescent comedy, overflowing with farcical twists and sparkling arias. The barber of Seville does it all—whether a shave, a scheme, or a secret wedding. Figaro dreams up daring plans to unite the beautiful Rosina with a nobleman in disguise. Their budding romance infuriates the couple’s adversaries, who are no match for the ever-resourceful barber. Some of Curtis’s newest additions to the voice department will be highlighted in this production. In anticipation of this opera, please enjoy this pe...
CD 97 ; L.90 I - La flûte de Pan 3:26 II - La Chevelure 0:03 III - Le Tombeau des naïades 6:10 Debussy's Trois Chansons de Bilitis were published in their original form for voice and piano in 1897, with a dedication to the writer André Gide. The texts were those of the well-known prose poems by Pierre Louÿs. As Edward Lockspeiser writes, these songs "provide the most moving revelations of the hedonistic, pagan art of Debussy, a reminder that the antique grace and splendour of the earlier Après-midi d'un faune was not only still alive in the composer's imagination, but that it was capable of a more remote, and therefore still more poignant spiritualization. Indeed, one may go further and conjecture that Bilitis and the Mallarméan faun are in a sense the illegitimate progenitors of the ult...
Provided to YouTube by Warner Classics 3 Chansons de Bilitis, CD 97, L. 90: No. 2, La Chevelure · Véronique Gens · Roger Vignoles Nuit d'étoiles - Mélodies françaises ℗ A Warner Classics/Erato release, ℗ 2000 Parlophone Records Limited Engineer, Producer: Daniel Zalay Piano: Roger Vignoles Soprano Vocals: Véronique Gens Composer: Claude Debussy Poet: Pierre Louÿs Auto-generated by YouTube.
Provided to YouTube by Nonesuch Debussy: Les chansons de Bilitis, La chevelure · Dawn Upshaw Voices of Light ℗ 2004 Nonesuch Records Inc. Soprano Vocals: Dawn Upshaw Piano: Gilbert Kalish Composer: Claude Debussy Lyricist: Pierre Louys Auto-generated by YouTube.
Isabelle Druet, mezzo Anne Le Bozec, piano If you want to support me, here's my Patreon account: https://www.patreon.com/user?u=32870572&fbclid=IwAR1q6n4tj4pK5mnC7p1oIYyP0bz3cKfeK83JXUJ-sNS0TcVoapF1Ix8FZZ
Lorrain Hunt Lieberson (mezzo-soprano) Peter Serkin (piano)
Provided to YouTube by Sony Classical Chansons de Bilitis: La Chevelure · Frederica von Stade · Claude Debussy · Martin Katz Frederica von Stade Song Recital ℗ 1978 Sony Music Entertainment Released on: 2010-11-01 Lyricist: Pierre Louys Producer: Paul Myers Auto-generated by YouTube.
Mezzo Soprano : Eva Zaïcik Piano : Romain Louveau Extrait des Chansons de Bilitis Concert des Révélations des Victoires de la Musique Classique - 16 janv. 2018 - Studio 105 de la Maison de la Radio www.evazaicik.com www.romainlouveau.com
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Claude-Achille Debussy (French: [klod aʃil dəbysi]; 22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of nontraditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.