- published: 09 May 2019
- views: 109
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Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.
Pictures at an Exhibition (Russian: Картинки с выставки – Воспоминание о Викторе Гартмане, Kartínki s výstavki – Vospominániye o Víktore Gártmane, Pictures from an Exhibition – A Remembrance of Viktor Hartmann; French: Tableaux d'une exposition) is a suite in ten movements (plus a recurring, varied Promenade) composed for piano by Russian composer Modest Mussorgsky in 1874.
The suite is Mussorgsky's most famous piano composition and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel's arrangement being the most recorded and performed.
It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. Their meeting was likely arranged by the influential critic Vladimir Stasov who followed both of their careers with interest.
Leopold Stokowski's orchestration of Pictures at an Exhibition by Modest Mussorgsky was completed in 1939 and premiered later that year, on 17 November, by the Philadelphia Orchestra.
Mussorgsky's original 1874 composition was a suite for piano, however, the piece has gained most of its fame through the many orchestrations of it that have been produced. The most popular of these arrangements was completed in 1922 by French composer Maurice Ravel. Stokowski introduced the Ravel orchestration of Pictures to Philadelphia audiences in 1929, but was not fully satisfied with the arrangement, feeling it needed a more Slavic sound. His version was finished 10 years later, without much of the French influence he saw in Ravel's. Stokowski omits two movements, "Tuileries" and "Limoges," because he felt they showed too much French influence and had a suspicion they might have been composed by Nikolai Rimsky-Korsakov, whose 1886 edition was the first published version of Mussorgsky's work.
Pictures at an Exhibition is a suite of ten piano pieces composed by Modest Mussorgsky.
Pictures at an Exhibition may also refer to:
Provided to YouTube by NAXOS of America Pictures at an Exhibition (Orch. M. Ravel) : I. Gnomus · Maurice Ravel Mussorgsky, Rimsky-Korsakov & Lyadov: Works ℗ 2019 Oehms Classics Released on: 2019-05-10 Conductor: Dmitri Kitayenko Orchestra: Gürzenich-Orchester Köln Arranger: Maurice Ravel Composer: Modest Mussorgsky Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Mussorgsky: Pictures at an Exhibition (Orch. Ravel) - I. Gnomus · Wiener Philharmoniker · Gustavo Dudamel · Modest Mussorgsky Mussorgsky: Pictures At An Exhibition ℗ 2016 Deutsche Grammophon GmbH, Berlin Released on: 2016-12-02 Producer: Friedemann Engelbrecht Studio Personnel, Recording Engineer: René Möller Composer: Modest Mussorgsky Arranger, Orchestrator: Maurice Ravel Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Mussorgsky: Pictures at an Exhibition (Orch. Ravel) : I. Gnomus · Berliner Philharmoniker · Herbert von Karajan · Modest Mussorgsky Ravel: Boléro / Debussy: La Mer / Mussorgsky: Pictures at an Exhibition ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1995-01-01 Producer: Otto Ernst Wohlert Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Volker Martin Composer: Modest Mussorgsky Arranger, Orchestrator: Maurice Ravel Auto-generated by YouTube.
B&H Study Score Video Series: Listen and follow along with the publisher's score of "The Gnome" from Modest Mussorgsky’s "Pictures at an Exhibition" orchestrated by Maurice Ravel. For the full piece: https://www.youtube.com/watch?v=O31KP... Scores available from The Shop at Boosey.com The Masterworks Library Study Score: http://bit.ly/MoussorgskyScore Pictures at an Exhibition for Wind Band (Deluxe Score): https://bit.ly/PicturesAtAnExhibitionScore Pictures at an Exhibition for Wind Band (Deluxe Score & Parts): https://bit.ly/PicturesAtAnExhibitionScoreParts View the score online: http://bit.ly/MoussorgskyOnlineScore Recording: Pictures at an Exhibition, The Gnome Composed by Modest Mussorgsky; orchestrated by Maurice Ravel Performed by Vladimir Fedoseyev and the RTV Moscow Symphony ...
Provided to YouTube by Universal Music Group Mussorgsky: Pictures at an Exhibition (Orch. Ravel) : I. Gnomus · Royal Concertgebouw Orchestra · Sir Colin Davis Mussorgsky: Pictures At An Exhibition; Night On The Bare Mountain ℗ 1980 Universal International Music B.V. Released on: 1980-01-01 Composer: Modest Mussorgsky Arranger, Orchestrator: Maurice Ravel Auto-generated by YouTube.
Valery Gergiev with The Rotterdam Philharmonic Orchestra play "Pictures at an Exhibition" Gnomus (part 2) by Modest Mussorgsky.
Provided to YouTube by Universal Music Group Mussorgsky: Pictures at an Exhibition (Orch. Ravel) : I. Gnomus (Recorded 1987) · Berliner Philharmoniker · Herbert von Karajan Karajan 1980s ℗ 1987 Deutsche Grammophon GmbH, Berlin Released on: 2014-01-01 Producer: Guenther Breest Producer, Recording Producer: Michel Glotz Studio Personnel, Balance Engineer, Editor: Günter Hermanns Studio Personnel, Recording Engineer: Volker Martin Studio Personnel, Recording Engineer: Rainer Hoepfner Composer: Modest Mussorgsky Arranger, Orchestrator: Maurice Ravel Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Mussorgsky: Pictures at an Exhibition (Orch. Ravel) - I. Gnomus (Live) · Berliner Philharmoniker · Claudio Abbado Mussorgsky: Pictures At An Exhibition ℗ 1994 Deutsche Grammophon GmbH, Berlin Released on: 1994-01-01 Producer: Christopher Alder Producer, Recording Producer: Arend Prohmann Studio Personnel, Balance Engineer: Gernot Von Schultzendorff Studio Personnel, Recording Engineer: Jürgen Bulgrin Studio Personnel, Recording Engineer: Stephan Flock Studio Personnel, Editor: Ingmar Haas Composer: Modest Mussorgsky Arranger, Orchestrator: Maurice Ravel Auto-generated by YouTube.
Long Yu conducts the China Philharmonic Orchestra in a live performance of Mussorgsky's Pictures at an Exhibition (orch. Maurice Ravel). For more exclusive videos and photos from this Prom, go to: http://www.bbc.co.uk/proms/whats-on/2014/july-19/14922
Provided to YouTube by IDOL Pictures at an Exhibition: I. Gnomus (Transcription for Orchestra by Maurice Ravel) · Orchestre Philharmonique du Luxembourg · Emmanuel Krivine Mussorgsky & Ravel: Pictures at an Exhibition - Rimsky-Korsakov: Scheherazade ℗ 2013 Zig-Zag Territoires ℗ Orchestre de chambre de Lausanne / Outhere Music France Released on: 2013-10-22 Composer: Modest Mussorgsky Auto-generated by YouTube.
Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.
Promenade
---------
Lead me from tortured dreams
Childhood themes of nights alone,
Wipe away endless years,
childhood tears as dry as stone.
From seeds of confusion,
illusions darks blossoms have grown.
Even now in furrows of sorrow
the dance still is sung.
My life's course is guided
decided by limits drawn
on charts of my past days
and pathways since I was born.
The Sage
--------
I carry the dust of a journey
that cannot be shaken away
It lives deep within me
For I breathe it every day.
You and I are yesterday's answers;
The earth of the past came to flesh,
Eroded by Time's rivers
To the shapes we now possess.
Come share of my breath and my substance,
and mingle our stream and our times.
In bright, infinite moments,
Our reasons are lost in our rhymes.
The Curse of Bab Yaga
---------------------
Doubles faces dark defense
Talk too loud but talk no sense
Yeah I see those smiling eyes
Butter us up with smiling lies
Talk to creatures raise the dead
Fate you know sure got fed
Trained apart from houses of stone
Hour of horses pick the bone
The Great Gates of Kiev
-----------------------
Come forth, from love spire
Born in life's fire,
born in life's fire.
Come forth, from love's spire
In the burning, all are (of our) yearning,
for life to be.
And the pain will (must) be gain,
new life!
Stirring in, salty streams
and dark hidden seams
where the fossil sun gleams.
They were, sent from (to) the gates
Ride the tides of fate,
ride the tides of fate.
They were, sent from (to) the gates
In the burning all are (of our) yearning,
For life to be.
There's no end to my life,
no beginning to my death