- published: 13 Feb 2017
- views: 8969
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Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.
Le tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.
Tombeau in the title is a musical term popular from the 17th century meaning "a piece written as a memorial". The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin "the Great" (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the structure which imitates a Baroque dance suite.
Le tombeau de Couperin is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Maurice Ravel's 1919 music of the same title, orchestrated by the composer. The premiere took place as part of City Ballet's Ravel Festival on 29 May 1975 at the New York State Theater, Lincoln Center.
Provided to YouTube by Erato/Warner Classics Le Tombeau de Couperin, M. 68: III. Forlane · Bertrand Chamayou Ravel: Complete Works for Solo Piano ℗ 2016 Parlophone Records Limited, a Warner Music Group Company Piano: Bertrand Chamayou Composer: Maurice Ravel Auto-generated by YouTube.
Provided to YouTube by harmonia mundi Le tombeau de Couperin: III. Forlane · Alexandre Tharaud Ravel: Intégrale de l'œuvre pour piano ℗ harmonia mundi Released on: 2007-07-31 Artist: Alexandre Tharaud Associated Performer: Alexandre Tharaud Composer: Maurice Ravel Auto-generated by YouTube.
Jean-Philippe Collard, piano
Maurice Ravel: Le tombeau de Couperin ∙ (Auftritt) 00:00 ∙ I. Prélude. Vif 00:35 ∙ II. Forlane. Allegretto 04:17 ∙ III. Menuet. Allegro moderato 11:22 ∙ IV. Rigaudon. Assez vif 16:30 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Jaime Martín, Dirigent ∙ Auftakt ∙ hr-Sendesaal, Frankfurt, 2. Februar 2018 ∙ Website: http://www.hr-sinfonieorchester.de Facebook: http://www.facebook.com/hrsinfonieorchester
Ellen Pavliska USC Thornton School of Music Master's Recital March 26th, 2016
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long, la suite pour piano Le Tombeau de Couperin comporte six morceaux, Prélude, Fugue, Forlane, Rigaudon, Menuet et Toccata, dédiés à la mémoire d'amis tombés au cours de la Première Guerre mondiale. Ravel orchestra par la suite quatre de ces pièces, entendues pour la première fois sous cette forme en février 1920 et se jouant dans l'ordre suivant : Prélude, Forlane, Menuet et Rigaudon. Près de 80 ans plus tard, le pianiste et chef d'orchestre hongrois Zoltán Kocsis entreprit d'orchestrer les deux pièces restantes, la Fugue et la Toccata. C'est cette version orchestrale complète qu'on peut entendre ici, interprétée par l'Orchestre Philharmonique National Hongrois dirigé par Zoltán Kocsis (l'image sur la...
LP "André Cluytens dirige Debussy et Ravel" (Testament - 1954) Orchestre National de la Radiodiffusion Française
Danny Milan performs Ravel's Forlane from Le Tombeau de Couperin. Recorded in Lansing, MI under Blue Griffin Recordings. Engineer: Sergei Kvitko
Maurice Ravel, Le tombeau de Couperin, III. Forlane Matthias Hutter - Klavier Aufnahme von 1997
Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.