- published: 05 Nov 2017
- views: 110
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Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.
The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894 (see 1894 in poetry).
The poems are in the manner of Sappho; the collection's introduction claims they were found on the walls of a tomb in Cyprus, written by a woman of Ancient Greece called Bilitis, a courtesan and contemporary of Sappho to whose life Louÿs dedicated a small section of the book. On publication, the volume deceived even the most expert of scholars. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature.
Louÿs claimed the 143 prose poems, excluding 3 epitaphs, were entirely the work of this ancient poet — a place where she poured both her most intimate thoughts and most public actions, from childhood innocence in Pamphylia to the loneliness and chagrin of her later years.
Although for the most part The Songs of Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself. The poems are a blend of mellow sensuality and polished style in the manner of the Parnassian school, but underneath run subtle Gallic undertones that Louÿs could never escape.
6 Épigraphes antiques (1914) L131 Claude Debussy (1862-1918) VI. Pour remercier la pluie au matin (With gratitude for the morning rain) Mark Howard and Phyllis Leeke Oct 15, 2017
Claude Debussy Chansons de Bilitis (Transcription for flute and harp by Paula Robinson) Paula Robinson, flute Mariko Anraku, harp
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Les Chansons de Bilitis Musique de scène for reciter, two flutes, two harps and celeste Music: Claude Debussy 1862-1918 Poems: Pierre Louÿs 1870- 1925 Performance May 7th, 2018 Jordan Hall, New England Conservatory Paula Robison, narrator Sooyun Kim, flute Sungwoo Steven Kim, flute Franziska Huhn, harp Krysten Keches, harp Tae Kim, celeste 1. Chant Pastoral (Pastoral Song) Bilitis and Sélénis tend their flocks in the shade of a trembling olive tree, singing a song to invoke Pan, god of the summer wind. 2. Les Comparaisons (Comparisons) Bilitis calls to Aphrodite’s bird of Cyprus to sing out with the birth of her desires. The maidens, their new bodies covered with flowers, await the night of their dreams. 3. Les Contes (Stories) Little children love Bilitis. They run to her, the...
Green Room Artists, eTown Hall, March 23, 2018
Music scene written by Claude Debussy to accompany the recitation of twelve poems by Pierre Louys. Narrator - Esther Rispens Flute I - Tineke Devoghel Flute II - Nikola Kyosev Harp I - Anne Zeuwts Harp II - Cecile-Marie Lissens Celeste - Annefleur Roels I - Chant Pastoral II - Les Comparaisons III - Les Contes IV - Chanson V - La Partie d'osselets VI - Bilitis VII - Le Tombeau sans nom VIII - Les Courtisanes egyptiennes IX - L'Eau pure du bassin X - La Danseuse aux crotales XI - Le Souvenir de Mnasidica XII - La Pluie au matin Miry Hall, Royal Conservatory of Ghent, Belgium 5, May, 2014
The Songs of Bilitis (Les Chansons de Bilitis) is a collection of erotic, essentially lesbian poetry written by Pierre Louÿs. Debussy, who was Louÿs' close friend, set to music three of the poems in 1897: La flûte de Pan, La chevelure and Le tombeau des Naïades — as songs for female voice and piano. Achille-Claude Debussy (French: [aʃil klod dəbysi],[1] 22 August 1862 – 25 March 1918), known since the 1890s as Claude-Achille Debussy or Claude Debussy,[2] was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, though Debussy disliked the term when applied to his compositions.[3] He was made Chevalier of the Legion of Honour in 1903.[4] He was among the most influential composers of the late 19th and early 20th centuries, and his use ...
Provided to YouTube by [Merlin] WMO Six épigraphes antiques, Pour remercier la pluie au matin · Hexagon Ensemble The French Connection, Caplet, Debussy, Roussel, Jongen ℗ Etcetera Released on: 2003-01-01 Auto-generated by YouTube.
Il Festival del "Il Lago Cromatico" diretto da Clara Schembari, con il patrocinio del Comune di Angera (l'Assessore alla Cultura ha presentato l'evento) ,hanno proposto per valorizzare il territorio, il concerto: "Paysages". Un percorso e viaggio musicale fra le varie epoche. Al flauto Comaci Boschi. All'Arpa Alessandra Zivieri Ripresa e montaggio video di gionni bello
Provided to YouTube by Parlophone UK Chansons de Bilitis, Musique de scène, CD 102, L. 96: V. La partie d'osselets · Nash Ensemble · Delphine Seyrig Debussy: Les chansons de Bilitis, Sonata for Flute, Viola and Harp, Violin Sonata, Cello Sonata & Syrinx ℗ A Warner Classics/Erato release, ℗ 1991 Parlophone Records Limited Producer: Andrew Keener Narrator: Delphine Seyrig Conductor: Lionel Friend Ensemble: Nash Ensemble Composer: Claude Debussy Poet: Pierre Louÿs Auto-generated by YouTube.
Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.