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Maurice Ravel - Bolero
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
▶️ More great classical music: https://youtube.com/playlist?list=PLO09Th4dLYVmVRpaFH9-imHCs_EPDjnHS
🔔 Subscribe to The Wicked North for the very best in classical music: https://www.youtube.com/c/TheWickedNorth
#ClassicalMusic #MauriceRavel
published: 02 Dec 2011
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The Best of Maurice Ravel
Enjoy the best music of Maurice Ravel! A tracklist is below. The pieces which are marked with a star I see as exceptional interpretations.
(click show more)
*0:00 Pavane Pour une Infante Défunte (Pavane for a dead princess)
5:46 "Ondine" from Gaspard de la Nuit
12:13 Menuet from Le Tombeau de Couperin
*17:04 Jeux d'Eau
22:37 Sonatine 1
26:43 Miroirs #3, "Une Barque sur l'Océan"
33:43 Prelude from Le Tombeau de Couperin
*36:50 Toccata from le Tombeau de Couperin
*40:41 Miroirs #4, "Alborada del Gracioso"
46:57 Piano Concerto in G Major, Movement 2
56:02 Bolero
P.S. 45:34 is almost too cool to exist
published: 26 Mar 2017
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Wiener Philharmoniker - Maurice Ravel - Bolero - Regente Gustavo Dudamel (HD)
Wiener Philharmoniker - Maurice Ravel - Bolero - Regente Gustavo Dudamel (HD)
At the closing concert of the Lucerne Festival 2010, the Wiener Philharmoniker performed Maurice Ravel's probably most famous piece of music under the baton of Gustavo Dudamel: Boléro.
The concert was broadcast live in more than 50 cinemas in Europe on 18 September 2010.
Recording Date: 18 September 2010
Composers: Maurice Ravel
Orchestras: Wiener Philharmoniker
Conductors: Gustavo Dudamel
Director: Michael Beyer
published: 24 Sep 2018
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Maurice Ravel - Bolero | Alondra de la Parra | WDR Sinfonieorchester
Maurice Ravels "Bolero", gespielt vom WDR Sinfonieorchester unter der Leitung von Alondra de la Parra am 27. Januar 2022 in der Kölner Philharmonie.
Maurice Ravel - Bolero
WDR Sinfonieorchester
Alondra de la Parra, Leitung
**** MEHR ALONDRA DE LA PARRA MIT DEN WDR ORCHESTERN IN UNSERER PLAYLIST: https://www.youtube.com/playlist?list=PLS66eMqyKkK0Olk0cLFCpZkoR6qNNYvAR ****
► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://sinfonieorchester.wdr.de
► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester
Die Idee, eine Laufbahn als Musiker anzustreben, kommt früh und wird von den Eltern unterstützt: Mit 13 Jahren erhält Maurice Ravel an einer privaten Musikschule Unterricht und studiert gleich im Anschluss. Nur noch we...
published: 01 Apr 2022
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Maurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work...
published: 04 Sep 2012
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Maurizio! The Life and Times of Maurice Ravel
Experience Ravel’s life and music in its historic context with music historian Susan Waterfall. With
contemporary art and photographs, and 26 musical excerpts, you’ll get an
overview of a composer whose creative life spanned the voluptuous
conclusion of the Belle Epoque, the trauma of the First World War, and the
new paths to modernism that emerged in the 20’s and 30’s. 85 years after
his death, nosy biographers are still trying to understand Ravel’s
mysterious private life, as inscrutable as his music is irresistible.
www.susanwaterfall.com
LINKS TO FULL PERFORMANCES:
0:00 Mother Goose Suite Jussen Bros
https://www.youtube.com/watch?v=kfJqf40vyn8
13:10 Menuet Antique Louis Lortie
https://www.youtube.com/watch?v=hGRNip9vbao
13:57 Habanera Tchaidze/Pisareva
https://www.youtube.com/watch?...
published: 09 Jul 2023
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Maurice Ravel - Pavane for Dead Princess
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
published: 15 Jan 2008
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Maurice Ravel - Daphnis et Chloé | Saraste | WDR Sinfonieorchester | WDR Rundfunkchor
Maurice Ravels "Daphnis et Chloé", aufgeführt vom WDR Sinfonieorchester und dem WDR Rundfunkchor unter der Leitung von Jukka-Pekka Saraste. Live aufgezeichnet am 19. Februar 2016 in der Kölner Philharmonie.
Tableau I (Une prairie а la lisiére d'un bois sacré)
00:00:04 1. Introduction et danse religieuse
00:10:22 2. Danse générale
00:11:49 3. Danse grotesque de Dorcon
00:13:37 4. Danse légére et gracieuse de Daphnis
00:18:04 5. Danse de Lycéion
00:21:08 6. Nocturne. Danse lente et mystérieuse des Nymphes
Tableau II (Camp des pirates)
00:26:08 7. Introduction
00:28:40 8. Danse guerrière
00:33:03 9. Danse suppliante de Chloé
Tableau III (Paysage du première 1er tableau, а la fin de la nuit)
00:38:59 10. Lever du jour
11. Pantomime (Les amours de Pan et Syrinx)
00:50:45 12. Danse générale...
published: 06 Oct 2016
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Maurice Ravel. Concerto per pianoforte e orchestra in sol maggiore
Martha Argerich, piano.
Orchestra della Svizzera italiana.
Direttore Alexander Vedernikov.
Progetto Martha Argerich 2016.
Lugano
published: 07 Aug 2023
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Maurice Ravel's Stunning Piano Writing
Ravel’s Gaspard de La Nuit was written in 1908. It’s three movements contain some of the most intricate, poetic and technically difficult piano music ever written. They were inspired by the fantastical poems of Aloysius Bertrand. The first movement, Ondine, is about a seductive underwater nymph, and Ravel’s music is unprecedentedly rich and virtuosic in presenting an array of shimmering watery textures of various sorts. The music in this extract comes from the climax of the movement, in which giant tertiary steps of harmony are presented in complex cascades of notes in both hands. On the page it looks almost unplayable, but the passage is worked out with extraordinary precision so that the patterns lie under the fingers with the thumbs playing a crucial melodic role.
MUSICAL EXCERPTS ...
published: 19 Jan 2023
14:50
Maurice Ravel - Bolero
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the p...
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
▶️ More great classical music: https://youtube.com/playlist?list=PLO09Th4dLYVmVRpaFH9-imHCs_EPDjnHS
🔔 Subscribe to The Wicked North for the very best in classical music: https://www.youtube.com/c/TheWickedNorth
#ClassicalMusic #MauriceRavel
https://wn.com/Maurice_Ravel_Bolero
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
▶️ More great classical music: https://youtube.com/playlist?list=PLO09Th4dLYVmVRpaFH9-imHCs_EPDjnHS
🔔 Subscribe to The Wicked North for the very best in classical music: https://www.youtube.com/c/TheWickedNorth
#ClassicalMusic #MauriceRavel
- published: 02 Dec 2011
- views: 21294189
1:10:53
The Best of Maurice Ravel
Enjoy the best music of Maurice Ravel! A tracklist is below. The pieces which are marked with a star I see as exceptional interpretations.
(click show more)
*...
Enjoy the best music of Maurice Ravel! A tracklist is below. The pieces which are marked with a star I see as exceptional interpretations.
(click show more)
*0:00 Pavane Pour une Infante Défunte (Pavane for a dead princess)
5:46 "Ondine" from Gaspard de la Nuit
12:13 Menuet from Le Tombeau de Couperin
*17:04 Jeux d'Eau
22:37 Sonatine 1
26:43 Miroirs #3, "Une Barque sur l'Océan"
33:43 Prelude from Le Tombeau de Couperin
*36:50 Toccata from le Tombeau de Couperin
*40:41 Miroirs #4, "Alborada del Gracioso"
46:57 Piano Concerto in G Major, Movement 2
56:02 Bolero
P.S. 45:34 is almost too cool to exist
https://wn.com/The_Best_Of_Maurice_Ravel
Enjoy the best music of Maurice Ravel! A tracklist is below. The pieces which are marked with a star I see as exceptional interpretations.
(click show more)
*0:00 Pavane Pour une Infante Défunte (Pavane for a dead princess)
5:46 "Ondine" from Gaspard de la Nuit
12:13 Menuet from Le Tombeau de Couperin
*17:04 Jeux d'Eau
22:37 Sonatine 1
26:43 Miroirs #3, "Une Barque sur l'Océan"
33:43 Prelude from Le Tombeau de Couperin
*36:50 Toccata from le Tombeau de Couperin
*40:41 Miroirs #4, "Alborada del Gracioso"
46:57 Piano Concerto in G Major, Movement 2
56:02 Bolero
P.S. 45:34 is almost too cool to exist
- published: 26 Mar 2017
- views: 2125094
17:23
Wiener Philharmoniker - Maurice Ravel - Bolero - Regente Gustavo Dudamel (HD)
Wiener Philharmoniker - Maurice Ravel - Bolero - Regente Gustavo Dudamel (HD)
At the closing concert of the Lucerne Festival 2010, the Wiener Philharmoniker p...
Wiener Philharmoniker - Maurice Ravel - Bolero - Regente Gustavo Dudamel (HD)
At the closing concert of the Lucerne Festival 2010, the Wiener Philharmoniker performed Maurice Ravel's probably most famous piece of music under the baton of Gustavo Dudamel: Boléro.
The concert was broadcast live in more than 50 cinemas in Europe on 18 September 2010.
Recording Date: 18 September 2010
Composers: Maurice Ravel
Orchestras: Wiener Philharmoniker
Conductors: Gustavo Dudamel
Director: Michael Beyer
https://wn.com/Wiener_Philharmoniker_Maurice_Ravel_Bolero_Regente_Gustavo_Dudamel_(Hd)
Wiener Philharmoniker - Maurice Ravel - Bolero - Regente Gustavo Dudamel (HD)
At the closing concert of the Lucerne Festival 2010, the Wiener Philharmoniker performed Maurice Ravel's probably most famous piece of music under the baton of Gustavo Dudamel: Boléro.
The concert was broadcast live in more than 50 cinemas in Europe on 18 September 2010.
Recording Date: 18 September 2010
Composers: Maurice Ravel
Orchestras: Wiener Philharmoniker
Conductors: Gustavo Dudamel
Director: Michael Beyer
- published: 24 Sep 2018
- views: 8210232
14:54
Maurice Ravel - Bolero | Alondra de la Parra | WDR Sinfonieorchester
Maurice Ravels "Bolero", gespielt vom WDR Sinfonieorchester unter der Leitung von Alondra de la Parra am 27. Januar 2022 in der Kölner Philharmonie.
Maurice Ra...
Maurice Ravels "Bolero", gespielt vom WDR Sinfonieorchester unter der Leitung von Alondra de la Parra am 27. Januar 2022 in der Kölner Philharmonie.
Maurice Ravel - Bolero
WDR Sinfonieorchester
Alondra de la Parra, Leitung
**** MEHR ALONDRA DE LA PARRA MIT DEN WDR ORCHESTERN IN UNSERER PLAYLIST: https://www.youtube.com/playlist?list=PLS66eMqyKkK0Olk0cLFCpZkoR6qNNYvAR ****
► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://sinfonieorchester.wdr.de
► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester
Die Idee, eine Laufbahn als Musiker anzustreben, kommt früh und wird von den Eltern unterstützt: Mit 13 Jahren erhält Maurice Ravel an einer privaten Musikschule Unterricht und studiert gleich im Anschluss. Nur noch wenig Motivation ist vorhanden, als Ravel durch seine Zwischenprüfung fällt und auch schon gleich die Meisterklasse verlassen muss.
Nichtsdestotrotz gehört vor allem ein von Ravel komponiertes Werk, der »Boléro«, zu den bekanntesten und am häufigsten gespielten Musikstücken der Welt. Ravel arbeitet nicht nur beim Boléro mit größter Sorgfalt und Detailversessenheit, er braucht oft lange zur Fertigstellung seiner Werke – auf Grund der Kompliziertheit und Genauigkeit seiner Werke wird er auch der »Schweizer Uhrmacher« unter den Komponisten genannt.
Zu seinem Orchesterwerk »Boléro« – gleichnamig wie die Tanzgattung – äußert sich Maurice Ravel eines Tages: »Mein Meisterwerk? Der Boléro natürlich. Schade nur, dass er überhaupt keine Musik enthält«.
Beginnend mit dem wohl bekanntesten immer gleich bleibenden (ostinaten) Rhythmus eröffnet die kleine Trommel im Pianissimo das Musikstück.
Sie begleitet durchweg die beiden je 16-taktigen Melodien (Melodie A und B), die – zuerst solistisch, dann durch mehrere Register im unisono – achtzehn mal wiederholt werden. Sie treten bis zu den letzten beiden Wiederholungen in der Form AA BB auf. Im Höhepunkt der Steigerung folgen A und B »unverdoppelt« aufeinander. Variiert werden die Melodien lediglich in der Gestaltung der Instrumentierung – und somit der Klangfarbe – wodurch sich bis zum Ende des Boléros ein majestätisches Crescendo ergibt.
https://wn.com/Maurice_Ravel_Bolero_|_Alondra_De_La_Parra_|_Wdr_Sinfonieorchester
Maurice Ravels "Bolero", gespielt vom WDR Sinfonieorchester unter der Leitung von Alondra de la Parra am 27. Januar 2022 in der Kölner Philharmonie.
Maurice Ravel - Bolero
WDR Sinfonieorchester
Alondra de la Parra, Leitung
**** MEHR ALONDRA DE LA PARRA MIT DEN WDR ORCHESTERN IN UNSERER PLAYLIST: https://www.youtube.com/playlist?list=PLS66eMqyKkK0Olk0cLFCpZkoR6qNNYvAR ****
► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://sinfonieorchester.wdr.de
► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester
Die Idee, eine Laufbahn als Musiker anzustreben, kommt früh und wird von den Eltern unterstützt: Mit 13 Jahren erhält Maurice Ravel an einer privaten Musikschule Unterricht und studiert gleich im Anschluss. Nur noch wenig Motivation ist vorhanden, als Ravel durch seine Zwischenprüfung fällt und auch schon gleich die Meisterklasse verlassen muss.
Nichtsdestotrotz gehört vor allem ein von Ravel komponiertes Werk, der »Boléro«, zu den bekanntesten und am häufigsten gespielten Musikstücken der Welt. Ravel arbeitet nicht nur beim Boléro mit größter Sorgfalt und Detailversessenheit, er braucht oft lange zur Fertigstellung seiner Werke – auf Grund der Kompliziertheit und Genauigkeit seiner Werke wird er auch der »Schweizer Uhrmacher« unter den Komponisten genannt.
Zu seinem Orchesterwerk »Boléro« – gleichnamig wie die Tanzgattung – äußert sich Maurice Ravel eines Tages: »Mein Meisterwerk? Der Boléro natürlich. Schade nur, dass er überhaupt keine Musik enthält«.
Beginnend mit dem wohl bekanntesten immer gleich bleibenden (ostinaten) Rhythmus eröffnet die kleine Trommel im Pianissimo das Musikstück.
Sie begleitet durchweg die beiden je 16-taktigen Melodien (Melodie A und B), die – zuerst solistisch, dann durch mehrere Register im unisono – achtzehn mal wiederholt werden. Sie treten bis zu den letzten beiden Wiederholungen in der Form AA BB auf. Im Höhepunkt der Steigerung folgen A und B »unverdoppelt« aufeinander. Variiert werden die Melodien lediglich in der Gestaltung der Instrumentierung – und somit der Klangfarbe – wodurch sich bis zum Ende des Boléros ein majestätisches Crescendo ergibt.
- published: 01 Apr 2022
- views: 10001399
28:38
Maurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes...
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
https://wn.com/Maurice_Ravel_Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
- published: 04 Sep 2012
- views: 1645082
1:35:13
Maurizio! The Life and Times of Maurice Ravel
Experience Ravel’s life and music in its historic context with music historian Susan Waterfall. With
contemporary art and photographs, and 26 musical excerpts, ...
Experience Ravel’s life and music in its historic context with music historian Susan Waterfall. With
contemporary art and photographs, and 26 musical excerpts, you’ll get an
overview of a composer whose creative life spanned the voluptuous
conclusion of the Belle Epoque, the trauma of the First World War, and the
new paths to modernism that emerged in the 20’s and 30’s. 85 years after
his death, nosy biographers are still trying to understand Ravel’s
mysterious private life, as inscrutable as his music is irresistible.
www.susanwaterfall.com
LINKS TO FULL PERFORMANCES:
0:00 Mother Goose Suite Jussen Bros
https://www.youtube.com/watch?v=kfJqf40vyn8
13:10 Menuet Antique Louis Lortie
https://www.youtube.com/watch?v=hGRNip9vbao
13:57 Habanera Tchaidze/Pisareva
https://www.youtube.com/watch?v=XOiICZkg6SE
16:08 Pavane for a Long-Ago Princess Ashkenazy
https://www.youtube.com/watch?v=0PKRYtj1Mfg
18:43 Jeux d’eau Argerich
https://www.youtube.com/watch?v=J_36x1_LKgg&t=69s
22:29 String Quartet Hagen String Quartet
https://www.youtube.com/watch?v=ZhN0RRlLhDg
25:24 L’Indifferent from “Sheherazade” Leonard/Gaffigan/Detroit Symphony
https://www.youtube.com/watch?v=I8jge5lymvE
29:14 Introduction and Allegro Niederrhein Musikfestival
https://www.youtube.com/watch?v=FU2geih9rA4
31:30 Alborado del Gracioso Bertrand Chamayou
https://www.youtube.com/watch?v=xdzWNAVgics
33:30 Histoires Naturelles Degout/Harrigan
https://www.youtube.com/watch?v=UnfH1-uzYcE
35:55 L’heure Espagnol Koch/Ozawa/Opera Garnier
https://www.youtube.com/watch?v=8OqZd8zf_hM
38:26 Scarbo Mariangela Vacatello
https://www.youtube.com/watch?v=H1hXbhivFs8
40:52 Beauty and the Beast Salonen and NDR
https://www.youtube.com/watch?v=puG2HX7h0BY
43:22 Valses Nobles et Sentimentales Ravel Welte Mignon in 1913
https://www.youtube.com/watch?v=tcS5W-9BwZA
45:17 Daphnis and Chloe WDR Orch Cologne, Saraste
https://www.youtube.com/watch?v=O4lzPz3NnI0
47:42 Soupir from Mallarme Songs Anne Sofie von Otter
https://www.youtube.com/watch?v=tUDgPTzOHJA
52:25 Piano Trio Pantoum Merz Trio NEC
https://www.youtube.com/watch?v=Qy3uYBH5UaU
54:39 Trois Beaux Oiseaux du Paradis Rutter/Cambridge Singers
https://www.youtube.com/watch?v=YOE3tCiPMwQ
57:29 Tombeau de Couperin Perlemutter
https://www.youtube.com/watch?v=nQWY4aBIS58
1:01:07 La Valse Bernstein Orchestre Nationale de France
https://www.youtube.com/watch?v=Fg2i2NB-i3o
1:04:31 Duo Sonata for Violin and Cello Juillard and Bellom, Paris Post 1918
https://www.youtube.com/watch?v=ghgZVZlIWYw
1:08:19 Tzigane Joshua Bell, Maazel, NY Phil
https://www.youtube.com/watch?v=gF8NSiD7K8c
1:11:06 L’Enfant et Les Sortileges orch/chorus Radio France Franck
https://www.youtube.com/watch?v=Y-YwjICCLN0&t=532s
1:14:00 Chansons Madecasses #2 Magdalena Kozena et al
https://www.youtube.com/watch?v=pSG3H2oJ7qc&list=RDpSG3H2oJ7qc&start_r
adio=1
1:17:02 Violin Sonata “Blues” Hadelich and Weiss
https://www.youtube.com/watch?v=FkIxuxqBBJE
1:19:20 Bolero Dudamel and Vienna Phil
https://www.youtube.com/watch?v=E9PiL5icwic
1:22:06 film of Ravel with Olin Downes
https://www.youtube.com/watch?v=Nf-IWOhRRYo
1:23:41 Concerto for Left Hand Bavouzet and Salonen/Philharmonia
https://www.youtube.com/watch?v=Hu9KcFsB84I&t=916s
1:26:21 G Major Concerto Argerich /Krivine/ Orch Nat’l de France (2017)
https://www.youtube.com/watch?v=vlvWfP-iFmY
1:29:31 Don Quixote to Dulcinea Prato and Pratico
https://www.youtube.com/watch?v=55kvsZN6YsA
1:33:53 Mother Goose Jussen Bros
https://www.youtube.com/watch?v=kfJqf40vyn8
https://wn.com/Maurizio_The_Life_And_Times_Of_Maurice_Ravel
Experience Ravel’s life and music in its historic context with music historian Susan Waterfall. With
contemporary art and photographs, and 26 musical excerpts, you’ll get an
overview of a composer whose creative life spanned the voluptuous
conclusion of the Belle Epoque, the trauma of the First World War, and the
new paths to modernism that emerged in the 20’s and 30’s. 85 years after
his death, nosy biographers are still trying to understand Ravel’s
mysterious private life, as inscrutable as his music is irresistible.
www.susanwaterfall.com
LINKS TO FULL PERFORMANCES:
0:00 Mother Goose Suite Jussen Bros
https://www.youtube.com/watch?v=kfJqf40vyn8
13:10 Menuet Antique Louis Lortie
https://www.youtube.com/watch?v=hGRNip9vbao
13:57 Habanera Tchaidze/Pisareva
https://www.youtube.com/watch?v=XOiICZkg6SE
16:08 Pavane for a Long-Ago Princess Ashkenazy
https://www.youtube.com/watch?v=0PKRYtj1Mfg
18:43 Jeux d’eau Argerich
https://www.youtube.com/watch?v=J_36x1_LKgg&t=69s
22:29 String Quartet Hagen String Quartet
https://www.youtube.com/watch?v=ZhN0RRlLhDg
25:24 L’Indifferent from “Sheherazade” Leonard/Gaffigan/Detroit Symphony
https://www.youtube.com/watch?v=I8jge5lymvE
29:14 Introduction and Allegro Niederrhein Musikfestival
https://www.youtube.com/watch?v=FU2geih9rA4
31:30 Alborado del Gracioso Bertrand Chamayou
https://www.youtube.com/watch?v=xdzWNAVgics
33:30 Histoires Naturelles Degout/Harrigan
https://www.youtube.com/watch?v=UnfH1-uzYcE
35:55 L’heure Espagnol Koch/Ozawa/Opera Garnier
https://www.youtube.com/watch?v=8OqZd8zf_hM
38:26 Scarbo Mariangela Vacatello
https://www.youtube.com/watch?v=H1hXbhivFs8
40:52 Beauty and the Beast Salonen and NDR
https://www.youtube.com/watch?v=puG2HX7h0BY
43:22 Valses Nobles et Sentimentales Ravel Welte Mignon in 1913
https://www.youtube.com/watch?v=tcS5W-9BwZA
45:17 Daphnis and Chloe WDR Orch Cologne, Saraste
https://www.youtube.com/watch?v=O4lzPz3NnI0
47:42 Soupir from Mallarme Songs Anne Sofie von Otter
https://www.youtube.com/watch?v=tUDgPTzOHJA
52:25 Piano Trio Pantoum Merz Trio NEC
https://www.youtube.com/watch?v=Qy3uYBH5UaU
54:39 Trois Beaux Oiseaux du Paradis Rutter/Cambridge Singers
https://www.youtube.com/watch?v=YOE3tCiPMwQ
57:29 Tombeau de Couperin Perlemutter
https://www.youtube.com/watch?v=nQWY4aBIS58
1:01:07 La Valse Bernstein Orchestre Nationale de France
https://www.youtube.com/watch?v=Fg2i2NB-i3o
1:04:31 Duo Sonata for Violin and Cello Juillard and Bellom, Paris Post 1918
https://www.youtube.com/watch?v=ghgZVZlIWYw
1:08:19 Tzigane Joshua Bell, Maazel, NY Phil
https://www.youtube.com/watch?v=gF8NSiD7K8c
1:11:06 L’Enfant et Les Sortileges orch/chorus Radio France Franck
https://www.youtube.com/watch?v=Y-YwjICCLN0&t=532s
1:14:00 Chansons Madecasses #2 Magdalena Kozena et al
https://www.youtube.com/watch?v=pSG3H2oJ7qc&list=RDpSG3H2oJ7qc&start_r
adio=1
1:17:02 Violin Sonata “Blues” Hadelich and Weiss
https://www.youtube.com/watch?v=FkIxuxqBBJE
1:19:20 Bolero Dudamel and Vienna Phil
https://www.youtube.com/watch?v=E9PiL5icwic
1:22:06 film of Ravel with Olin Downes
https://www.youtube.com/watch?v=Nf-IWOhRRYo
1:23:41 Concerto for Left Hand Bavouzet and Salonen/Philharmonia
https://www.youtube.com/watch?v=Hu9KcFsB84I&t=916s
1:26:21 G Major Concerto Argerich /Krivine/ Orch Nat’l de France (2017)
https://www.youtube.com/watch?v=vlvWfP-iFmY
1:29:31 Don Quixote to Dulcinea Prato and Pratico
https://www.youtube.com/watch?v=55kvsZN6YsA
1:33:53 Mother Goose Jussen Bros
https://www.youtube.com/watch?v=kfJqf40vyn8
- published: 09 Jul 2023
- views: 832
6:47
Maurice Ravel - Pavane for Dead Princess
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
https://wn.com/Maurice_Ravel_Pavane_For_Dead_Princess
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
- published: 15 Jan 2008
- views: 9101066
55:24
Maurice Ravel - Daphnis et Chloé | Saraste | WDR Sinfonieorchester | WDR Rundfunkchor
Maurice Ravels "Daphnis et Chloé", aufgeführt vom WDR Sinfonieorchester und dem WDR Rundfunkchor unter der Leitung von Jukka-Pekka Saraste. Live aufgezeichnet a...
Maurice Ravels "Daphnis et Chloé", aufgeführt vom WDR Sinfonieorchester und dem WDR Rundfunkchor unter der Leitung von Jukka-Pekka Saraste. Live aufgezeichnet am 19. Februar 2016 in der Kölner Philharmonie.
Tableau I (Une prairie а la lisiére d'un bois sacré)
00:00:04 1. Introduction et danse religieuse
00:10:22 2. Danse générale
00:11:49 3. Danse grotesque de Dorcon
00:13:37 4. Danse légére et gracieuse de Daphnis
00:18:04 5. Danse de Lycéion
00:21:08 6. Nocturne. Danse lente et mystérieuse des Nymphes
Tableau II (Camp des pirates)
00:26:08 7. Introduction
00:28:40 8. Danse guerrière
00:33:03 9. Danse suppliante de Chloé
Tableau III (Paysage du première 1er tableau, а la fin de la nuit)
00:38:59 10. Lever du jour
11. Pantomime (Les amours de Pan et Syrinx)
00:50:45 12. Danse générale (Bacchanale)
WDR Sinfonieorchester
WDR Rundfunkchor
Jukka-Pekka Saraste, Leitung
Robert Blank, Einstudierung WDR Rundfunkchor
► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://www.wdr-sinfonieorchester.de
► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester
https://wn.com/Maurice_Ravel_Daphnis_Et_Chloé_|_Saraste_|_Wdr_Sinfonieorchester_|_Wdr_Rundfunkchor
Maurice Ravels "Daphnis et Chloé", aufgeführt vom WDR Sinfonieorchester und dem WDR Rundfunkchor unter der Leitung von Jukka-Pekka Saraste. Live aufgezeichnet am 19. Februar 2016 in der Kölner Philharmonie.
Tableau I (Une prairie а la lisiére d'un bois sacré)
00:00:04 1. Introduction et danse religieuse
00:10:22 2. Danse générale
00:11:49 3. Danse grotesque de Dorcon
00:13:37 4. Danse légére et gracieuse de Daphnis
00:18:04 5. Danse de Lycéion
00:21:08 6. Nocturne. Danse lente et mystérieuse des Nymphes
Tableau II (Camp des pirates)
00:26:08 7. Introduction
00:28:40 8. Danse guerrière
00:33:03 9. Danse suppliante de Chloé
Tableau III (Paysage du première 1er tableau, а la fin de la nuit)
00:38:59 10. Lever du jour
11. Pantomime (Les amours de Pan et Syrinx)
00:50:45 12. Danse générale (Bacchanale)
WDR Sinfonieorchester
WDR Rundfunkchor
Jukka-Pekka Saraste, Leitung
Robert Blank, Einstudierung WDR Rundfunkchor
► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://www.wdr-sinfonieorchester.de
► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester
- published: 06 Oct 2016
- views: 613473
24:40
Maurice Ravel. Concerto per pianoforte e orchestra in sol maggiore
Martha Argerich, piano.
Orchestra della Svizzera italiana.
Direttore Alexander Vedernikov.
Progetto Martha Argerich 2016.
Lugano
Martha Argerich, piano.
Orchestra della Svizzera italiana.
Direttore Alexander Vedernikov.
Progetto Martha Argerich 2016.
Lugano
https://wn.com/Maurice_Ravel._Concerto_Per_Pianoforte_E_Orchestra_In_Sol_Maggiore
Martha Argerich, piano.
Orchestra della Svizzera italiana.
Direttore Alexander Vedernikov.
Progetto Martha Argerich 2016.
Lugano
- published: 07 Aug 2023
- views: 58
3:16
Maurice Ravel's Stunning Piano Writing
Ravel’s Gaspard de La Nuit was written in 1908. It’s three movements contain some of the most intricate, poetic and technically difficult piano music ever writt...
Ravel’s Gaspard de La Nuit was written in 1908. It’s three movements contain some of the most intricate, poetic and technically difficult piano music ever written. They were inspired by the fantastical poems of Aloysius Bertrand. The first movement, Ondine, is about a seductive underwater nymph, and Ravel’s music is unprecedentedly rich and virtuosic in presenting an array of shimmering watery textures of various sorts. The music in this extract comes from the climax of the movement, in which giant tertiary steps of harmony are presented in complex cascades of notes in both hands. On the page it looks almost unplayable, but the passage is worked out with extraordinary precision so that the patterns lie under the fingers with the thumbs playing a crucial melodic role.
MUSICAL EXCERPTS USED IN THIS VIDEO
Maurice Ravel: Ondine from Gaspard de la Nuit (1908)
Louis Lortie, piano solo.
John Coltrane: Giant Steps (1959)
#Ravel #gaspard #musicprofessor
⦿ SUPPORT US ON PATREON ⦿
https://www.patreon.com/musicprofessor
⦿ SUBSCRIBE TO THIS CHANNEL ⦿
https://bit.ly/3Pnnwon
Edited by Ian Coulter ( https://www.iancoultermusic.com )
Produced and directed by Ian Coulter & Matthew King
https://wn.com/Maurice_Ravel's_Stunning_Piano_Writing
Ravel’s Gaspard de La Nuit was written in 1908. It’s three movements contain some of the most intricate, poetic and technically difficult piano music ever written. They were inspired by the fantastical poems of Aloysius Bertrand. The first movement, Ondine, is about a seductive underwater nymph, and Ravel’s music is unprecedentedly rich and virtuosic in presenting an array of shimmering watery textures of various sorts. The music in this extract comes from the climax of the movement, in which giant tertiary steps of harmony are presented in complex cascades of notes in both hands. On the page it looks almost unplayable, but the passage is worked out with extraordinary precision so that the patterns lie under the fingers with the thumbs playing a crucial melodic role.
MUSICAL EXCERPTS USED IN THIS VIDEO
Maurice Ravel: Ondine from Gaspard de la Nuit (1908)
Louis Lortie, piano solo.
John Coltrane: Giant Steps (1959)
#Ravel #gaspard #musicprofessor
⦿ SUPPORT US ON PATREON ⦿
https://www.patreon.com/musicprofessor
⦿ SUBSCRIBE TO THIS CHANNEL ⦿
https://bit.ly/3Pnnwon
Edited by Ian Coulter ( https://www.iancoultermusic.com )
Produced and directed by Ian Coulter & Matthew King
- published: 19 Jan 2023
- views: 170434
-
Maurice Ravel - Piano Concerto for the Left Hand
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre de la Société des Concerts du Conservatoire
- Conductor: André Cluytens
- Soloist: Samson François
- Year of recording: 1959
Piano Concerto in D major (for the left hand), written in 1929-1931.
Between 1929 and 1931, Ravel, despite his failing health, worked feverishly, his imagination as powerful as ever. Among the works completed during this period are the two piano concertos: this extraordinary work and the scintillating Piano Concerto in G major [uploaded on this channel].
This concerto was commissioned by the prominent Austrian pianist Paul Wittgenstein, brother of the celebrated philosopher Ludwig Wittgenstein, who had lost his right arm due to a wound sustained in World War I. It is indeed...
published: 04 Feb 2016
-
Yuja Wang - Ravel Left Hand Piano Concerto
Yuja Wang plays Ravel's left hand piano concerto with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
published: 02 Jan 2017
-
Maurice Ravel: Piano concerto for the left hand
Hélène Tysman, piano
Orchestra of the University of Music FRANZ LISZT Weimar
Conductor: Prof. Nicolás Pasquet
Maurice Ravel composed the piano concerto for the left hand in 1929 for austrian pianist Paul Wittgenstein who lost his right arm during WW I.
Website of the University of Music FRANZ LISZT Weimar: https://www.hfm-weimar.de
Concert recording on December 8, 2011 at the Weimarhalle, Weimar
published: 16 Dec 2011
-
Ravel: Piano Concerto for the Left Hand - Bertrand Chamayou & Netherlands Philharmonic Orchestra HD
-- English below --
Het muzikale programma:
Maurice Ravel - Pianoconcert voor de linkerhand in D gr.t.
De uitvoerenden:
Nederlands Philharmonisch Orkest
Lorenzo Viotti, dirigent
Bertrand Chamayou, piano
Opname:
AVROTROS Vrijdagconcert op 20 oktober 2023 in TivoliVredenburg te Utrecht.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/avrotros-vrijdagconcert-lorenzo-viotti-dirigeert-tsjaikovski-en-rachmaninov/20-10-2023/WO_AT_20083141
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Maurice Ravel - Piano Concerto for the Left Hand in D major
The musicians:
Netherlands Philharmonic Orchestra
Lorenzo Vio...
published: 26 Oct 2023
-
Lugansky - Ravel, Piano Concerto in D major, for the Left Hand
Maurice Ravel (1875-1937)
Piano Concerto in D major (for the left hand), M. 82 (1929-1931)
Nikolai Lugansky, soloist
Alexander Vedernikov conducting Russian National Orchestra, 2017
[0:00] Lento -
[1:56] Cadenza -
[4:43] Orchestra section -
[6:02] Più lento (espressivo) -
[6:56] Andante -
[8:12] Allegro - Più vivo ed accel. -
[13:04] Tempo I -
[14:00] Cadenza - Allegro
“…The concerto is one long movement, with an opening slow section followed by an allegro. As Ravel promised, it’s a serious work, particularly compared to his other concerto, but hardly solemn. After much orchestral fanfare, the piano enters with a virtuosic cadenza; Ravel described it as an improvisation, although as with all things in Ravel, it’s meticulously worked out. This is followed by music recal...
published: 20 Nov 2020
-
Ravel: Piano Concerto for the Left Hand in D Major, M. 82
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto for the Left Hand in D Major, M. 82 · Krystian Zimerman · London Symphony Orchestra · Pierre Boulez · Maurice Ravel
Ravel: Piano Concertos; Valses nobles et sentimentales
℗ 1998 Deutsche Grammophon GmbH, Berlin
Released on: 1998-01-01
Producer: Roger Wright
Producer: Dr. Marion Thiem
Producer, Recording Producer: Helmut Burk
Studio Personnel, Balance Engineer: Rainer Maillard
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Recording Engineer: Stephan Flock
Studio Personnel, Recording Engineer: Reinhard Lagemann
Editor: Jürgen Bulgrin
Composer: Maurice Ravel
Auto-generated by YouTube.
published: 30 Jul 2018
-
Yuja Wang - Piano concerto for the left hand, Ravel
Concerto pour la main gauche de Maurice Ravel joué par la pianiste Yuja Wang et dirigé par Klaus Mäkelä, avec l'Orchestre de Paris. Octobre 2023 à la Philharmonie de Paris.
🎶 Agenda : https://philharmoniedeparis.fr/fr/agenda?types=2
Soloist: Yuja Wang
Director: Klaus Mäkelä
Orchestre de Paris
Filmé par ARTE concert
published: 06 Oct 2023
-
Ravel: Piano Concerto for the Left Hand in D major [Zimerman]
All audio rights belong to Krystian Zimerman, Pierre Boulez, London Symphony Orchestra and UMG.
The Piano Concerto for the Left Hand in D major was composed by Maurice Ravel between 1929-1930, concurrently with his Piano Concerto in G major. It was commissioned by the Austrian pianist Paul Wittgenstein, who lost his right arm during World War I. The Concerto had its premiere on 5 January 1932, with Wittgenstein as soloist performing with the Vienna Symphony Orchestra.
The piece was commissioned by Paul Wittgenstein, a concert pianist who had lost his right arm in the First World War.
In preparing for composition, Ravel studied several pieces written for one-handed piano, including Camille Saint-Saëns's Six Études pour la main gauche (Six Études for the Left Hand) (Op. 135), Leopold Godow...
published: 09 Jul 2023
-
Ravel: Klavierkonzert D-Dur ∙ hr-Sinfonieorchester ∙ Jean-Efflam Bavouzet ∙ Juraj Valčuha
Maurice Ravel:
Klavierkonzert D-Dur ∙
»Konzert für die linke Hand« ∙
(Auftritt) 00:00 ∙
Lento – Andante – Allegro – Tempo 1o – Allegro 00:36 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Jean-Efflam Bavouzet, Klavier ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 30. September 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 10 Oct 2016
-
Why Ravel Wrote a Concerto... For Only One Hand??
The fascinating and dark story behind Ravel's Left Hand Concerto, with plenty of musical excerpts for you to enjoy!
Wittgenstein Plays the Left Hand Concerto:
https://www.youtube.com/watch?v=tSxcXdXqLvA&ab_channel=anaklasis
Script by Hailey Paige
Narrated by Oscar Osicki
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Chann...
published: 22 Aug 2022
18:24
Maurice Ravel - Piano Concerto for the Left Hand
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre de la Société des Concerts du Conservatoire
- Conductor: André Cluyte...
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre de la Société des Concerts du Conservatoire
- Conductor: André Cluytens
- Soloist: Samson François
- Year of recording: 1959
Piano Concerto in D major (for the left hand), written in 1929-1931.
Between 1929 and 1931, Ravel, despite his failing health, worked feverishly, his imagination as powerful as ever. Among the works completed during this period are the two piano concertos: this extraordinary work and the scintillating Piano Concerto in G major [uploaded on this channel].
This concerto was commissioned by the prominent Austrian pianist Paul Wittgenstein, brother of the celebrated philosopher Ludwig Wittgenstein, who had lost his right arm due to a wound sustained in World War I. It is indeed a tragic irony that Ravel, who also served his country in World War I, and Wittgenstein were enemies in this terrible conflict. Nevertheless, Ravel, fascinated by the technical challenge of composing a concerto for the left hand, approached the project with immense interest and enthusiasm. In addition, Ravel admired Wittgenstein's determination to continue his career as a concert pianist. Piano works for the left hand were certainly not a novelty, as compositions by Scriabin, Alkan, Godowsky and Lyapunov attest, but Ravel wanted to create a unique work which would not merely demonstrate how a pianist can compensate for a physical handicap. He wished to compose a work which would stand out as a unique piano concerto. The outcome of Ravel's efforts is one of the great piano concertos of the twentieth century.
However, the Concerto, completed in October or November of 1931, failed to please Wittgenstein, who only gradually developed an appreciation for Ravel's work. Furthermore, when the Austrian pianist premiered the work in Vienna, in 1932, he took certain liberties with the score, to the composer's extreme consternation. Despite Ravel's frustration, he conducted the orchestra in Wittgenstein's Paris premiere of the Concerto in 1933. Because Wittgenstein had sole rights on the work for six years, Ravel had to wait until 1937 to hear a performance (by Jacques Février), which satisfied him.
The work, which is really in one movement, begins deep in the bass register, with the contrabassoon, along with the basses, presenting a subdued theme, which elicits a mournful response from the horns. The initial mournful mood is gradually, almost imperceptibly, transformed into an insistent, somewhat manic, musical idea. The piano enters with a simple statement, creating pentatonic resonances, which disappear, but remain in the background. As the initial somber atmosphere lifts, the piano gradually establishes a mood of exquisite lyricism, which pervades the middle section. Ravel's writing is so subtle and technically ingenious that the listener hears a gentle melody with a hypnotically diaphanous, but seemingly elaborate, accompaniment; it is easy to forget that one hand does all the playing. The energy behind the third section, in which the piano engages the orchestra, often mimicking particular instrumental sonorities, profoundly differs from the wave-like, fluid, ascending motion of the Concerto in G major; here, the energy is discontinuous, manifesting itself in obstinate, repetitive figurations and phrases which, if only for brief moments, conjure up the spirit of his Boléro. At the same time, Ravel devotes truly marvelous pages to the piano, particularly in the cadenza-like part of the final section, in which the left hand leads an engaging and richly developed melody into a glowing orchestral finale.
The piano concerto is dedicated: "à Paul Wittgenstein".
https://wn.com/Maurice_Ravel_Piano_Concerto_For_The_Left_Hand
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre de la Société des Concerts du Conservatoire
- Conductor: André Cluytens
- Soloist: Samson François
- Year of recording: 1959
Piano Concerto in D major (for the left hand), written in 1929-1931.
Between 1929 and 1931, Ravel, despite his failing health, worked feverishly, his imagination as powerful as ever. Among the works completed during this period are the two piano concertos: this extraordinary work and the scintillating Piano Concerto in G major [uploaded on this channel].
This concerto was commissioned by the prominent Austrian pianist Paul Wittgenstein, brother of the celebrated philosopher Ludwig Wittgenstein, who had lost his right arm due to a wound sustained in World War I. It is indeed a tragic irony that Ravel, who also served his country in World War I, and Wittgenstein were enemies in this terrible conflict. Nevertheless, Ravel, fascinated by the technical challenge of composing a concerto for the left hand, approached the project with immense interest and enthusiasm. In addition, Ravel admired Wittgenstein's determination to continue his career as a concert pianist. Piano works for the left hand were certainly not a novelty, as compositions by Scriabin, Alkan, Godowsky and Lyapunov attest, but Ravel wanted to create a unique work which would not merely demonstrate how a pianist can compensate for a physical handicap. He wished to compose a work which would stand out as a unique piano concerto. The outcome of Ravel's efforts is one of the great piano concertos of the twentieth century.
However, the Concerto, completed in October or November of 1931, failed to please Wittgenstein, who only gradually developed an appreciation for Ravel's work. Furthermore, when the Austrian pianist premiered the work in Vienna, in 1932, he took certain liberties with the score, to the composer's extreme consternation. Despite Ravel's frustration, he conducted the orchestra in Wittgenstein's Paris premiere of the Concerto in 1933. Because Wittgenstein had sole rights on the work for six years, Ravel had to wait until 1937 to hear a performance (by Jacques Février), which satisfied him.
The work, which is really in one movement, begins deep in the bass register, with the contrabassoon, along with the basses, presenting a subdued theme, which elicits a mournful response from the horns. The initial mournful mood is gradually, almost imperceptibly, transformed into an insistent, somewhat manic, musical idea. The piano enters with a simple statement, creating pentatonic resonances, which disappear, but remain in the background. As the initial somber atmosphere lifts, the piano gradually establishes a mood of exquisite lyricism, which pervades the middle section. Ravel's writing is so subtle and technically ingenious that the listener hears a gentle melody with a hypnotically diaphanous, but seemingly elaborate, accompaniment; it is easy to forget that one hand does all the playing. The energy behind the third section, in which the piano engages the orchestra, often mimicking particular instrumental sonorities, profoundly differs from the wave-like, fluid, ascending motion of the Concerto in G major; here, the energy is discontinuous, manifesting itself in obstinate, repetitive figurations and phrases which, if only for brief moments, conjure up the spirit of his Boléro. At the same time, Ravel devotes truly marvelous pages to the piano, particularly in the cadenza-like part of the final section, in which the left hand leads an engaging and richly developed melody into a glowing orchestral finale.
The piano concerto is dedicated: "à Paul Wittgenstein".
- published: 04 Feb 2016
- views: 533931
18:35
Yuja Wang - Ravel Left Hand Piano Concerto
Yuja Wang plays Ravel's left hand piano concerto with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
Yuja Wang plays Ravel's left hand piano concerto with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
https://wn.com/Yuja_Wang_Ravel_Left_Hand_Piano_Concerto
Yuja Wang plays Ravel's left hand piano concerto with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
- published: 02 Jan 2017
- views: 2577549
20:45
Maurice Ravel: Piano concerto for the left hand
Hélène Tysman, piano
Orchestra of the University of Music FRANZ LISZT Weimar
Conductor: Prof. Nicolás Pasquet
Maurice Ravel composed the piano concerto for th...
Hélène Tysman, piano
Orchestra of the University of Music FRANZ LISZT Weimar
Conductor: Prof. Nicolás Pasquet
Maurice Ravel composed the piano concerto for the left hand in 1929 for austrian pianist Paul Wittgenstein who lost his right arm during WW I.
Website of the University of Music FRANZ LISZT Weimar: https://www.hfm-weimar.de
Concert recording on December 8, 2011 at the Weimarhalle, Weimar
https://wn.com/Maurice_Ravel_Piano_Concerto_For_The_Left_Hand
Hélène Tysman, piano
Orchestra of the University of Music FRANZ LISZT Weimar
Conductor: Prof. Nicolás Pasquet
Maurice Ravel composed the piano concerto for the left hand in 1929 for austrian pianist Paul Wittgenstein who lost his right arm during WW I.
Website of the University of Music FRANZ LISZT Weimar: https://www.hfm-weimar.de
Concert recording on December 8, 2011 at the Weimarhalle, Weimar
- published: 16 Dec 2011
- views: 594871
19:09
Ravel: Piano Concerto for the Left Hand - Bertrand Chamayou & Netherlands Philharmonic Orchestra HD
-- English below --
Het muzikale programma:
Maurice Ravel - Pianoconcert voor de linkerhand in D gr.t.
De uitvoerenden:
Nederlands Philharmonisch Orkest
Loren...
-- English below --
Het muzikale programma:
Maurice Ravel - Pianoconcert voor de linkerhand in D gr.t.
De uitvoerenden:
Nederlands Philharmonisch Orkest
Lorenzo Viotti, dirigent
Bertrand Chamayou, piano
Opname:
AVROTROS Vrijdagconcert op 20 oktober 2023 in TivoliVredenburg te Utrecht.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/avrotros-vrijdagconcert-lorenzo-viotti-dirigeert-tsjaikovski-en-rachmaninov/20-10-2023/WO_AT_20083141
Meer AVROTROS Klassiek:
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♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Maurice Ravel - Piano Concerto for the Left Hand in D major
The musicians:
Netherlands Philharmonic Orchestra
Lorenzo Viotti, conductor
Bertrand Chamayou, piano
Recording:
AVROTROS Friday Concerto, Friday the 20th of October 2023, in TivoliVredenburg in Utrecht, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/avrotros-vrijdagconcert-lorenzo-viotti-dirigeert-tsjaikovski-en-rachmaninov/20-10-2023/WO_AT_20083141
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Ravel_Piano_Concerto_For_The_Left_Hand_Bertrand_Chamayou_Netherlands_Philharmonic_Orchestra_Hd
-- English below --
Het muzikale programma:
Maurice Ravel - Pianoconcert voor de linkerhand in D gr.t.
De uitvoerenden:
Nederlands Philharmonisch Orkest
Lorenzo Viotti, dirigent
Bertrand Chamayou, piano
Opname:
AVROTROS Vrijdagconcert op 20 oktober 2023 in TivoliVredenburg te Utrecht.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/avrotros-vrijdagconcert-lorenzo-viotti-dirigeert-tsjaikovski-en-rachmaninov/20-10-2023/WO_AT_20083141
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Maurice Ravel - Piano Concerto for the Left Hand in D major
The musicians:
Netherlands Philharmonic Orchestra
Lorenzo Viotti, conductor
Bertrand Chamayou, piano
Recording:
AVROTROS Friday Concerto, Friday the 20th of October 2023, in TivoliVredenburg in Utrecht, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/avrotros-vrijdagconcert-lorenzo-viotti-dirigeert-tsjaikovski-en-rachmaninov/20-10-2023/WO_AT_20083141
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 26 Oct 2023
- views: 4138
18:13
Lugansky - Ravel, Piano Concerto in D major, for the Left Hand
Maurice Ravel (1875-1937)
Piano Concerto in D major (for the left hand), M. 82 (1929-1931)
Nikolai Lugansky, soloist
Alexander Vedernikov conducting Russian Nat...
Maurice Ravel (1875-1937)
Piano Concerto in D major (for the left hand), M. 82 (1929-1931)
Nikolai Lugansky, soloist
Alexander Vedernikov conducting Russian National Orchestra, 2017
[0:00] Lento -
[1:56] Cadenza -
[4:43] Orchestra section -
[6:02] Più lento (espressivo) -
[6:56] Andante -
[8:12] Allegro - Più vivo ed accel. -
[13:04] Tempo I -
[14:00] Cadenza - Allegro
“…The concerto is one long movement, with an opening slow section followed by an allegro. As Ravel promised, it’s a serious work, particularly compared to his other concerto, but hardly solemn. After much orchestral fanfare, the piano enters with a virtuosic cadenza; Ravel described it as an improvisation, although as with all things in Ravel, it’s meticulously worked out. This is followed by music recalling the nights he spent in American jazz clubs. “Only gradually,” Ravel wrote, “is one aware that the jazz episode is actually built up from the themes of the first section.” It’s clear from Ravel’s melodies that he has learned all about blue notes, just as, in La valse and the Valses nobles et sentimentales, the quintessential Frenchman wrote perfect Viennese waltzes. The final cadenza provides spectacular ripples of arpeggios and a singing melody, all with just five fingers.”
- Phillip Huscher, Chicago Symphony Orchestra
https://wn.com/Lugansky_Ravel,_Piano_Concerto_In_D_Major,_For_The_Left_Hand
Maurice Ravel (1875-1937)
Piano Concerto in D major (for the left hand), M. 82 (1929-1931)
Nikolai Lugansky, soloist
Alexander Vedernikov conducting Russian National Orchestra, 2017
[0:00] Lento -
[1:56] Cadenza -
[4:43] Orchestra section -
[6:02] Più lento (espressivo) -
[6:56] Andante -
[8:12] Allegro - Più vivo ed accel. -
[13:04] Tempo I -
[14:00] Cadenza - Allegro
“…The concerto is one long movement, with an opening slow section followed by an allegro. As Ravel promised, it’s a serious work, particularly compared to his other concerto, but hardly solemn. After much orchestral fanfare, the piano enters with a virtuosic cadenza; Ravel described it as an improvisation, although as with all things in Ravel, it’s meticulously worked out. This is followed by music recalling the nights he spent in American jazz clubs. “Only gradually,” Ravel wrote, “is one aware that the jazz episode is actually built up from the themes of the first section.” It’s clear from Ravel’s melodies that he has learned all about blue notes, just as, in La valse and the Valses nobles et sentimentales, the quintessential Frenchman wrote perfect Viennese waltzes. The final cadenza provides spectacular ripples of arpeggios and a singing melody, all with just five fingers.”
- Phillip Huscher, Chicago Symphony Orchestra
- published: 20 Nov 2020
- views: 40999
18:16
Ravel: Piano Concerto for the Left Hand in D Major, M. 82
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto for the Left Hand in D Major, M. 82 · Krystian Zimerman · London Symphony Orchestra · Pierre...
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto for the Left Hand in D Major, M. 82 · Krystian Zimerman · London Symphony Orchestra · Pierre Boulez · Maurice Ravel
Ravel: Piano Concertos; Valses nobles et sentimentales
℗ 1998 Deutsche Grammophon GmbH, Berlin
Released on: 1998-01-01
Producer: Roger Wright
Producer: Dr. Marion Thiem
Producer, Recording Producer: Helmut Burk
Studio Personnel, Balance Engineer: Rainer Maillard
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Recording Engineer: Stephan Flock
Studio Personnel, Recording Engineer: Reinhard Lagemann
Editor: Jürgen Bulgrin
Composer: Maurice Ravel
Auto-generated by YouTube.
https://wn.com/Ravel_Piano_Concerto_For_The_Left_Hand_In_D_Major,_M._82
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto for the Left Hand in D Major, M. 82 · Krystian Zimerman · London Symphony Orchestra · Pierre Boulez · Maurice Ravel
Ravel: Piano Concertos; Valses nobles et sentimentales
℗ 1998 Deutsche Grammophon GmbH, Berlin
Released on: 1998-01-01
Producer: Roger Wright
Producer: Dr. Marion Thiem
Producer, Recording Producer: Helmut Burk
Studio Personnel, Balance Engineer: Rainer Maillard
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Recording Engineer: Stephan Flock
Studio Personnel, Recording Engineer: Reinhard Lagemann
Editor: Jürgen Bulgrin
Composer: Maurice Ravel
Auto-generated by YouTube.
- published: 30 Jul 2018
- views: 75128
1:36
Yuja Wang - Piano concerto for the left hand, Ravel
Concerto pour la main gauche de Maurice Ravel joué par la pianiste Yuja Wang et dirigé par Klaus Mäkelä, avec l'Orchestre de Paris. Octobre 2023 à la Philharmo...
Concerto pour la main gauche de Maurice Ravel joué par la pianiste Yuja Wang et dirigé par Klaus Mäkelä, avec l'Orchestre de Paris. Octobre 2023 à la Philharmonie de Paris.
🎶 Agenda : https://philharmoniedeparis.fr/fr/agenda?types=2
Soloist: Yuja Wang
Director: Klaus Mäkelä
Orchestre de Paris
Filmé par ARTE concert
https://wn.com/Yuja_Wang_Piano_Concerto_For_The_Left_Hand,_Ravel
Concerto pour la main gauche de Maurice Ravel joué par la pianiste Yuja Wang et dirigé par Klaus Mäkelä, avec l'Orchestre de Paris. Octobre 2023 à la Philharmonie de Paris.
🎶 Agenda : https://philharmoniedeparis.fr/fr/agenda?types=2
Soloist: Yuja Wang
Director: Klaus Mäkelä
Orchestre de Paris
Filmé par ARTE concert
- published: 06 Oct 2023
- views: 15069
18:05
Ravel: Piano Concerto for the Left Hand in D major [Zimerman]
All audio rights belong to Krystian Zimerman, Pierre Boulez, London Symphony Orchestra and UMG.
The Piano Concerto for the Left Hand in D major was composed by...
All audio rights belong to Krystian Zimerman, Pierre Boulez, London Symphony Orchestra and UMG.
The Piano Concerto for the Left Hand in D major was composed by Maurice Ravel between 1929-1930, concurrently with his Piano Concerto in G major. It was commissioned by the Austrian pianist Paul Wittgenstein, who lost his right arm during World War I. The Concerto had its premiere on 5 January 1932, with Wittgenstein as soloist performing with the Vienna Symphony Orchestra.
The piece was commissioned by Paul Wittgenstein, a concert pianist who had lost his right arm in the First World War.
In preparing for composition, Ravel studied several pieces written for one-handed piano, including Camille Saint-Saëns's Six Études pour la main gauche (Six Études for the Left Hand) (Op. 135), Leopold Godowsky's transcription for the left hand of Frédéric Chopin's Etudes (Opp. 10 and 25), Carl Czerny's Ecole de la main gauche (School of the Left Hand) (Op. 399), 24 études pour la main gauche (Op. 718), Charles-Valentin Alkan's Fantaisie in A♭ major (Op. 76 No. 1), and Alexander Scriabin's Prelude and Nocturne for the Left Hand (Op. 9).
Wittgenstein gave the premiere with Robert Heger and the Vienna Symphony Orchestra on 5 January 1932; Ravel had first offered the premiere to Arturo Toscanini, who declined.
The first French pianist to perform the work was Jacques Février, chosen by Ravel.
Ravel is quoted in one source as saying that the piece is in only one movement and in another as saying the piece is divided into two movements linked together. According to Marie-Noëlle Masson, the piece has a tripartite structure: slow–fast–slow, instead of the usual fast–slow–fast. Whatever the internal structure may be, the 18–19 minute piece negotiates several sections in various tempi and keys without pause. Towards the end of the piece, some of the music of the early slow sections is overlaid with the faster music, so that two tempi occur simultaneously.
The concerto begins with the double basses softly arpeggiating an ambiguous harmony (E-A-D-G) being the background to an unusual solo of the contrabassoon. Although these notes are later given great structural weight, they are also the four open strings on the double bass, creating the illusion at the start that the orchestra is still tuning up. As is traditional in a concerto, the thematic material is presented first in the orchestra and then echoed by the piano. Not so traditional is the dramatic piano cadenza which first introduces the soloist and prefigures the piano's statement of the opening material. This material includes both an A and a B theme, though the B theme receives little exposure. An additional theme introduced at the beginning exhibits several similarities to the Dies irae chant.
The concerto is scored for a large orchestra consisting of piccolo, 2 flutes, 2 oboes, English horn, piccolo clarinet (in E♭), 2 clarinets (in A), bass clarinet (in A), 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, triangle, snare drum, cymbals, bass drum, wood block, tam-tam, harp, strings, and the solo piano.
Although at first Wittgenstein did not take to its jazz-influenced rhythms and harmonies, he grew to like the piece. When Ravel first heard him play the concerto at a private concert in the French embassy in Vienna, he was furious. 'He heard lines taken from the orchestral part and added to the solo, harmonies changed, parts added, bars cut and at the end a newly created series of great swirling arpeggios in the final cadenza. The composer was beside himself with indignation and disbelief.' Later Wittgenstein agreed to perform the concerto as written, and the two men patched up their differences, 'but the whole episode left a bitter taste in both their mouths'.
Even before the premiere, in 1931 Alfred Cortot made an arrangement for piano two-hands and orchestra; however, Ravel did not approve of it and forbade its publication or performance. Cortot ignored this and played his arrangement, which caused Ravel to write to many conductors imploring them not to engage Cortot to play his concerto. After Ravel's death in 1937, Cortot resumed playing his arrangement, and even recorded it with Charles Munch leading the Paris Conservatoire Orchestra. Roger Muraro also played this piece during the 1986 International Tchaikovsky Competition, earning him fourth place in the piano competition.
Source: wikipedia.org
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Thanks for 1170 subscribers!
#Ravel #PianoConcerto #LeftHand #Piano #ClassicalMusic #BeMusical
https://wn.com/Ravel_Piano_Concerto_For_The_Left_Hand_In_D_Major_Zimerman
All audio rights belong to Krystian Zimerman, Pierre Boulez, London Symphony Orchestra and UMG.
The Piano Concerto for the Left Hand in D major was composed by Maurice Ravel between 1929-1930, concurrently with his Piano Concerto in G major. It was commissioned by the Austrian pianist Paul Wittgenstein, who lost his right arm during World War I. The Concerto had its premiere on 5 January 1932, with Wittgenstein as soloist performing with the Vienna Symphony Orchestra.
The piece was commissioned by Paul Wittgenstein, a concert pianist who had lost his right arm in the First World War.
In preparing for composition, Ravel studied several pieces written for one-handed piano, including Camille Saint-Saëns's Six Études pour la main gauche (Six Études for the Left Hand) (Op. 135), Leopold Godowsky's transcription for the left hand of Frédéric Chopin's Etudes (Opp. 10 and 25), Carl Czerny's Ecole de la main gauche (School of the Left Hand) (Op. 399), 24 études pour la main gauche (Op. 718), Charles-Valentin Alkan's Fantaisie in A♭ major (Op. 76 No. 1), and Alexander Scriabin's Prelude and Nocturne for the Left Hand (Op. 9).
Wittgenstein gave the premiere with Robert Heger and the Vienna Symphony Orchestra on 5 January 1932; Ravel had first offered the premiere to Arturo Toscanini, who declined.
The first French pianist to perform the work was Jacques Février, chosen by Ravel.
Ravel is quoted in one source as saying that the piece is in only one movement and in another as saying the piece is divided into two movements linked together. According to Marie-Noëlle Masson, the piece has a tripartite structure: slow–fast–slow, instead of the usual fast–slow–fast. Whatever the internal structure may be, the 18–19 minute piece negotiates several sections in various tempi and keys without pause. Towards the end of the piece, some of the music of the early slow sections is overlaid with the faster music, so that two tempi occur simultaneously.
The concerto begins with the double basses softly arpeggiating an ambiguous harmony (E-A-D-G) being the background to an unusual solo of the contrabassoon. Although these notes are later given great structural weight, they are also the four open strings on the double bass, creating the illusion at the start that the orchestra is still tuning up. As is traditional in a concerto, the thematic material is presented first in the orchestra and then echoed by the piano. Not so traditional is the dramatic piano cadenza which first introduces the soloist and prefigures the piano's statement of the opening material. This material includes both an A and a B theme, though the B theme receives little exposure. An additional theme introduced at the beginning exhibits several similarities to the Dies irae chant.
The concerto is scored for a large orchestra consisting of piccolo, 2 flutes, 2 oboes, English horn, piccolo clarinet (in E♭), 2 clarinets (in A), bass clarinet (in A), 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, triangle, snare drum, cymbals, bass drum, wood block, tam-tam, harp, strings, and the solo piano.
Although at first Wittgenstein did not take to its jazz-influenced rhythms and harmonies, he grew to like the piece. When Ravel first heard him play the concerto at a private concert in the French embassy in Vienna, he was furious. 'He heard lines taken from the orchestral part and added to the solo, harmonies changed, parts added, bars cut and at the end a newly created series of great swirling arpeggios in the final cadenza. The composer was beside himself with indignation and disbelief.' Later Wittgenstein agreed to perform the concerto as written, and the two men patched up their differences, 'but the whole episode left a bitter taste in both their mouths'.
Even before the premiere, in 1931 Alfred Cortot made an arrangement for piano two-hands and orchestra; however, Ravel did not approve of it and forbade its publication or performance. Cortot ignored this and played his arrangement, which caused Ravel to write to many conductors imploring them not to engage Cortot to play his concerto. After Ravel's death in 1937, Cortot resumed playing his arrangement, and even recorded it with Charles Munch leading the Paris Conservatoire Orchestra. Roger Muraro also played this piece during the 1986 International Tchaikovsky Competition, earning him fourth place in the piano competition.
Source: wikipedia.org
Donate me: https://t.ly/A9pJ
Discord server: https://discord.gg/YsNfJZbKc2
Thanks for 1170 subscribers!
#Ravel #PianoConcerto #LeftHand #Piano #ClassicalMusic #BeMusical
- published: 09 Jul 2023
- views: 3636
20:50
Ravel: Klavierkonzert D-Dur ∙ hr-Sinfonieorchester ∙ Jean-Efflam Bavouzet ∙ Juraj Valčuha
Maurice Ravel:
Klavierkonzert D-Dur ∙
»Konzert für die linke Hand« ∙
(Auftritt) 00:00 ∙
Lento – Andante – Allegro – Tempo 1o – Allegro 00:36 ∙
hr-Sinfoni...
Maurice Ravel:
Klavierkonzert D-Dur ∙
»Konzert für die linke Hand« ∙
(Auftritt) 00:00 ∙
Lento – Andante – Allegro – Tempo 1o – Allegro 00:36 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Jean-Efflam Bavouzet, Klavier ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 30. September 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Ravel_Klavierkonzert_D_Dur_∙_Hr_Sinfonieorchester_∙_Jean_Efflam_Bavouzet_∙_Juraj_Valčuha
Maurice Ravel:
Klavierkonzert D-Dur ∙
»Konzert für die linke Hand« ∙
(Auftritt) 00:00 ∙
Lento – Andante – Allegro – Tempo 1o – Allegro 00:36 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Jean-Efflam Bavouzet, Klavier ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 30. September 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 10 Oct 2016
- views: 57987
11:23
Why Ravel Wrote a Concerto... For Only One Hand??
The fascinating and dark story behind Ravel's Left Hand Concerto, with plenty of musical excerpts for you to enjoy!
Wittgenstein Plays the Left Hand Concerto:...
The fascinating and dark story behind Ravel's Left Hand Concerto, with plenty of musical excerpts for you to enjoy!
Wittgenstein Plays the Left Hand Concerto:
https://www.youtube.com/watch?v=tSxcXdXqLvA&ab_channel=anaklasis
Script by Hailey Paige
Narrated by Oscar Osicki
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
https://wn.com/Why_Ravel_Wrote_A_Concerto..._For_Only_One_Hand
The fascinating and dark story behind Ravel's Left Hand Concerto, with plenty of musical excerpts for you to enjoy!
Wittgenstein Plays the Left Hand Concerto:
https://www.youtube.com/watch?v=tSxcXdXqLvA&ab_channel=anaklasis
Script by Hailey Paige
Narrated by Oscar Osicki
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
- published: 22 Aug 2022
- views: 207674