- published: 21 Jan 2015
- views: 395789
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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.
Ma mère l'Oye (Mother Goose; "Oye" is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel.
Ravel originally wrote Ma mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony premiered the work at the first concert of the Société Musicale Indépendante on 20 April 1910.
The piece was transcribed for solo piano by Ravel's friend Jacques Charlot the same year as it was published (1910); the first movement of Ravel's Le tombeau de Couperin was also dedicated to Charlot's memory after his death in World War I.
Both piano versions bear the subtitle "cinq pièces enfantines" (five children's pieces). The five "pieces" were as follows:
Maurice Ravel: Ma mère l’Oye ∙ Fünf Kinderstücke für Orchester ∙ (Auftritt) 00:00 ∙ I. Pavane de la Belle au bois dormant (Die schöne die im Wald schläft) 00:44 ∙ II. Le Petit Poucet (Der Däumling) 02:22 ∙ III. Laideronnette, Impératrice des Pagodes (Die hässliche Kaiserin) 06:06 ∙ IV. Les entretiens de la Belle et de la Bête (Die schöne und das Biest) 09:53∙ V. Le jardin féerique (Der Zaubergarten) 14:27 ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Julian Kuerti, Dirigent ∙ Alte Oper Frankfurt, 16. Januar 2015 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
I. Pavane de la belle au bois dormant Pavane of Sleeping Beauty Lent II. Petit Poucet Little Tom Thumb / Hop o' My Thumb Très modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the Pagodas Mouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the Beast Mouvt de valse très modéré V. Le jardin féerique The Fairy Garden Lent et grave
Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) Orchestra: Berliner Philharmoniker Conductor: Pierre Boulez In 1911 Ravel orchestrated the five-piece suite, and in this form it is most frequently heard today. Later the same year he also expanded it into a ballet, separating the five initial pieces with four new interludes and adding two movements at the start, Prélude and Danse du rouet et scène. The ballet premiered on 29 January 1912 at the Théâtre des Arts in Paris. The eleven numbers are: 00:00 - Prélude 03:31 - Premier tableau - Danse du rouet et scène 07:13 - Deuxième tableau - Pavane de la belle au bois dormant 08:41 - Interlude 09:34 - Troisième tableau - Les entretiens de la belle et de la bête 13:46 - Interlude 14:35 - Quatrième tableau - Petit Poucet 17:55 ...
Joseph Maurice Ravel (French: [ʒɔzɛf mɔʁis ʁavɛl]; 7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and '30s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire Ravel found his own way as a composer, developing a style of great clarity, incorporating elements of baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. He made some orchestral arrangements of other composers' music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.