- published: 18 Nov 2020
- views: 63020354
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HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
The Southern Victory Series is a series of alternate history novels written by Harry Turtledove. The point of divergence involves Confederate States of America winning the American Civil War and becoming an independent nation. The series covers events from 1862 to 1945 and features dozens of characters, some of whom were historical figures.
(HFR)
Rather than Little Women, set in a North that was winning the war, Louisa May Alcott wrote After the War was Lost.
"Mack the Knife" or "The Ballad of Mack the Knife", originally "Die Moritat von Mackie Messer", is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama Die Dreigroschenoper, or, as it is known in English, The Threepenny Opera. It premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The song has become a popular standard recorded by many artists, including a US and UK number one hit for Bobby Darin in 1959.
A moritat (from mori meaning "deadly" and tat meaning "deed") is a medieval version of the murder ballad performed by strolling minstrels. In The Threepenny Opera, the moritat singer with his street organ introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman Macheath in John Gay's The Beggar's Opera (who was in turn based on the historical thief Jack Sheppard). The Brecht-Weill version of the character was far more cruel and sinister, and has been transformed into a modern anti-hero.
Mack the Knife (in German Mackie Messer) is the nickname of Macheath, a character from The Threepenny Opera, and also the name of a song from that work. It is also the title of the US film adaptation of the opera.
Other uses of the term, presumably all based on the original use, include:
Mack the Knife is a 1989 film adaptation of the 1928 Brecht/Weill musical The Threepenny Opera.
In 19th century London, young Polly Peachum falls for the famous womanizing criminal Macheath and they decide to get married, but because of her family's disapproval, her father ("the king of thieves") has MacHeath arrested.
Juliá reprises the role of Macheath which won him a Tony nomination for a 1976 revival on Broadway. The film shows obvious signs of last minute editing, including several musical numbers that appear on the soundtrack album but are not in the final cut.
The film has never been released on DVD and as of April 2012, Sony Pictures Home Entertainment has yet to announce any plans for a DVD release.
The Knife was a Swedish electronic music duo from Gothenburg formed in 1999. The group consisted of siblings Karin Dreijer Andersson and Olof Dreijer, who together also run their own record company, Rabid Records. The group gained a large international following in response to their 2003 album Deep Cuts.
The duo's first tour took place in 2006, along with the release of their critically acclaimed album Silent Shout. They have won a number of Swedish Grammis, but refuse to attend awards ceremonies. They have appeared in public wearing Venetian masks. Andersson released a solo album under the name Fever Ray in 2009, while Olof Dreijer released several EPs as Oni Ayhun in late 2009 and early 2010. The Knife disbanded in November 2014 after playing the final dates of their Shaking the Habitual Tour.
Formed in Gothenburg in 1999, amidst the deterioration of Karin's former group Honey Is Cool, the group perhaps gained stronger international recognition when José González covered their song "Heartbeats" on his 2003 album, Veneer. The cover was used by Sony in a commercial for BRAVIA television sets, and released as a single in 2006. The group commented on this in a Dagens Nyheter article, claiming that Sony paid a large sum of money to use the song. Despite the group's anti-commercial views, they justified the transaction by citing their need for money to establish a record company.
Autopsia is an art project dealing with music and visual production. Autopsia gathers authors of different professions in realization of multimedia projects. Its art practice began in London in the late 1970s, continued during the 1980s in the art centers of former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. At the beginning of its activity, Autopsia issued dozens of MCs. In the period after 1989, twenty CDs were issued, at first for Staalplaat from Amsterdam, then for German label Hypnobeat and London's Gymnastic Records. One of its compositions is a part of the soundtrack for Peter Greenaway's The Pillow Book. Music production of Autopsia can be classified as experimental, breakcore, avant-garde, ambient, industrial; it's associated with a large graphic production which consists of original graphic objects, design of flyers, posters, booklets, CDs, experimental films and audio installations.
What A Wonderful World performed by Louis Armstrong. (C) 1967 ABC Lyrics: I see trees of green Red roses too I see them bloom For me and for you And I think to myself What a wonderful world I see skies of blue And clouds of white The bright blessed day The dark sacred night And I think to myself What a wonderful world The colors of the rainbow So pretty in the sky Are also on the faces Of people going by I see friends shaking hands Saying, "How do you do?" They're really saying "I love you" I hear babies cry I watch them grow They'll learn much more Than I'll ever know And I think to myself What a wonderful world Yes, I think to myself What a wonderful world Oh yeah #LouisArmstrong #WhatAWonderfulWorld
The Very Best Of Louis Armstrong HQ - Louis Armstrong Greatest Hits Full Album 2021 - Jazz Songs The Very Best Of Louis Armstrong HQ - Louis Armstrong Greatest Hits Full Album 2021 - Jazz Songs The Very Best Of Louis Armstrong HQ - Louis Armstrong Greatest Hits Full Album 2021 - Jazz Songs
"What a Wonderful World" [1970 Spoken Introduction Version] along with Oliver Nelson's Orchestra is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released as a single in 1967. Thiele and Weiss were both prominent in the music world (Thiele as a producer and Weiss as a composer/performer). Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. Intended as an antidote for the increasingly racially and politically charged climate of everyday life in the United States, the song also has a hopeful, optimistic tone with regard to the future, with reference to babies being born into the world and having much to look forward to. The song was initially offered to Tony Bennett, who turned it down. Thereafter, it...
Download the full album (50 tracks) : http://amzn.to/1uEzM6t BnF collection sonore presents the best of Louis Armstrong : 1) Louis Armstrong and his Orchestra - Drop That Stack 2) Louis Armstrong and his Orchestra - Old Kentucky home 3) Louis Armstrong and his Orchestra - St James Infirmary 4) Louis Armstrong and his Orchestra - Panama 5) Louis Armstrong and his Orchestra - Hot Time in the Hot Town Tonight 6) Louis Armstrong and his Orchestra - Dr Jazz 7) Louis Armstrong and his Orchestra - I Ain't Gonna Give Nobody None of my Jelly-Roll 8) Louis Armstrong and his Orchestra - Jelly Roll Blues 9) Louis Armstrong and his Orchestra - Chimes Blues 10) Louis Armstrong and his Orchestra - I Want a Big Buter and Egg Man 11) Louis Armstrong and his Orchestra - Frankie and Johnny Subscribe he...
“La Vie En Rose” by Louis Armstrong. Subscribe and ring the bell to never miss an update from Louis Armstrong: https://Verve.lnk.to/LouisYTID Watch “The Best of Louis Armstrong” video playlist: https://Verve.lnk.to/BestOfLouisID Stream Louis Armstrong: https://Verve.lnk.to/StreamLouisID Follow Louis Armstrong: Facebook: https://www.facebook.com/louisarmstrong Instagram: https://www.instagram.com/louisarmstrongofficial TikTok: https://www.tiktok.com/@louisarmstrongofficial Video credits: Directed and produced by Tom Readdy and Lucy Dawkins at Yes Please Productions Illustrations by Jessica Hogarth Animated by Nicola Jane Francis Video Commissioner: Steven Gottlieb Executive Producer: Clay Mallory #LouisArmstrong #LaVieEnRose #Jazz
LYRICS Hold me close and hold me fast The magic spell you cast This is la vie en rose When you kiss me heaven sighs And tho I close my eyes I see la vie en rose When you press me to your heart I'm in a world apart A world where roses bloom And when you speak...angels sing from above Everyday words seem...to turn into love songs Give your heart and soul to me And life will always be La vie en rose
Louis Armstrong "When The Saints Go Marching In" on The Ed Sullivan Show, September 20, 1959. Subscribe now to never miss an update: https://ume.lnk.to/EdSullivanSubscribe This Louis Armstrong performance was shot live at the Stardust Hotel in Las Vegas, Nevada. Watch Motown performances from The Ed Sullivan Show https://youtube.com/watch?v=B9YrYoY0N4I&list=PLQWND5qZhbj3tfQKiK-5FzjLSTUz5WRTf Watch classic Rock and Roll performances from The Ed Sullivan Show: https://youtube.com/watch?v=fL3HO0gf0Co&list=PLQWND5qZhbj06AA1fnZQnHvOqP5ZctF8Y Watch Iconic Singers perform on The Ed Sullivan Show: https://www.youtube.com/watch?v=MIIU9xkGAMs&list=PLQWND5qZhbj1fSTRzLrpV3vLO1yOGx8vH Sign up to receive the Ed Sullivan Show newsletter! https://EdSullivan.lnk.to/SubscribeToEmail Follow The Ed Sul...
Louis Armstrong “What A Wonderful World” official music video. Subscribe and ring the bell to never miss an update from Louis Armstrong: https://Verve.lnk.to/LouisYTID Check out “The Best of Louis Armstrong” playlist: https://Verve.lnk.to/BestOfLouisID Subscribe to the official Verve Records YouTube channel: http://verve.lnk.to/verveyoutubeID Stream Louis Armstrong: https://Verve.lnk.to/StreamLouisID Follow Louis Armstrong: Facebook: https://www.facebook.com/louisarmstrong/ Instagram: https://www.instagram.com/louisarmstrongofficial Video credits: Directed, Fabricated, Shot and Animated by Cait Davis Production Company: dreambear EP: Dave Gelb Digital Animation and Editing: Jimmy McCoy Cabin Design and Framing: Rob McGrath Additional Trees and Floorboards: Jake Hamil VFX: The K...
Louis Armstrong & his All Stars live in Berlin 1965 Bass -- Arvell Shaw Clarinet -- Eddie Shu Drums -- Danny Barcelona Piano -- Billy Kyle Sax -- Eddie Shu Trombone -- Tyree Glenn Trumpet -- Louis Armstrong Vocals -- Louis Armstrong
Connect with Robbie Williams: Website – https://RobbieWilliams.com Newsletter – https://RobbieWilliams.lnk.to/signupID Official Robbie Williams App – https://RobbieWilliams.lnk.to/appID Apple Music – https://RobbieWilliams.lnk.to/AppleMusicID Spotify – https://RobbieWilliams.lnk.to/SpotifyID Facebook – https://www.facebook.com/robbiewilliams Instagram – https://www.instagram.com/robbiewilliams Twitter – https://twitter.com/robbiewilliams
No copyright intended. On a personal note, this is the song that made me fall in love with Bobby Darin. Lyrics: Oh the shark, babe Has such teeth, dear And it shows them Pearly white Just a jack knife Has old MacHeath, babe And it keeps it, uh Out of sight You know when that shark bites With its teeth, babe Scarlet billows Star to spread Fancy gloves, though Wears old MacHeath babe So there's never, Never a trace of red Now on the sidewalk, a-huh, huh Ooh, sunny morning, a-huh Likes a body Just a-oozing life, ekk! And someone's sneakin' 'Round the corner Could that someone Be Mack the Knife? There's a tugboat, huh, huh, a-huh Down by the river, don'cha know? Where a cement bag Just a-droopin' on down Oh, that cement is just, It's there for the weight, dear Five'll get ya' Ten ol'...
Louis Armstrong sings "Mack the Knife" - from Hollywood Palace 05/01/1965
enjoy! Oh, the shark, babe, has such teeth, dear And it shows them pearly white Just a jackknife has old MacHeath, babe And he keeps it, ah, out of sight Ya know when that shark bites with his teeth, babe Scarlet billows start to spread Fancy gloves, oh, wears old MacHeath, babe So there's never, never a trace of red Now on the sidewalk, huh, huh, whoo sunny morning, un huh Lies a body just oozin' life, eek And someone's sneakin' 'round the corner Could that someone be Mack the Knife? There's a tugboat, huh, huh, down by the river dontcha know Where a cement bag's just a drooppin' on down Oh, that cement is just, it's there for the weight, dear Five'll get ya ten old Macky's back in town Now did ja hear 'bout Louie Miller? He disappeared, babe After drawin' out all ...
For more information, or to purchase, go to https://goo.gl/Kukc5V. Mack the Knife Various / arr. Dave Wolpe Item: 00-36063 Series: Jazz Vocal Series Category: Jazz Ensemble Format: Conductor Score & Parts Level: 3 This awesome vocal chart takes it away with four half-step up modulations. Features a written-out tenor solo and big shout chorus. Arranged in two keys for optimum flexibility. The high key starts out in B-flat (vocal range from middle C to F top line, treble clef) and the low key starts in E-flat (vocal range from low F below middle C to B-flat, second space). (3:50) Subscribe to Alfred Music's Jazz Channel: https://www.youtube.com/alfredmusicjazz Since 1922, Alfred Music has been dedicated to helping people learn, teach, and play music. Alfred Music currently has over 150,00...
Saturday Night Beech-Nut Show. August 22, 1959. Repost of previous upload.
The Andy Williams Show In my humble opinion, the best filmed performance of Mack.
Here's the original song 'Die Moritat von Mackie Messer' from the 'Threepenny opera' sung by Bertolt Brecht. I hope you enjoy the original version! I do not own the music. Source is this vinyl http://www.discogs.com/Bertolt-Brecht-Bertolt-Brecht-Singt/release/2509585
U.S. Billboard Charted # 1 (For 9 Weeks)
Sonny Rollins Quartet - Moritat (aka Mack the Knife) (1956) Personnel: Sonny Rollins (tenor sax), Tommy Flanagan (piano), Doug Watkins (bass), Max Roach (drums) from the album 'SAXOPHONE COLOSSUS' (Prestige Records)
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
I have taken
Off my robe
Why did I
Put it on again
I have washed
My feet
Why did
I Soil them again
An evil in my heart lurks
Permitted and un-judged
Breeding failure and sorrow
Some unnoticed and forgotten sewer
I want to be a dove
In the clefts of
the rock
In the hiding places
On the mountain side
Show me your face
Let me hear your voice
(X4) Bring me to long for the knife, which shall set me free
Your love
A love that forgives
Any failure
Spans any distance
Withstands any tempest
A new love
A fresh love