- published: 04 Apr 2021
- views: 34524
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Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
The Southern Victory Series is a series of alternate history novels written by Harry Turtledove. The point of divergence involves Confederate States of America winning the American Civil War and becoming an independent nation. The series covers events from 1862 to 1945 and features dozens of characters, some of whom were historical figures.
(HFR)
Rather than Little Women, set in a North that was winning the war, Louisa May Alcott wrote After the War was Lost.
On the Sunny Side may refer to:
On the Sunny Side was an LP album by The Four Lads released by Columbia Records as catalog number CL 912 in 1956, containing mostly popular standard songs.
The album, combined with the Four Lads' 1958 album Breezin' Along, was reissued in compact disc form by Collectables Records on January 16, 2001.
On the Sunny Side is a 1942 drama film, directed by Harold D. Schuster, starring Roddy McDowall, Jane Darwell and Stanley Clements.
Hugh Aylesworth (Roddy McDowall), is a well-bred English youth who is evacuated to America during the London Blitz. Hugh moves into the home of Mr. and Mrs. Andrews (Don Douglas and Katherine Alexander). The couple's own son Don (Freddie Mercer), feels neglected and considers Hugh a royal pain in the posterior.
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
Louis Armstrong "On The Sunny Side Of The Street" on The Ed Sullivan Show, January 27, 1957. Subscribe now to never miss an update: https://ume.lnk.to/EdSullivanSubscribe Watch Motown performances from The Ed Sullivan Show https://youtube.com/watch?v=B9YrYoY0N4I&list=PLQWND5qZhbj3tfQKiK-5FzjLSTUz5WRTf Watch classic Rock and Roll performances from The Ed Sullivan Show: https://youtube.com/watch?v=fL3HO0gf0Co&list=PLQWND5qZhbj06AA1fnZQnHvOqP5ZctF8Y Watch Comedy clips from The Ed Sullivan Show: https://youtube.com/watch?v=EpPCFoXXhF0&list=PLQWND5qZhbj369RgtweTchIVK1EORDKlz Follow The Ed Sullivan Show: Website http://edsullivan.com/ Facebook https://facebook.com/EdSullivanShow Twitter https://twitter.com/EdSullivanShow Instagram https://instagram.com/theedsullivanshow/ The Ed Sullivan Sh...
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 Louis Armstrong (August 4, 1901 -- July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly-recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing (vocalizing using sounds and syllables in...
Provided to YouTube by Columbia/Legacy On the Sunny Side of the Street (Live) · Louis Armstrong The Great Chicago Concert 1956 - Complete ℗ Originally Released 1957 Sony Music Entertainment Released on: 1997-03-28 Producer: George Avakian Vocal: Louis Armstrong & The Louis Armstrong Orchestra Composer, Lyricist: Dorothy Fields Engineer: Mason Coppinger Drums: Barrett Deems Composer, Lyricist: Jimmy McHugh Mastering Engineer: Darcy Proper Piano: Billy Kyle Bass: Dale Jones Clarinet: Edmond Hall Trombone: Trummy Young Auto-generated by YouTube.
A live version of 'On the sunny side of the street' by Louis Armstrong
Louis Armstrong and the All Stars 1947 On the Sunny Side of the Street: Released "Satchmo at Symphony Hall" recorded at Symphony Hall, Boston MA on November 30 1947 (released in 1951). Although the Great New York Town Hall Concert May 17 1947 can be considered the "birth of the All Stars" this Boston Concert was "Coming of Age" the six man line up (Trumpet, Trombone, Clarinet, Piano, Bass, Drums) and the inclusion of Barney Bigard and Arvell Shaw became the sound that was to be the foundation for the All Stars even though from time to time the personnel changed; the sound, spirit and intent remained this sound, oh yeh by the way: Satch was there as well: playing, singing and chasing everyone around no one could take it easy when he was in the chair. Velma Middleton assisted (is that the ...
From a private, never-before-released live performance of the All Stars recorded in Cambridge, OH, March 29, 1955. Recording from the private collection of Dr. M. W. McCullough Louis Armstrong -- trumpet, vocal, leader; Trummy Young -- trombone, vocal; Barney Bigard -- clarinet; Billy Kyle -- piano; Arvell Shaw -- bass; Barret Deems -- drums
Louis Armstrong in Stockholm Sweeden - 1933
Louis Armstrong - Satchmo On The Sunny Side of The Street
Provided to YouTube by Universal Music Group On The Sunny Side Of The Street (Live At Symphony Hall, Boston, MA/With Applause/1947) · Louis Armstrong And The All-Stars Satchmo At Symphony Hall 65th Anniversary: The Complete Performances ℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc. Released on: 2012-01-01 Producer: Milt Gabler Associated Performer, Trombone: Jack Teagarden Associated Performer, Clarinet: Barney Bigard Associated Performer, Piano: Dick Cary Associated Performer, Drums: Sid Catlett Associated Performer, Bass Guitar: Arvell Shaw Composer Lyricist: Jimmy McHugh Composer Lyricist: Dorothy Fields Auto-generated by YouTube.
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
I look at them shuffle and the shuffle come down
Ramblin' and scramblin' and a-headin' for town
Hoppin' and boppin' and a-buzzin' around
Happily awaitin' at the station
I look at that train number 709
Hoppin' and boppin' and arrivin' on time
Who do you think is about to arrive
The band they call the Dixieland Five
They're gonna play that muskrat ramble tune
Like the way you never heard it played
Get ready for the big parade
All together now - one and two
Join that happy crowd
Tellin' me that ramblin' scramblin' muskrat song
Come on, ramble along