- published: 21 Feb 2023
- views: 2076
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HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
The Southern Victory Series is a series of alternate history novels written by Harry Turtledove. The point of divergence involves Confederate States of America winning the American Civil War and becoming an independent nation. The series covers events from 1862 to 1945 and features dozens of characters, some of whom were historical figures.
(HFR)
Rather than Little Women, set in a North that was winning the war, Louisa May Alcott wrote After the War was Lost.
If I Could may refer to:
If I Could is a song written by Pontus Assarsson, Jörgen Ringqvist, Lisa Troedsson-Lundin, Caisa Troedsson-Lundin, Anna Törnqvist och Malin Törnqvist. The song was originally performed during the second semifinal of Melodifestivalen 2008 Karlskrona by Calaisa, but didn't make it further in the contest.
The song received a Svensktoppen test for two weeks in a row, but failed to enter chart.
The country pop song is about losing a loved person, and be ready to do anything to get him or her back.
If I Could is an EP released by 24-7 Spyz in 1997. It features album cuts from their 1996 full-length release Heavy Metal Soul by the Pound as well as several live tracks recorded in early 1996 with Joel Maitoza on drums.
Like many 24-7 Spyz albums, the recording is out of print.
Composed by stride piano pioneer James P. Johnson (lyrics by Henry Creamer), the song was published in 1926 but achieved its greatest fame via the Don Redman-conducted 1930 recording by McKinney’s Cotton Pickers https://youtu.be/dXcpQAxNZ8s See also these posted versions: Tom Gerun/Pinky Tomlin (1930) https://youtu.be/xaKL5EBDND4 Hudson Delange (1937 instrumental) https://youtu.be/JbyPBoFG8W4 Phil Brito (1945) https://youtu.be/Pol2zlzblxA CD audio, original 78rpm issue on OKeh 4148 - If I Could Be With You (One Hour Tonight) (Creamer-Johnson) by Louis Armstrong and His Sebastian New Cotton Club Orchestra, vocal by Louis Armstrong, recorded in Los Angeles August 19, 1930 . ---------------------------------------------------------------------------------------------- The three* MusicProf...
Louis Armstrong And His Orchestra Banjo - Ceele Burke; Drums - Lionel Hampton; Guitar - Ceele Burke; Leader - Fletcher "Skeets" Herford; Piano - Harvey O. Brooks; Saxophone [Alto] - Fletcher "Skeets" Herford; Saxophone [Alto] - Marshall Royal; Trombone - Country Allen; Trombone - Lawrence Brown; Trumpet - Andrew Blakeney; Trumpet - George Orendorf; Trumpet - Louis Armstrong; Tuba - Reggie Jones; Vocals - Louis Armstrong; Written-By - James P Johnson Los Angeles, 19 August, 1930 Matrix Nr. - S 404406-A
Provided to YouTube by Columbia If I Could Be With You (One Hour Tonight) · Louis Armstrong & His Sebastian New Cotton Club Orchestra Vol. 6 St. Louis Blues ℗ Originally Released 1930 Sony Music Entertainment Released on: 1991-03-22 Producer: Tommy Rockwell Trumpet, Vocal: Louis Armstrong Composer, Lyricist: Henry Creamer Producer: Bob Stevens Banjo: Ceele Burke Composer, Lyricist: Jimmy Johnson Drums, Vibraphone: Lionel Hampton Producer: Michael Brooks Engineer: Tim Geelan Piano: Harvey Brooks Alto Saxophone: Leon Herriford Alto Saxophone: Willie Stark Tenor Saxophone: William Franz Trumpet: Leon Elkins Trombone: Lawerence Brown Auto-generated by YouTube.
If I Could Be With You One Hour Tonight (Creamer - Johnson) Louis Armstrong (tp) Leon Elkins (tp, dir) Lawrence Brown (tb) Leon Herriford, Willie Stark (as) William Franz (ts) Harvey Brooks (p) Ceele Burke (bjo, steel-g) Reggie Jones (tu) Lionel Hampton (d, vib) Los Angeles, August 19, 1930
Louis Armstrong's cover song - "If I Could Be With You(One Hour Tonight)".
Provided to YouTube by Universal Music Group If I Could Be With You (One Hour Tonight) · Louis Armstrong And The All-Stars King Louis ℗ A Verve Label Group Release; ℗ 1962 UMG Recordings, Inc. Released on: 1962-01-01 Associated Performer, Trumpet, Vocals: Louis Armstrong Associated Performer, Recording Arranger: Sy Oliver Ensemble: Louis Armstrong And The All-Stars Composer Lyricist: Henry Creamer Composer Lyricist: James P. Johnson Auto-generated by YouTube.
Provided to YouTube by RCA Classics If I Could Be with You (One Hour Tonight) · Benny Goodman and His Orchestra · Benny Goodman Sing, Sing, Sing ℗ Originally Recorded 1935. All rights reserved by BMG Music Released on: 1987-09-01 Composer, Lyricist: Henry Creamer Composer, Lyricist: James P. Johnson Arranger: Fletcher Henderson Trumpet: Harry Geller Trumpet: Nate Kazebier Trumpet: Ralph Muzillo Trombone: Red Ballard Trombone: Joe Harris Alto Saxophone: Bill DePew Alto Saxophone: Hymie Schertzer Tenor Saxophone: Dick Clark Tenor Saxophone: Arthur Rollini Piano: Jess Stacy Guitar: Allan Reuss Bass: Harry Goodman Drums: Gene Krupa Reissue Producer: Ed Michel Re- Mastering Engineer: Steven Miller Engineer: Ray Hall Engineer: James Nichols Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises If I Could Be With You One Hour Tonight · Louis Armstrong Louis Armstrong & Friends ℗ 2007 Stardust Records Released on: 2007-09-11 Auto-generated by YouTube.
Provided to YouTube by Universal Music Group If I Could Be With You (One Hour Tonight) · Ella Fitzgerald Rhythm Is My Business ℗ 1999 The Verve Music Group, a Division of UMG Recordings, Inc. Released on: 1999-01-01 Associated Performer, Recording Arranger, Organ, Conductor: Bill Doggett Associated Performer, Double Bass: Lucille Dixon Associated Performer, Drums: Gus Johnson Associated Performer, Guitar: Mundell Lowe Associated Performer, Piano: Hank Jones Associated Performer, Saxophone: Jerry Dodgion Associated Performer, Trombone: Britt Woodman Associated Performer, Trombone: Kai Winding Associated Performer, Trombone: Melba Liston Associated Performer, Trumpet: Ernie Royal Associated Performer, Trumpet: Joe Wilder Associated Performer, Trumpet: Ray Copeland Associat...
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
I look at them shuffle and the shuffle come down
Ramblin' and scramblin' and a-headin' for town
Hoppin' and boppin' and a-buzzin' around
Happily awaitin' at the station
I look at that train number 709
Hoppin' and boppin' and arrivin' on time
Who do you think is about to arrive
The band they call the Dixieland Five
They're gonna play that muskrat ramble tune
Like the way you never heard it played
Get ready for the big parade
All together now - one and two
Join that happy crowd
Tellin' me that ramblin' scramblin' muskrat song
Come on, ramble along