- published: 20 Dec 2011
- views: 573832
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HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
The Southern Victory Series is a series of alternate history novels written by Harry Turtledove. The point of divergence involves Confederate States of America winning the American Civil War and becoming an independent nation. The series covers events from 1862 to 1945 and features dozens of characters, some of whom were historical figures.
(HFR)
Rather than Little Women, set in a North that was winning the war, Louisa May Alcott wrote After the War was Lost.
New Orleans (/nuː ˈɔːrlɪnz/,/nuː ˈɔːrliənz/, /nuː ɔːrˈliːnz/, or /ˈnɔːrlənz/; French: La Nouvelle-Orléans [la nuvɛlɔʁleɑ̃]) is a major United States port and the largest city and the center of the metropolitan area in the state of Louisiana. The population of the city was 343,829 as of the 2010 U.S. Census. The New Orleans metropolitan area (New Orleans–Metairie–Kenner Metropolitan Statistical Area) had a population of 1,167,764 in 2010 and was the 46th largest in the United States. The New Orleans–Metairie–Bogalusa Combined Statistical Area, a larger trading area, had a 2010 population of 1,452,502.
The city is named after the Duke of Orleans, who reigned as Regent for Louis XV from 1715 to 1723, as it was established by French colonists and strongly influenced by their European culture. It is well known for its distinct French and Spanish Creole architecture, as well as its cross-cultural and multilingual heritage. New Orleans is also famous for its cuisine, music (particularly as the birthplace of jazz), and its annual celebrations and festivals, most notably Mardi Gras, dating to French colonial times. The city is often referred to as the "most unique" in the United States.
Wide Prairie is a posthumous compilation by Linda McCartney. The album was compiled and released in 1998 by Paul McCartney after his wife's death, after a fan wrote in enquiring about "Seaside Woman"; a reggae beat type song which Wings had recorded in 1972, under the name Suzy and the Red Stripes, featuring Linda on lead vocals. Her husband compiled all her recordings with the help of Parlophone Records and MPL Communications. Lead guitar on the song "The Light Comes from Within" is played by the McCartneys' son, musician/sculptor James McCartney. The album reached number 127 in the UK charts, while the title track made the top 75, at number 74. "The Light Comes from Within" also charted, at number 56 in the UK charts.
All songs by Linda McCartney, except where noted.
New Orleans is a city and a metropolitan area in the U.S. state of Louisiana
New Orleans may also refer to:
A live version of one of my favorite songs. Couldn't find this version on YouTube so I put it up myself. This version is from "The Great Chicago Concert (1956)" Thanks to davidturner9823 for the information.
(Do you know what it means to miss) New Orleans. Music by Louis Alter, lyrics by Eddie Delange. New Orleans (1947) by Arthur Lubin, with Louis Armstrong, Billie Holiday, Zutty Singleton, Barney Bigard, Kid Ory, Bud Scott, Red Callender & Charlie Beal. Actors : Dorothy Patrick, Arturo de Córdova, Richard Hageman. http://www.bojazz.com/ --- http://bjazz.unblog.fr/
Scenes of New Orleans, LA LYRICS: Do you know what it means To miss New Orleans And miss it each night and day I know I'm not wrong The feeling's getting stronger The longer I stay away. Miss the moist covered vines The tall sugar pines Where mocking birds used to sing And I'd like to see the lazy Mississippi A hurrying into spring The Mardi Gras memories Of creole tunes that filled the air I dream of oleanders in June And soon I'm wishing that I was there Do you know what it means To miss New Orleans When that's where you left your heart And there's something more I miss the one I care for More than I miss New Orleans
Get this song on Amazon now! http://tinyurl.com/842lae5 Christmas in New Orleans - Louis Armstrong For more X-mas songs check out http://thebestchristmassongs.com
Music by Bob Carleton, Lyrics by Cliff Dixon, from "New Orleans" (1947) by Arthur Lubin (credits) with Louis Armstrong, Billie Holiday, Zutty Singleton, Barney Bigard, Kid Ory, Bud Scott, Red Callender & Charlie Beal. Actors : Billie Holiday, Arturo de Córdova, Dorothy Patrick. http://www.bojazz.com/ --- http://bjazz.unblog.fr/ http://bessjazz.blogspot.com/ http://www.bzajj.com/ http://bessmovie.blogspot.com/
Louis Armstrong - 05. NEW ORLEANS - Louis and the Dukes of Dixieland
just listen
Subscribe http://bit.ly/2mictQ3
The New Louis Armstrong International Airport Terminal (MSY) - New Orleans A drive on the roads into, through, and out of the new Louis Armstrong New Orleans International Airport terminal, opened on November 6, 2019. Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100806 Artist: http://incompetech.com/ "Airplane, Boeing, Flyby, Right to Left, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org Music from the YouTube Audio Library unless otherwise indicated. We are jasonh300 and sippigrrrl! Check out our merchandise and help support our channel at https://shop.spreadshirt.com/504roadtrips Follow us on ...
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
I look at them shuffle and the shuffle come down
Ramblin' and scramblin' and a-headin' for town
Hoppin' and boppin' and a-buzzin' around
Happily awaitin' at the station
I look at that train number 709
Hoppin' and boppin' and arrivin' on time
Who do you think is about to arrive
The band they call the Dixieland Five
They're gonna play that muskrat ramble tune
Like the way you never heard it played
Get ready for the big parade
All together now - one and two
Join that happy crowd
Tellin' me that ramblin' scramblin' muskrat song
Come on, ramble along