- published: 18 Nov 2020
- views: 63020354
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
The Southern Victory Series is a series of alternate history novels written by Harry Turtledove. The point of divergence involves Confederate States of America winning the American Civil War and becoming an independent nation. The series covers events from 1862 to 1945 and features dozens of characters, some of whom were historical figures.
(HFR)
Rather than Little Women, set in a North that was winning the war, Louisa May Alcott wrote After the War was Lost.
It takes two to tango is a common idiomatic expression which suggests something in which more than one person or other entity are paired in an inextricably-related and active manner, occasionally with negative connotations.
The tango is a dance which requires two partners moving in relation to each other, sometimes in tandem, sometimes in opposition. The meaning of this expression has been extended to include any situation in which the two partners are by definition understood to be essential—as in, a marriage with only one partner ceases to be a marriage.
The phrase originated in a song, Takes Two to Tango, which was written and composed in 1952 by Al Hoffman and Dick Manning. The lyrics and melody were popularized by singer Pearl Bailey's 1952 recording.
The phrase was reported widely in the international media when Ronald Reagan quipped about Russian-American relations during a 1982 presidential news conference. Reagan stated: "For ten years détente was based on words by them [the Russians] and not any words to back them up. And we need some action that they — it takes two to tango — that they want to tango also." Since that time, the tango metaphor has appeared regularly in the headline of the international press. The phrase has gained currency as a proverb in loan translation in other languages.
What A Wonderful World performed by Louis Armstrong. (C) 1967 ABC Lyrics: I see trees of green Red roses too I see them bloom For me and for you And I think to myself What a wonderful world I see skies of blue And clouds of white The bright blessed day The dark sacred night And I think to myself What a wonderful world The colors of the rainbow So pretty in the sky Are also on the faces Of people going by I see friends shaking hands Saying, "How do you do?" They're really saying "I love you" I hear babies cry I watch them grow They'll learn much more Than I'll ever know And I think to myself What a wonderful world Yes, I think to myself What a wonderful world Oh yeah #LouisArmstrong #WhatAWonderfulWorld
The Very Best Of Louis Armstrong HQ - Louis Armstrong Greatest Hits Full Album 2021 - Jazz Songs The Very Best Of Louis Armstrong HQ - Louis Armstrong Greatest Hits Full Album 2021 - Jazz Songs The Very Best Of Louis Armstrong HQ - Louis Armstrong Greatest Hits Full Album 2021 - Jazz Songs
"What a Wonderful World" [1970 Spoken Introduction Version] along with Oliver Nelson's Orchestra is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released as a single in 1967. Thiele and Weiss were both prominent in the music world (Thiele as a producer and Weiss as a composer/performer). Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. Intended as an antidote for the increasingly racially and politically charged climate of everyday life in the United States, the song also has a hopeful, optimistic tone with regard to the future, with reference to babies being born into the world and having much to look forward to. The song was initially offered to Tony Bennett, who turned it down. Thereafter, it...
Download the full album (50 tracks) : http://amzn.to/1uEzM6t BnF collection sonore presents the best of Louis Armstrong : 1) Louis Armstrong and his Orchestra - Drop That Stack 2) Louis Armstrong and his Orchestra - Old Kentucky home 3) Louis Armstrong and his Orchestra - St James Infirmary 4) Louis Armstrong and his Orchestra - Panama 5) Louis Armstrong and his Orchestra - Hot Time in the Hot Town Tonight 6) Louis Armstrong and his Orchestra - Dr Jazz 7) Louis Armstrong and his Orchestra - I Ain't Gonna Give Nobody None of my Jelly-Roll 8) Louis Armstrong and his Orchestra - Jelly Roll Blues 9) Louis Armstrong and his Orchestra - Chimes Blues 10) Louis Armstrong and his Orchestra - I Want a Big Buter and Egg Man 11) Louis Armstrong and his Orchestra - Frankie and Johnny Subscribe he...
“La Vie En Rose” by Louis Armstrong. Subscribe and ring the bell to never miss an update from Louis Armstrong: https://Verve.lnk.to/LouisYTID Watch “The Best of Louis Armstrong” video playlist: https://Verve.lnk.to/BestOfLouisID Stream Louis Armstrong: https://Verve.lnk.to/StreamLouisID Follow Louis Armstrong: Facebook: https://www.facebook.com/louisarmstrong Instagram: https://www.instagram.com/louisarmstrongofficial TikTok: https://www.tiktok.com/@louisarmstrongofficial Video credits: Directed and produced by Tom Readdy and Lucy Dawkins at Yes Please Productions Illustrations by Jessica Hogarth Animated by Nicola Jane Francis Video Commissioner: Steven Gottlieb Executive Producer: Clay Mallory #LouisArmstrong #LaVieEnRose #Jazz
LYRICS Hold me close and hold me fast The magic spell you cast This is la vie en rose When you kiss me heaven sighs And tho I close my eyes I see la vie en rose When you press me to your heart I'm in a world apart A world where roses bloom And when you speak...angels sing from above Everyday words seem...to turn into love songs Give your heart and soul to me And life will always be La vie en rose
Louis Armstrong "When The Saints Go Marching In" on The Ed Sullivan Show, September 20, 1959. Subscribe now to never miss an update: https://ume.lnk.to/EdSullivanSubscribe This Louis Armstrong performance was shot live at the Stardust Hotel in Las Vegas, Nevada. Watch Motown performances from The Ed Sullivan Show https://youtube.com/watch?v=B9YrYoY0N4I&list=PLQWND5qZhbj3tfQKiK-5FzjLSTUz5WRTf Watch classic Rock and Roll performances from The Ed Sullivan Show: https://youtube.com/watch?v=fL3HO0gf0Co&list=PLQWND5qZhbj06AA1fnZQnHvOqP5ZctF8Y Watch Iconic Singers perform on The Ed Sullivan Show: https://www.youtube.com/watch?v=MIIU9xkGAMs&list=PLQWND5qZhbj1fSTRzLrpV3vLO1yOGx8vH Sign up to receive the Ed Sullivan Show newsletter! https://EdSullivan.lnk.to/SubscribeToEmail Follow The Ed Sul...
Louis Armstrong “What A Wonderful World” official music video. Subscribe and ring the bell to never miss an update from Louis Armstrong: https://Verve.lnk.to/LouisYTID Check out “The Best of Louis Armstrong” playlist: https://Verve.lnk.to/BestOfLouisID Subscribe to the official Verve Records YouTube channel: http://verve.lnk.to/verveyoutubeID Stream Louis Armstrong: https://Verve.lnk.to/StreamLouisID Follow Louis Armstrong: Facebook: https://www.facebook.com/louisarmstrong/ Instagram: https://www.instagram.com/louisarmstrongofficial Video credits: Directed, Fabricated, Shot and Animated by Cait Davis Production Company: dreambear EP: Dave Gelb Digital Animation and Editing: Jimmy McCoy Cabin Design and Framing: Rob McGrath Additional Trees and Floorboards: Jake Hamil VFX: The K...
Louis Armstrong & his All Stars live in Berlin 1965 Bass -- Arvell Shaw Clarinet -- Eddie Shu Drums -- Danny Barcelona Piano -- Billy Kyle Sax -- Eddie Shu Trombone -- Tyree Glenn Trumpet -- Louis Armstrong Vocals -- Louis Armstrong
'It takes two to tango' is a really useful idiom which is used when someone wants to say that two or more people are involved in a bad situation or argument. For more videos like this one, follow The English Stop on Instagram SOCIAL MEDIA: Instagram: @theenglishstopchannel https://www.instagram.com/theenglishs... Facebook : The English Stop Channel https://www.facebook.com/TheEnglishSt... Twitter: @TheEnglishStop https://twitter.com/TheEnglishStop Contribute subtitle translations HERE: http://www.youtube.com/timedtext_video?v=BH-m80MA53Q&ref=share Music: https://www.bensound.com/
30 Minutes to Improve Your English Listening Comprehension! https://youtu.be/_qufeTCtrGI If these videos help you and you would like to show your appreciation, you can Buy Me a Coffee https://www.buymeacoffee.com/idioms Supporters get exclusive audio lessons! A full explanation of the English idiom 'it takes two to tango' with examples of use and origin. SUBSCRIBE NOW: https://www.youtube.com/channel/UC1HH5tChfG8wfFr3tpqzBEQ?sub_confirmation=1 🎬 The Bee's Knees, A Lesson in False Idiom Etymology https://youtu.be/TTM4ix5epJM It Takes Two to Tango It takes two to tango means that, during a difficult situation, disagreement, dispute, etc. two parties are involved and both of them must bear some responsibility for the situation. For example, if a person bribes a police officer to get out ...
http://www.iswearenglish.com/ An explanation of the phrase it takes two to tango. This phrase means that there are some things in life that you can only do if you have a willing and active partner with the same objective. if we say it takes 2 to tango when we are talking about a bad situation it means that both partners bear a share of the blame for the situation.
***SUBSCRIBE*** Watch until the end of the video and answer a QUESTION!! Hi guys!! This is teacher Prix and I want to help you talk to: Anyone Anywhere Anytime in English!! Learn new expressions with me! Check out the idiom of today and answer my question at the end of the video! If you know an idiom and would like me to talk about it, leave me a comment!! I hope you guys like this video!! :)
The use of idiomatic language can improve your score in your IELTS, PTE , TOEFL and General written and spoken English.
Idiom: It takes two to tango Meaning and Example Sentences Meaning: 1. Used for saying that two people or groups involved in a bad situation must both take responsibility for it. 2. certain actions or activities cannot be performed alone – they need two people to participate. 3. If you say it takes two or it takes two to tango, you mean that a situation or argument involves two people and they are both therefore responsible for it. 4. Both people involved in a situation are equally responsible for it. Examples: 1. I cannot do this all alone, neither can you – it takes two to tango. 2. Don’t blame me for the argument. It takes two to tango! You are equally responsible. 3. We will never reach an agreement unless we sit down for a discussion. It takes two to tango. 4. To reach a co...
YouTube: shorturl.at/finW8 Instagram: https://www.instagram.com/victor.charun/ Website: http://www.englishlessons101.com/ Facebook: https://www.facebook.com/learnenglishwithenglishlessons101/ Hello and welcome to englishlessons101. I’m your teacher Victor. In this lesson I’m going to teach you the expression it takes two to tango The lesson coming up! It takes two to tango is an informal expression used to describe a situation that can’t happen without more than one person. Let’s look at some examples: You are both responsible for cheating on me. It takes two to tango. I have a great business partner. It takes two to tango. Question of the day. Can you tango or salsa? Let us know in the comment section. Thank you for your time. Remember to like and subscribe for more more less...
Learn how to use idioms in your writing by subscribing to this channel! We cover how to say "It takes two to tango" and other common phrases. It's never been easier to learn idioms at your own pace with our video tutorials. English Idiom - 15 Things You Didn't Know ## English Translation @englishtranslationtoall
Video shows what it takes two to tango means. Some things need the active cooperation of two parties; blame is to be laid on both parties in a conflict.. It takes two to tango Meaning. How to pronounce, definition audio dictionary. How to say it takes two to tango. Powered by MaryTTS, Wiktionary
HIDDEN ERROR: Usage of "Spouse" is not recognized
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
I look at them shuffle and the shuffle come down
Ramblin' and scramblin' and a-headin' for town
Hoppin' and boppin' and a-buzzin' around
Happily awaitin' at the station
I look at that train number 709
Hoppin' and boppin' and arrivin' on time
Who do you think is about to arrive
The band they call the Dixieland Five
They're gonna play that muskrat ramble tune
Like the way you never heard it played
Get ready for the big parade
All together now - one and two
Join that happy crowd
Tellin' me that ramblin' scramblin' muskrat song
Come on, ramble along