- published: 03 Sep 2014
- views: 2551441
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Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
Seville (/səˈvɪl/; Spanish: Sevilla [seˈβiʎa], locally: [seˈβi(ɟ)ʝa]) is the capital and largest city of the autonomous community of Andalusia and the province of Seville, Spain. It is situated on the plain of the River Guadalquivir. The inhabitants of the city are known as sevillanos (feminine form: sevillanas) or hispalenses, after the Roman name of the city, Hispalis. Seville has a municipal population of about 703,000 as of 2011, and a metropolitan population of about 1.5 million, making it the fourth-largest city in Spain and the 30th most populous municipality in the European Union. Its Old Town, the third largest in Europe with an area of 4 square kilometres (2 sq mi), contains three UNESCO World Heritage Sites: the Alcázar palace complex, the Cathedral and the General Archive of the Indies. The Seville harbour, located about 80 kilometres (50 miles) from the Atlantic Ocean, is the only river port in Spain. Seville is also the hottest major metropolitan area in Europe, with summer average high temperatures of above 35 °C.
The Province of Seville (Spanish: Sevilla) is a province of southern Spain, in the western part of the autonomous community of Andalusia. It is bordered by the provinces of Málaga, Cádiz in the south, Huelva in the west, Badajoz in the north and Córdoba in the east. Seville is the province's as well as the Andalusian autonomous community's capital.
Located on Guadalquivir river's southern bank the city is the largest one in Andalusia. The former province of Andalusia was divided by the Moors into four separate kingdoms—Seville, Cordova, Jaen and Granada. Seville is biggest province of Andalusia in terms of GDP. The Provinces of Málaga (€ 28,506 million) and Cadiz (€ 22,574 million) are 2nd and 3rd respectively. The Port of Seville is of great economic importance to the province.
Seville or Sevilla can refer to several cities, towns and municipalities.
Act I aria from Bizet's "Carmen." Elina Garanca (Carmen). Conductor: Yannick Nézet-Séguin. Production: Richard Eyre (2009). From the 2010 Live in HD transmission.
No.9: Chanson et Duo «Pres des remparts de Seville» (Carmen, Don Jose) No.10: Final «Le lieutenant!... Prenez garde!» (Don Jose, Zuniga, Carmen) Carmen - Jessye Norman Don Jose - Neil Shicoff Micaela - Mirella Freni Escamillo - Simon Estes Frasquita - Ghylaine Raphanel Mercedes - Jean Rigby Le Dancaire - Francois Le Roux Le Remendado - Gerard Garino Zuniga - Jean-Philippe Courtis Morales - Nicolas Rivenq Lillas Pastia - Pierre Sebastian Le Guide - Serge Coorsan Choeurs de Radio France Orchestre National de France Direction - Seiji Ozawa Lyrics: Carmen Près des remparts de Séville chez mon ami Lillas Pastia, j’irai danser la seguedille et boire du Manzanilla, j’irai chez mon ami Lillas Pastia. Oui, mais toute seule on s’ennuie, et les vrais plaisirs sont à deux; donc pour me tenir compa...
Just Music. Maria Callas & Nicolai Gedda sing "Près Des Remparts De Séville" from "Carmen" by Georges Bizet in this recording with the Orchestre Du Théâtre National De L'Opéra De Paris where Georges Prêtre conducts. The copyright of this sound recording owned by EMI Records Ltd. (P)1964 EMI.
Waltraud Meier, Carmen; Placido Domingo, Don Jose
Stéphanie d'Oustrac (Carmen) Michael Fabiano (Don José) Orchestre de Paris, Pablo Heras-Casado, 2017.
Fim do primeiro ato - Zuniga, tenente da guarda, deu voz de prisão à cigana e ordena a José de conduzi-la ao cárcere. Permanecendo sozinha com D. José, Carmen dá início à sua "ópera" de sedução, prometendo amor em troca da liberdade ("Près des rémparts de Séville"). José, definitivamente fascinado pela cigana, termina por ajudá-la a escapar. Agnes Baltsa, na minha opinião, foi uma das melhores a interpretar o papel de Carmen. Pianista clássica de formação, decidiu dedicar-se a ópera para nossa imensa satisfação. José Carreras dispensa comentários. . Carmen Près des remparts de Séville chez mon ami Lillas Pastia, j'irai danser la seguedille et boire du Manzanilla, j'irai chez mon ami Lillas Pastia. Oui, mais toute seule on s'ennuie, et les vrais plaisir sont à deux; donc pour me tenir com...
Régine Crespin--SOprano George Sebastian--COnductor Wiener Volksopeernorchester 1970/71
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.