- published: 17 Apr 2013
- views: 3570
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Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
Symphony in C may refer to any of a number of symphonies written in the key of C major:
Symphony in C, originally titled Le Palais de Cristal, is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine to Georges Bizet's Symphony in C (1855). The music of the ballet, which Bizet wrote at the age of 17 while studying with Charles Gounod at the Paris Conservatory, was lost and only rediscovered and published in 1933 (Stravinsky informed Balanchine of this).
The premiere was on Monday, July 28, 1947, in the Théâtre National de l'Opéra with the Paris Opéra Ballet where Balanchine was guest ballet master. According to City Ballet docents the four movements were originally associated with and designed using the colors four gemstones, three of which Balanchine subsequently retained for the three movements of his 1967 ballet Jewels: Emeralds, Rubies and Diamonds. Even before the ballet was renamed Symphony in C, he had eliminated the color scheme and changed to the white costumes still used.
The NYCB premiere took place as the final piece on the first performance, October 11, 1948, of the newly renamed City Ballet at the City Center of Music and Drama with costumes by Karinska. Jerome Robbins was in the audience at that performance and is quoted as saying that he immediately wrote to Balanchine asking to be hired in any capacity.Suzanne Farrell says that Symphony in C is the first ballet she ever saw and determined at once to become a ballerina and join City Ballet; both of which she did. When she was in rehearsal learning her role from Balanchine, he asked her whether she could touch her knee with her nose en penchée, which she could, and this addition to the choreography remains to this very day.
Symphony in C (Orchestra), formerly known as the Haddonfield Symphony, is a professional training orchestra based in Camden, New Jersey. Founded in 1952, Symphony in C's mission to train young professionals is similar to that of the Chicago Civic Orchestra and Miami's New World Symphony. The orchestra's home is The Gordon Theater on the campus of Rutgers–Camden University, and its current music director is Rossen Milanov.
The Haddonfield Symphony began as an amateur, volunteer ensemble for music lovers in 1952. The orchestra's debut performance was in January 1954 under music director Guido Terranova, and for decades brought classical music to its local communities. During the 1987–1988 season, the orchestra established a Professional Development Internship program and began providing training and performance opportunities to young professional musicians. The shift from an amateur to a semiprofessional ensemble caused controversy about the symphony’s mission and in May 1991, the majority of amateur volunteers refused to put on a scheduled show, quit the Haddonfield Symphony and formed the Philharmonic of Southern New Jersey. Instead of recruiting new volunteers, the orchestra altered its mission and evolved into what it is today - a professional-caliber orchestra accountable for training some of the country's top music directors and musicians. The orchestra is made up of current and graduate students from the most reputable music schools in the country, including Philadelphia's Curtis Institute of Music and New York City's Juilliard School of Music. Many Symphony in C alumni now perform with the best orchestras in the world.
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Provided to YouTube by Universal Music Group Bizet: Symphony in C Major, WD 33 - III. Scherzo. Allegro vivace · Royal Concertgebouw Orchestra · Bernard Haitink · Georges Bizet Bizet: Symphony in C; Jeux d'enfants / Debussy: Danses for Harp ℗ 1979 Universal International Music B.V. Released on: 1986-01-01 Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Sony Classical Symphony in C Major, WD 33: III. Scherzo. Allegro vivace (2017 Remastered Version) · Leonard Bernstein · Georges Bizet · New York Philharmonic Orchestra Prokofiev: Symphony No. 1 in D Major, Op. 25 - Bizet: Symphony in C Major ℗ 1968 Sony Music Entertainment Released on: 2018-02-16 Producer: Thomas Z. Shepard Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Bizet: Symphony in C: 3. Scherzo (Allegro vivace) · Orchestre National de France · Jean Martinon L'Arlésienne, suites - Symphonie en ut - Jeux d'enfants ℗ 1972 Deutsche Grammophon GmbH, Berlin Released on: 2005-01-01 Producer: Werner Mayer Studio Personnel, Balance Engineer: Heinz Wildhagen Producer, Executive Producer: Jobst Eberhardt Producer, Executive Producer: Hans-Rudolf Müller Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Bizet: Symphony in C Major, WD 33: 3. Scherzo. Allegro vivace · London Philharmonic Orchestra · Charles Munch The Legacy Of Charles Munch ℗ 1948 Decca Music Group Limited Released on: 2020-04-20 Producer: Victor Olof Studio Personnel, Engineer: Kenneth Wilkinson Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Warner Classics Symphony in C: Scherzo : allegro vivace · Paavo Järvi/Orchestre de Paris Bizet : Symphony in C, Jeux d'Enfants, Roma ℗ 2010 Erato/Warner Classics, Warner Music UK Ltd Orchestra: Orchestre de Paris Lead Vocals: Orchestre de Paris Conductor: Paavo Jarvi Lead Vocals: Paavo Jarvi Conductor: Paavo Järvi Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Bizet: Symphony in C: 3. Scherzo (Allegro vivace) · Academy of St Martin in the Fields · Sir Neville Marriner Marriner & The Academy - 20th Century Classics ℗ 1973 Decca Music Group Limited Released on: 2011-01-01 Producer, Recording Producer: Michael Bremner Studio Personnel, Balance Engineer: Stanley Goodall Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Warner Classics Symphony in C Major, WD 33: III. Scherzo. Allegro vivace · Seiji Ozawa Bizet: Symphony in C Major, Petite suite from "Jeux d'enfants" & Patrie ℗ 1983 Parlophone Records Limited, a Warner Music Group Company. Balance Engineer: Christopher Parker Producer: John Willan Orchestra: Orchestre national de France Conductor: Seiji Ozawa Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Warner Classics International Bizet : Symphony in C major : III Scherzo - Allegro vivace · Alain Lombard Bizet : L'Arlésienne Suites Nos 1, 2 & Symphony in C major ℗ 1976 Erato Classics S.N.C. Conductor: Alain Lombard Orchestra: Orchestre Philharmonique de Strasbourg Composer: Georges Bizet Auto-generated by YouTube.
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.