- published: 15 Jul 2017
- views: 30
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Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
Les pêcheurs de perles (The Pearl Fishers) is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was first performed on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon, the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "Au fond du temple saint", generally known as "The Pearl Fishers Duet", is one of the best-known numbers in Western opera.
At the time of the premiere, Bizet (born on 25 October, 1838) was not yet 25 years old: he had yet to establish himself in the Parisian musical world. The commission to write Les pêcheurs arose from his standing as a former winner of the prestigious Prix de Rome. Despite a good reception by the public, press reactions to the work were generally hostile and dismissive, although other composers, notably Hector Berlioz, found considerable merit in the music. The opera was not revived in Bizet's lifetime, but from 1886 onwards it was performed with some regularity in Europe and North America, and from the mid-20th century has entered the repertory of opera houses worldwide. Because the autograph score was lost, post-1886 productions were based on amended versions of the score that contained significant departures from the original. Since the 1970s, efforts have been made to reconstruct the score in accordance with Bizet's intentions.
Georges Bizet (25 Oct 1838– 3 Jun 1875) Pierrette Alarie Léopold Simoneau René Bianco Xavier Depraz Orchestre des Concerts Lamoureux and Chorale Elisabeth Brasseur Jean Fournet 1 9 5 3
Opéra en trois actes / Opera in three acts livret / libretto Eugène CORMON - Michel CARRÉ Julie FUCHS Leïla Cyrille DUBOIS Nadir Florian SEMPEY Zurga Luc BERTIN-HUGAULT Nourabad LES CRIS DE PARIS Direction Geoffroy JOURDAIN Orchestre / Orchestra ORCHESTRE NATIONAL DE LILLE Direction musicale / Conductor Alexandre BLOCH Réalisateur / Film director Stéphane VÉRITÉ Une coproduction / A coproduction ORCHESTRE NATIONAL DE LILLE MEZZO OXYMORE Avec la participation de / In collaboration with francetélévisions
Provided to YouTube by Universal Music Group Bizet: Les pêcheurs de perles - Prélude · Orchestre Lamoureux · Jean Fournet Bizet: The Pearl Fishers (Les Pêcheurs de perles) ℗ 1954 Universal International Music B.V. Released on: 1954-01-01 Composer: Georges Bizet Author: Eugène Cormon Author: Michel Carré Auto-generated by YouTube.
Provided to YouTube by Believe SAS Les pêcheurs de perles : Ouverture et Prelude · Orchestre des concerts Lamoureux, Jean Fournet Les grands compositeurs de la musique classique : Georges Bizet, Vol. 1 ℗ 2017 Mon patrimoine musical Released on: 2017-04-07 Author: Georges Bizet Composer: Georges Bizet Auto-generated by YouTube.
Provided to YouTube by Warner Classics Les Pêcheurs de perles: Prelude · Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux Bizet: Les Pecheurs de perles ℗ 1961 Parlophone Records Limited, a Warner Music Group company. Remastered (p) 1989 Parlophone Records Limited, a Warner Music Group company. Librettist: Eugene Cormon Librettist: Michel Carre Orchestra: Orchestre du Théâtre National de I'Opéra-Comique Orchestra: Orchestre du Théâtre national de l'Opéra-Comique Lead Vocals: Orchestre du Théâtre national de l'Opéra-Comique Conductor: Pierre Dervaux Lead Vocals: Pierre Dervaux Producer: Rene Challan Produced by: Rene Challan Producer: René Challan Composer: Georges Bizet Auto-generated by YouTube.
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.