- published: 31 Dec 2008
- views: 476482
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Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
Anna Moffo in a splendid performance of Micaela's Aria from Act 3 Of Bizet's opera Carmen. From Moffo's 1961 RCA Victor debut recital LP, often referred to as "The Beige Album".
Georges BIZET – Carmen, Micaela : "Je dis que rien ne m’épouvante" Claire ANTOINE - Soprano Moeka UENO - Pianiste Artistes de la Promotion Génération Opéra 2023-2024 Musée Gustave Moreau - Paris Filmé le 21 mars 2023 Génération Opéra - Promotion d’artistes 2023-2024 Avec le soutien du Ministère de la Culture Site web Génération Opéra ! https://www.generationopera.fr/ Réseaux sociaux : Facebook : https://www.facebook.com/Generation.Opera/ Instagram : https://www.instagram.com/generation.opera/ Twitter : https://twitter.com/GenerationOpera Linkedin : https://www.linkedin.com/company/centre-fran%C3%A7ais-de-promotion-lyrique-cfpl/ © copyright Deyan Parouchev pour Génération Opéra
From the opera Carmen. Composer: Georges Bizet (1838 - 1875) Librettists: Henri Meilhac (1830 - 1897) & Ludovic Halévy (1834 - 1908)
Soprano Rosa Feola sings Bizet's "Je dis que rien ne m'épouvante" from Carmen. Recorded at the Oscar Niemeyer Auditorium, Ravello Festival New Year's Concert on January 2, 2021 Ravello Festival, Concerto per il nuovo anno del 2 gennaio 2021 registrato all’Auditorium Oscar Niemeyer.
Provided to YouTube by Universal Music Group Bizet: Carmen, WD 31, Act III: Je dis que rien ne m'épouvante · Renée Fleming · London Philharmonic Orchestra · Sir Charles Mackerras Renée Fleming ℗ 2000 Decca Music Group Limited Released on: 2000-01-01 Producer: Michael Haas Studio Personnel, Balance Engineer: Jonathan Stokes Studio Personnel, Balance Engineer: Philip Siney Composer: Georges Bizet Author: Henri Meilhac Author: Ludovic Halévy Author, Original Text Author: Prosper Mérimée Auto-generated by YouTube.
Micaela se ha internado en los parajes agrestes de la serranía andaluza para llevarle a Don José noticias importantes sobre su madre, aunque sabe que este, siguiendo a Carmen y a su grupo de amigos contrabandistas, ha roto con el ejército, con su pasado y con los principios morales que regían su vida. Sobrecogida por lo solitario del lugar, en plena noche, intenta darse ánimos invocando la ayuda del Señor. Micaela es en todos los aspectos la contrafigura de Carmen; simboliza el orden, la familia y el amor casto, la novia ideal que la madre de D. José tenía reservada para su hijo. Por eso resulta tan marcada su vulnerabilidad en el escenario hostil de la serranía (un entorno natural para la gitana), donde se siente completamente perdida, sola y asustada. Su estado de ánimo, que oscila ent...
Disclaimer- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Leontyne Price sings Micaëla's aria from Act III of Bizet's "Carmen"
Je dis que rien me m’épouvante from Bizet’s beloved opera Carmen. Character: Micaela Emma Pennell - Soprano David Eliakis - Piano Mazzoleni Hall Toronto
Bizet Je dien que rien ne m'épouvante piano accompaniment - Sing with me Micaela - Carmen Study along with a professional collaborative pianist. Please subscribe and contact us. All rights reserved. Unauthorized reproduction is a violation of applicable laws. ---------------------- E-mail: [email protected] Facebook: https://www.facebook.com/singwithme.piano.accompaniments/ YouTube Channel: https://www.youtube.com/c/singwithme_accompaniments #micaela #carmen #accompaniment #karaoke
November 13, 2015 David Niemann, conductor Felicitas Fuchs, soprano
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.