- published: 08 Aug 2010
- views: 169236
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Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
George Bizet: Carmen Suite #1 - Prelude The third part of ten from the famous opera Carmen by George Bizet.
David Niemann, conductor
Singapore National Youth Orchestra Conductor: Tan Wee Hsin. Performed at Esplanade Concert Hall, Singapore 10 April 2012, 7.30pm
Watch our concerts LIVE on HomeSymphony®: http://www.homesymphony.com Georges Bizet: Carmen – Suite No. 1 Mannheimer Philharmoniker Boian Videnoff, conductor Live from the Rosengarten Mannheim, 31. March 2019 Director: Sören Klitzing Director of Photography: Thomas Kutschker Sound: Bauer Studios Ludwigsburg Streaming: in medias res, Jens Breith Post-Production: Sören Klitzing Facebook: https://www.facebook.com/mannheimphil Instagram: https://www.instagram.com/mannheimphil thanks to our homesymphony-supporters: m:con – mannheim:congress GmbH, epicto GmbH http://www.homesymphony.com video rights MaPhil Media GmbH, Mannheim, Germany
2021 서울시향 마르쿠스 슈텐츠 I : 스티븐 허프의 라흐마니노프 ① VIRTUOSOS RACHMANINOV-PAGANINI ① 2021년 7월 2일 예술의전당 콘서트홀 연주 실황 July 2nd, 2021|Concert Hall, Seoul Arts Center 🎼 비제, 카르멘 모음곡 제1번 & 제2번 발췌 Bizet, selections from Carmen Suite No. 1 & 2 [🎬타임라인] 00:38 I. Prélude & Aragonaise from Suite No. 1 04:15 II. Intermezzo from Suite No. 1 06:45 III. Séguedille from Suite No. 1 08:35 IV. Nocturne from Suite No. 2 13:40 V. Les Toréadors from Suite No. 1 15:41 VI. Habanera from Suite No. 2 17:32 VII. Danse Bohème from Suite No. 2 [📝프로그램노트] http://naver.me/GoB3AUbU ㅡ 🧡 Follow SPO 누리집 https://www.seoulphil.or.kr 페이스북 https://www.facebook.com/SPO 트위터 https://twitter.com/seoulphil 인스타그램 https://www.instagram.com/seoulphil 네이버TV https://tv.naver.com/seoulphil
L'Orchestre philharmonique de Radio France dirigé par Myung-Whun Chung interprète l'ouverture de "Carmen" de Georges Bizet, en bis d'un concert enregistré le 12 juin 2015 à l'Auditorium de la Maison de la Radio (Paris). #Bizet #Carmen #Concert #opera Pour en savoir plus sur la création de l'opéra "Carmen" : https://www.radiofrance.fr/francemusique/podcasts/musicopolis/la-creation-de-carmen-de-bizet-vue-par-la-presse-3893399 Tout ce que vous avez toujours voulu savoir sur le chef d'œuvre de Bizet : https://www.radiofrance.fr/francemusique/carmen-de-georges-bizet-tout-ce-que-vous-avez-toujours-voulu-savoir-sur-l-opera-4256617 Biographie de Georges Bizet : https://www.radiofrance.fr/personnes/georges-bizet ----------------------- ⭐ NOUVEAU ⭐ comprendre et explorer la musique avec la n...
The audio is under "Public Domain" The public domain is an intellectual property designation for the range of content that is not owned or controlled by anyone. These materials are public property, and available for anyone to use freely (the "right to copy") for any purpose. ...50 years from creation year or 70 years after his death http://en.wikipedia.org/wiki/Public_domain
Georges Bizet Carmen Suite No. 1 "Les Toreadors" London Festival Orchestra Alfred Scholz
Milwaukee Youth Symphony Orchestra PLAY YOUR PART Nov. 09 2024, Sharon Lynne Wilson Center PHILHARMONIA Daniel Duffy, Music Director Georges Bizet Carment Suite No. 1 00:04 I. Prelude 01:25 Ia. "Aragonaise" 04:33 II. Intermezzo Charlotte Kojis, flute Charlie Frohna, clarinet Audrey Chang, piano 07:48 V. "Les Toreadors"
Georges Bizet (1838-1875), France Suite No. 1 from "Carmen" - Prelude to Act I [1:07] - Aragonaise (Entr'acte to Act IV) [2:25] - Intermezzo (Entr'acte to Act III) [2:28] - Seguidilla (Act I) [1:48] - The Dragoons of Alcala (Entr'acte to Act II) [1:38] - The Toreadors (Prelude to Act I) [2:14] Suite No. 2 from "Carmen" - March of the Smugglers (Act III) [4:11] - Habañera (Act I) [1:59] - Song of the Toreador (Act II) [2:19] - The Changing of the Guard (Children's Chorus from Act I) [3:44] - Danse bohème (Act II) [4:28] Cincinnati Pops Orchestra Erich Kunzel --------------------
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.