- published: 02 May 2012
- views: 1751843
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Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
Le tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.
Tombeau in the title is a musical term popular from the 17th century meaning "a piece written as a memorial". The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin "the Great" (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the structure which imitates a Baroque dance suite.
Le tombeau de Couperin is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Maurice Ravel's 1919 music of the same title, orchestrated by the composer. The premiere took place as part of City Ballet's Ravel Festival on 29 May 1975 at the New York State Theater, Lincoln Center.
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long, la suite pour piano Le Tombeau de Couperin comporte six morceaux, Prélude, Fugue, Forlane, Rigaudon, Menuet et Toccata, dédiés à la mémoire d'amis tombés au cours de la Première Guerre mondiale. Ravel orchestra par la suite quatre de ces pièces, entendues pour la première fois sous cette forme en février 1920 et se jouant dans l'ordre suivant : Prélude, Forlane, Menuet et Rigaudon. Près de 80 ans plus tard, le pianiste et chef d'orchestre hongrois Zoltán Kocsis entreprit d'orchestrer les deux pièces restantes, la Fugue et la Toccata. C'est cette version orchestrale complète qu'on peut entendre ici, interprétée par l'Orchestre Philharmonique National Hongrois dirigé par Zoltán Kocsis (l'image sur la...
Provided to YouTube by The Orchard Enterprises Le Tombeau de Couperin, Suite de Orchestre - Prelude: Vif · Dmitri Mitropoulos · Maurice Ravel · Minneapolis Symphony Orchestra Legendary Conductors ℗ 2010 Unchained Melodíe Released on: 2010-09-01 Music Publisher: Label Controlled Auto-generated by YouTube.
Music - Arts
Provided to YouTube by Believe SAS Rapsodia Spagnola · Radio Symphony Orchestra Georges Bizet and Maurice Ravel ℗ Fonotil Released on: 2010-06-12 Author: Maurice Ravel Composer: Maurice Ravel Music Publisher: Copyright Control Auto-generated by YouTube.
Maurice Ravel (1875-1937) "Rapsodie espagnole" III. Habanera Transcribed by Lucien Garban (1877–1959) Alexandra Beliakovich, piano Live performance at Manhattan School of Music May 2014 www.alexandrabeliakovich.com
La orquesta filarmónica de J.L.Moreno interpreta "Le Tombeau De Couperin (Fragmentos)" de Maurice Ravel bajo la dirección del maestro Alexis Soriano Para disfrutar de más cultura suscríbete a nuestro canal!: https://www.youtube.com/channel/UCQA1MfXeoiCAvIBVGjv4oRQ Y también puedes seguirnos en nuestras redes sociales: - Facebook: https://www.facebook.com/YouMoreTv/ - Twitter: https://twitter.com/youmoretv - Instagram: https://www.instagram.com/youmoretv/ - Google +: https://plus.google.com/116823489151085782161 Para saber más sobre YouMoreTV y todo lo que puede ofrecer: - Web: https://www.youmoretv.com/ - Tienda: https://www.youmoreshop.com
Provided to YouTube by NAXOS of America Le tombeau de Couperin (version for piano) : No. 4. Rigaudon · Michael Endres Ravel: Complete Works for Piano 2-hands ℗ 2011 Oehms Classics Released on: 2011-03-01 Artist: Michael Endres Composer: Maurice Ravel Auto-generated by YouTube.
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.