Jung Typescripts 2 Seminars
Jung Typescripts 2 Seminars
Jung Typescripts 2 Seminars
THE SEMINAR
This seminar is an important, personal and intimate view of Jungs thought and methods during the early years of his practice
and teaching including a significant amount of biographical material providing an important and interesting look into
Jungs life and thought.
This 1925 gathering was the first of Jungs seminars to be transcribed and multilith printed here for the benefit of the 27
attendees and other interested parties.
The synopsis for the edited publication of Analytic Psychology (Princeton University Press, 1989) notes that:
For C. G. Jung, 1925 was a watershed year. He turned fifty, visited the Pueblo Indians of New Mexico and the
tribesmen of East Africa, published his first book on the principles of analytical psychology meant for the lay public,
and gave the first of his formal seminars in English.
The seminar, conducted in weekly meetings during the spring and summer, began with a notably personal account of
the development of his thinking from 1896 up to his break with Freud in 1912. It moved on to discussions of the
basic tenets of analytical psychology--the collective unconscious, typology, the archetypes, and the anima/animus
theory. In the elucidation of that theory, Jung analyzed in detail the symbolism in Rider Haggard's She and other
novels. Besides these literary paradigms, he made use of case material, examples in the fine arts, and diagrams.
THE EDITION
This typescripts represent an earlier (and, most likely, the earliest) version of this text. This version precedes the
additions made using other attendees notes and the changes that were made during the final editing process a
process in which Jung himself participated.
Ample proof of these textural differences can be seen from a comparison of the pagination of this typescript with the first
edition multilith copies of this seminar:
This Original Typescript
174 pages
227 pages
In addition, this typescript contains original hand-written edits made to the text that were the basis for the first
multilith printings.
Finally, this copy contain the original hand-written drawings and illustrations that formed the basis for those used in
the later printings (for details, see the Illustrations section in the following description).
THE EDITOR
The text was edited and prepared for printing by Cary F. de Angulo, whose name (and the date November 29th, 1925) appear
on the Foreword page. According to that Foreword, the ten illustrations were done by another member of the class who is
not further identified.
The editor is better known as Cary F. Baynes the name that appears on her widely-read English translation (which was
requested by Jung and includes his Foreword) of the I Ching or Book of Changes. According to William McGuires
Introduction to the publication of this 1925 seminar in 1989, Cary was a friend of Jung and a central figure in the world of
analytic psychology (Analytic Psychology, Princeton University Press, 1989, p. xiii).
Interestingly, Cary was the person that Jung originally asked to assist him with his autobiography, but the job was a
precarious one and she eventually turned it down. Given all the ongoing drama and competition that accompanied the writing
of that book, her decision provides an excellent example of the Zen insight and good judgment that she possessed and
exhibited throughout her entire career.
Jung also entrusted Cary with the difficult task of helping James Joyce's psychotic daughter, Lucia and gave her the
responsibility for dealing with the Joyces during their stay in Zurich.
In addition, Cary met both of her husbands Jaime de Angulo and H.G. Baynes through Jung, each of these men having
traveled extensively with Jung in the past.
Finally, Cary Baynes played a vital role in bringing Jungian psychology to the West Coast of the United States and she was a
key playing in the creation of the Bollingen Foundation in Zurich.
THE EDITS
At least 74 of the 178 pages show neat pencil markings. Some pages have only one mark, while others show more than two
dozen including spacing corrections, accents, underlining, brackets and new paragraph breaks.
Although the Foreword clearly states that "the whole has been reviewed and corrected by Dr. Jung, there is no way to tell if
these corrections and editing marks were made by de Angulo or by Dr. Jung.
A singular typescript of important historical and scholarly importance. It has been remarkably well preserved both in relation to the
individual typed sheets and to the original binder that contains them.
THE EDITIONS
These typescripts represent an earlier (and, most likely, the earliest) version of these texts. These versions precede the
additions made using other attendees notes and the changes that were made during the final editing process a
process in which Jung himself participated.
Ample proof of the these textural differences can be seen from a comparison of the first edition multilith copies of these
seminars which are all paginated differently from these original typescripts.
Original Typescript
Part I:
Parts II & III:
Part IV:
Part V:
Part VI:
54
247
160
152
202
In addition, these copies contain the original hand-written drawings and illustrations that formed the basis for those
used in the later printings (for details, see the Illustrations section in each of the following descriptions).
THE EDITORS
Different people were involved in the production of the official record of these six seminars.
In the absence of Cary de Angulo who had transcribed, organized, typed and overseen the printing of the 1925 seminar (she
had moved to Carmel, CA with her new husband, H. G. Baynes), the responsibility for these tasks were taken up by three
different women in succession.
Notes for the autumn 1928 session (Part I) were taken down by Anne Chapin, a teacher at Mount Holyoke College, in
Massachusetts, and were transcribed, multigraphed, and circulated to the members. (William McGuire, Dream Analysis,
Princeton University Press, 1984, Introduction, p. xi)
The meetings during the first half of 1929 [Parts II & III] were recorded by another American woman, Charlotte H.
Deady. (Ibid)
Mary Foote became involved with recording the session that began in October 1929, and letters from Jung to her in
December show that she was editing the transcript (compiled from various members notes) and sending sections of it to Jung
for review. She carried out this role to the end of the seminar the following June [Parts IV, V & VI]. (Ibid)
[followed by] TP + Foreword page + [1]-78 + 78a + 78b + 78c + [no p. 79 but
text continuous] 80-160; loose, single-sided sheets. 8 x 11
CONDITION & NOTES: Original typescript. The pages are loose and have never been stapled. They are held in a
generic, period spring-binder (10 x 12) with stiff boards covered with black coated fabric with minor chipping
at the edges.
At the top of the spine, the title Part I / [line] / 7-28 / Nov 7 Dec. / [line] / also / Part VI / Oct, Nov. / Dec. / 1929
/ [line] has been handwritten in white ink.
There is an inner, thick cardboard folder (10 x 12) that contains all of these sheets within the outer spring binder.
There is an inked name in the center of the front cover of this folder (Ann van Waveren) and a pencil notation to
the upper right-hand corner (A28 apparently Autumn of 1928). On the inside front cover of the folder is a 4-line
handwritten note in blue ink: This vol. contains / Part I / + Part IV / which is out of place.
The first sheet of Part I (i.e. p. [1]) has the word Part- written in blue ink in the upper left-hand corner and three
lines of crossed out type ( Vol. I / Nov. / Nov. 11) and below this Nov. 7-1928. in the upper right-hand corner.
The title page to Part IV has Oct. 1929 written in blue ink just to the right of the typed date of Autumn 1929.
ILLUSTRATIONS: the following figures hand-drawn in black ink are to be found in Part IV:
Numbered Figures:
Unnumbered Figures on pages 67, 110, 112, 122, 141, 145, 146 and 154
Full-page graphics on pages 78a, 78b and 78c
Symbols hand-written into the text on pages 63, 76 and 77
BOOK 2 Parts II & III: TP + Introduction page + [1]-152 + 1 leaf with short, mostly numerical notes in pencil + 153247; loose, single-sided sheets. 8 x 11
CONDITION & NOTES: Original typescript. The pages are loose and have never been stapled. They are held in a
generic, period spring-binder (10 x 12) with stiff boards covered with black coated fabric with minor chipping
at the edges.
At the top of the spine, the title [line] / W-S / 29 / [line] / Part / II & III has been handwritten in white ink
indicating the Winter-Summer of 1929.
There is an inner, thick cardboard folder (10 x 12) that contains all of these sheets within the outer spring binder.
There is an inked name in the center of the front cover of this folder (Ann van Waveren).
The title page has W S 29 written in pencil in the upper right-hand corner and has been taped top to bottom across
the inside gutter edge at some time in the past as a reinforcement.
The pages are very unevenly gathered in this book and have been that way for some time with some of the pages
thereby suffering minor nicks and creasing.
Intermittent hand-written corrections to the text along with what look to be occasional editing marks.
Up to page 161, the typing is very light and could hardly have been meant to be used as an original to be reproduced.
ILLUSTRATIONS:
The Introduction mentions two illustrations (a Mandala drawing and the reproduction of Chinese mandala) that
appear in the multilith printings of these lectures, but are not found in this original typescript copy.
BOOK 3 Part V: TP + Introduction page + 2 blank leaves + 2 leaves = Index of Dreams / arranged by Mary Howells +
[1]-152; loose, single-sided sheets. 8 x 11
CONDITION & NOTES: Original typescript. The pages are loose and have never been stapled. They are held in a
generic, period spring-binder (10 x 12) with stiff boards covered with black coated fabric with minor chipping
at the edges.
At the top of the spine, the title [line] / W 29-30 / [line] / Part / V has been handwritten in white ink indicating
the Winter of 1929-1930.
There is an unmarked inner, thick cardboard folder (10 x 12) that contains all of these sheets within the outer
spring binder.
The title page has Regius(?) Jan. 1930. written in blue ink after the typed title Part V and beneath Zurich, the
typed words Winter 1929-30 have been crossed out in pencil and Reg. Jan. 1930 to end of March has been
written in blue ink around that crossed out text.
Interestingly, on page 140 there is a hand-written pencil number 180 along the top edge of the page and on page
145, a similarly written 186. These numbers are suspiciously close to the actual page numbers of the
corresponding text in the first edition multilith copies and it seems that for whatever reason someone was trying
to indicate that correspondence here.
ILLUSTRATIONS: the following figures hand-drawn in black ink are to be found in Part V:
Unnumbered Figures on pages 4, 8, 33, 34 and 100.
A complete collection of original typescripts of important historical and scholarly importance. They have been remarkably well
preserved both in relation to the individual typed sheets and to the original binders that contain them.
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When, on Wednesday morning at eleven Doctor Jung enters the long room at the
Psychology Club, where his Seminar is held, smiling with a deep friendliness at this
or that face, the brown portfolio which he hugs to his side seems to be the repository
of this joint account the collective account of a small international group whose
common interest is the psyche. An involuntary hush falls on the room as Jung
himself stands quiet and grave for a moment, looking down at his manuscript as a
sailor might look at his compass, relating it to the psychological winds and waves
whose impact he had felt on his passage from the door. The hush in the assembly
means not only reverence but intense expectation. What world adventure shall we
have today with this creative thinker? What question, like the stroke of a bronze
bell, will he leave ringing in our minds? What drastic vision of our age will he give
us that will help us to lose our sense of problems, subjective and oppressive, and
move into a more universal and objective realm.
[McGuire quoting from Doctor Jung, A Portrait, Harpers, May, 1931]
Jung moderated these seminars in a variety of venues around the world from the
United States (Bailey Island, Maine & New York City) to England (London and two
more remote locations) and, on the Continent, from Berlin, Germany to Basel and
Zrich, Switzerland. Almost two-thirds of these seminars were conducted in Zrich at
the Eidgenssische Technische Hochschule (the Swiss Federal Technical University).
According to Jungs own estimate, the ETH lecture hall in Zrich, which was used for so many of these seminars, could
accommodate 60 seats (Sonu Shamdasani, The Psychology of Kundalini, Princeton University Press, 1996, p. xxxvii) although
some of the seminars, especially the early ones, did not have that many participants.
In the later published versions of these seminars, several of the Introductions contain a list of known participants to these seminars
although it is clearly indicated that these lists are meant to be only of people who were definitely in attendance and does not include
others who might have anonymously attended one or more of the seminars sessions. Those numbers are as follows: Analytic
Psychology [1925] 26 attendees; Dream Analysis [1928/30] 53 attendees; Visions [1930/34] - 80 attendees; Kundalini Yoga [1932]
24 attendees; Zarathustra [1934/39] 74 attendees. NOTE that these numbers are composites and include people who may have
attended just some of these seminar sessions. One attendee, Barbara Hannah, has stated in her book, Jung, His Life and Work (B.P.
Putnams Sons, New York 1976) that never did [attendance] exceed about fifty (p. 193).
There is little known about exactly how many Multigraph copies were printed for each of these seminars. Between 1934 and 1939, the
Zarathustra Seminar was published in ten volumes with an index that was issued in 1942. From the records preserved in the Mary
Foote Collection held at Yales Beinecke Rare Book Library, we know that the first five of these books had 100 copies printed. This
number went up to 120 for the next two volumes and then up to 150 copies for each for the final three books. The concluding
comprehensive Index was printed in an edition of just 110 copies. Certainly there was significant interest in these seminars among
Jungian analysts and the ten volumes went into a second Multigraph edition early in the 1940s.
Further circumstantial evidence regarding the number of copies typically printed comes from the six numbered copies of Jungs
seminars offered in this catalog items #48, 49, 55. 58, 59 & 61 which are numbered 61, 130, 102, 35, 123 and 17 respectively.
These numbers imply a similarly limited press run for these private printings of Jungs seminars and underline their rarity.
There were a variety of editors for these seminar printings although Mary Foote was the person who was most frequently
responsible for their production. Clearly, Ms. Foote was the individual who, after assuming her role as editor in October of 1929, set
the standard for all subsequent transcriptions and printings of Jungs seminars.
These scarce privately printed records of Jungs seminars are valuable and important for a number of reasons not least of which is
the ability to see one of the more influential minds of the 20th century at work in a charged and challenging, but collegial atmosphere.
In these seminars, Jung was clearly working out the details of his ideas and testing the validity and applicability of his methods in
relation to a wide variety of topics all the while teaching students by actually talking them through a practical application of his
theories in relation to the topic at hand. In addition, the first seminar of 1925 contains a remarkable number of biographical details that
are supplied in Jungs efforts to explain his own growth as a man, a thinker and a psychologist.
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