- published: 07 Oct 2009
- views: 24511390
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Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
"Where the Hood At?" is a song by American hip hop recording artist DMX, released as the lead single from his fifth studio album Grand Champ (2003). The track is noted to be a diss track towards Ja Rule; particularly in the first verse. Allmusic stated "The anthemic lead single, 'Where the Hood At,' is precisely modeled after previous DMX rallying calls like 'Ruff Ryder Anthem,' 'What's My Name?,' and 'Who We Be.'"
The clean version doesn't have the third verse, unlike the explicit version. The producers for the song were the music creation team Tuneheadz. Recorded in 2003, it was one of the first singles to be available as a digital download via Amazon.com.
The song samples "I'll Play the Blues for You" by Albert King. That song was originally sampled by Big Daddy Kane for the song Young, Gifted and Black.
The music video is clean and is set in DMX's neighborhood in Yonkers, New York. In the beginning of the video during DMX's first verse, there is a man wearing a bandana and women's pumps. There are appearances from rappers Drag-On, Swizz Beatz, Fat Joe and Busta Rhymes. In the second half of the video, a song entitled "A'Yo Kato", produced by Swizz Beatz, was added to pay tribute to his fallen friend. The music video features homosexuals and transvestites (or people posing as homosexuals and transvestites) and portrays them in a negative light.
Official Music Video for Na-NaNa-Na performed by Nelly ft. Jazze Pha. Follow Nelly: Instagram: https://lnk.to/NellyIGID Twitter: https://lnk.to/NellyTWID #Nelly #NaNaNaNa
Listen to the album "OSAMA". Out now! Stream: https://Empire.lnk.to/MO3OSAMAYo @Mo3Badazz #Mo3 #OSAMA #StackItUp Official music video by Mo3 ft. Jazze Pha - Stack It Up © 2020 H$M Music / EMPIRE
Bun B & Cory Mo Ft. Jazze Pha, Slim Thug & Lil' Keke "Mo Trill" Video From The "Mo Trill" Album OUT NOW !!!! Music Produced By: Cory Mo - MO TRILL ALBUM features 2 Chainz, Wale, CeeLo Green, Big K.R.I.T., Talib Kweli, Benny The Butcher, Tobe Nwigwe, Larry June, David Banner, Jazze Pha, Devin The Dude, Slim Thug, Lil Keke, Z-Ro, Trae The Truth, Raheem DeVaughn & More...
Track 6 From T.I. - Trap Muzik (2003) https://itunes.apple.com/us/album/trap-muzik/1258990795
Super producer Jazze Pha is on the show with T-Pain. Recalibrated and ready to go, he shares his incredible life experiences working with music's greats from Rick James & Roger Troutman to Dr. Dre & Busta Rhymes! T-Pain and Jazze rap about their favorite remixers, producers, and their personal favorites in the game! Plus, they reminisce about Jazze's early years and run through the keys to his creative process. The laughs continue with this week's button question and the NBR "Creative Curse Word of The Week." Tap into this week's action packed Nappy Boy Radio Podcast w/ T-Pain. Follow us on IG: http://instagram.com/nappyboyradiopodcast NBR Podcast Merch: http://shop.tpain.com Follow T-Pain on Social Media: http://instagram.com/tpain http://twitter.com/tpain http://facebook.com/tpain ht...
The official video of "Let's Get Away" by T.I. from the album 'Trap Muzik'. Subscribe for more official content from Atlantic Records: https://Atlantic.lnk.to/subscribe Follow Atlantic Records https://facebook.com/atlanticrecords https://instagram.com/atlanticrecords https://twitter.com/AtlanticRecords http://atlanticrecords.com The official Atlantic Records YouTube Channel is home to the hottest in hip-hop, rock, pop, R&B, indie, musicals and soundtracks. With over 70 years of global recorded music history, Atlantic Records’ legacy and passion for artistry continues with Top 40 hitmakers like Wiz Khalifa, Sean Paul, Trey Songz, Bruno Mars, Charlie Puth, Janelle Monáe, and B.o.B. Atlantic Records prides itself for working on Motion Picture Soundtracks, such as “The Greatest Showman”,...
video Jazze Pha feat. Cee-Lo - Happy Hour
Album: Murphy's Law 2003 Label: Derrty Ent./Universal Records Producer: Jason "Jay E" Epperson https://en.wikipedia.org/wiki/Murphy%27s_Law_(Murphy_Lee_album)
Streaming Everywhere https://connect.ffm.to/thebarkays_chooseylover http://vevo.ly/k6CbGH
Jazze Pha made history signing to Birdman. He was the first producer #birdman signed that wasn't in his direct network in, New Orleans. #raydaniels #atlanta #musicinsider #podcast #podcaster
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
Now I gotta deal with this shit
Aiyyo, ya niggaz must be outcha fuckin' mind
Thinkin' dog can't pull another motherfuckin' rabbit out the hat
Nigga, I ain't gotta check out my motherfuckin' sleeves
You bitch ass niggaz
Fuck is y'all niggaz
Y'all niggaz just thinkin' I'm sittin' around doin' nothin'?
Oh my God, y'all niggaz can't be serious
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Yo, yo, yo
Man, cats don't know what it's gonna be
Fuckin' with a nigga like me, D-to-the-M-to-the-X
Last I heard, y'all niggaz was havin' sex with the same sex
I show no love to homo thugs
Empty out, reloaded and throw more slugs
How you gonna explain fuckin' a man?
Even if we squashed the beef, I ain't touchin' ya hand
I don't fuck with chumps for those to been to jail
That's the cat with the Kool-Aid on his lips and pumps
I don't fuck with niggaz that think they broads
Only know how to be one way, that's the dog
I know how to get down, know how to bite
Bark very little but I know how to fight
I know how to chase a cat up in the tree
Man, I give y'all niggaz the business for fuckin' wit me
Is you crazy?
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Yo, yo, yo
Once a song, I come though, guns is drawn
Blam blam, lungs is gone, sons will mourn
From dusk till dawn, nighttime belongs to the dog
When the street passed midnight, look for 'em in the morgue
Don't play with these cats 'cause I ain't got nothin' to say to these cats
For the mothers that really do love 'em, please pray for these cats
'Cause I know niggaz is hardheaded but I ain't got the patience
Don't want me havin' no patience turn into more patience
More trips to I.C.U 'cause I see you
Tryna get away with shit a real nigga wouldn't do
Where my dogs at? Right here
See them niggaz? Right where?
Get 'em boy! Right there
That's how we do, aight then
This is for my dogs, this is for my dogs
Yo, where we at baby? Creepin' through the fog
From then till now, don't ask me how
Know that we gon' roll like them niggaz
And hit every block on the job
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Yo, yo, yo
I did tapes doin' crimes, stop niggaz like grapes makin' wine
Five CD's with mad rhymes
Don't hit me with that positive shit, I know you lyin'
You really wanna stop niggaz from dyin'? Stop niggaz from tryin'
'Cause I ain't really got that time to waste
And I thought I told you to get these fuckin' bums out my face
Lookin' atchu in your grill, I might be nice to cut
Once I split ya ass in two, you'll be twice as butt
Yeah, you right, I know ya style, pussy, 'cause I'm fuckin' it
Since we all right here, you hold my dick while he suckin' it
Motherfucker, don't you know you'll never come near me
Shove ya head up ya ass, have you seein' shit clearly
Never heard that D be runnin', 'cause D be gunnin'
I beat my dick and bust off in ya eye so you can see me comin'
Empty clips and shells are what I leave behind
And if they get me with the joint
They hit me with a three-to-nine
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
Where the hood, where the hood, where the hood at?
Have that nigga in the cut, where the wood at?
All them niggaz actin' up, where the wolves at?
You better bust that if you gon' pull that
What
Where the fuckin' hood at?
No ones' fuckin' with me nigga, for real
I am the hood, I am the streets
You bitch ass nigga
Take it how you want, motherfucker
I'm in the hood all day
I think I'm like the only nigga, dog
That can go to the projects
He's doing all by his fuckin' self and be good
Yeah nigga, ask niggaz on my projects Y.O.
When the last time they seen dog, motherfucker
Dee, waah, ugh, Kato