- published: 09 Aug 2008
- views: 124806
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
Stronger with Each Tear (stylized as STRONGER withEach Tear) is the ninth studio album from American R&B and soul singer Mary J. Blige. The album was released in the US on December 21, 2009, under Blige's own imprint, Matriarch Records.
Internationally it was released December 18, 2009, in Australia and Germany, December 21 in France, December 23 in Japan, and on February 2, 2010, in Korea with further international releases (in some cases re-releases) in March, April and May 2010. With this album, Blige achieved a record of nine albums to have debuted at the top of the US R&B/Hip-Hop Albums chart.
Blige started working on her ninth album while she toured with Robin Thicke in 2008. In an interview with Rap-Up magazine she said:
The album was initially titled Stronger after the song, "Stronger" which Blige recorded and released as the lead single from the soundtrack Music Inspired by More Than a Game from the LeBron James' documentary More Than a Game. However Rap-Up later revealed that the album had been re-titled Stronger with Each Tear.
Hitomi Furuya (古谷 仁美, Furuya Hitomi, born January 26, 1976), known mononymously as hitomi, is a Japanese singer-songwriter. She began her career as model, but after meeting Tetsuya Komuro he began managing her career as a pop singer. In 1998 she left the "Komuro Family" and started working with other musicians and producers, oriented to other musical genres such as pop rock, and more recently to electropop.
Born Hitomi Furuya (古谷 仁美, Furuya Hitomi) in Tochigi, Japan, Hitomi's family relocated to Kawasaki, Kanagawa Prefecture when she was a child. Consequently, Hitomi always identified herself as a girl from Kanagawa. hitomi was an enthusiastic athlete throughout her childhood, playing baseball, soccer, and basketball, as well as an avid reader of manga. When hitomi was 16 years old, she was spotted and approached by a scout from a modelling agency. Hitomi signed a short modelling contract and began appearing in magazines while she was still in high school.
In 1993, then 17 years old, Furuya was spotted by eminent Avex music producer Tetsuya Komuro at an audition. Komuro signed Furuya to Avex, put Furuya through vocal training, and decided that she should use an all-lowercase 'hitomi' as her stage name. The following year, in November 1994, hitomi released her debut single, "Let's Play Winter", through Avex Trax, to which she wrote the lyrics. Since then, Hitomi has been the lyricist for almost all of her songs.
I Am... Sasha Fierce is the third studio album by American recording artist Beyoncé. It was released on November 15, 2008, by Music World Entertainment and Columbia Records. In its initial release, the album was formatted as a dual disc, intending to market Beyoncé's contrasting facets of artistry. The first disc, I Am..., contains slow and midtempo pop and R&B ballads, while the second, Sasha Fierce (named after Beyoncé's on-stage alter ego), focuses on more uptempo beats that blend electropop and Europop genres. In composing the songs' lyrics, Beyoncé worked with many writers, with each session accompanied by live orchestration.
Beyoncé credited both her husband, rapper Jay Z, and jazz singer Etta James for inspiring her to push the limits of her songwriting and artistry. Musically, I Am... drew inspiration from folk and alternative rock, while blending acoustic guitar elements into contemporary ballads. The tracks on the first disc were written and produced by Beyoncé, during collaborative efforts with Kenneth "Babyface" Edmonds, Christopher "Tricky" Stewart, Terius "The-Dream" Nash and Ryan Tedder. Sasha Fierce boasted production from Rodney "Darkchild" Jerkins and Sean "The Pen" Garrett. The album received generally lukewarm reviews from critics, many of whom felt that it does not properly differentiate the double-discs' contrasts and goals.
video Jazze Pha feat. Cee-Lo - Happy Hour
My Kind of People (feat. Jazze Pha & Menta Malone) Track From Album Cee-Lo Green... Is the Soul Machine (2004)
Provided to YouTube by Arista The One · Cee-Lo · Jazze Pha · T.I. Cee-Lo Green... Is The Soul Machine ℗ 2004 Arista Records LLC Released on: 2004-03-02 Associated Performer: Cee-Lo Featuring Jazze Pha & T.I. Background Vocal, Producer: Jazze Pha Composer, Lyricist: Thomas Callaway Recording Engineer: Ben H. Allen Mixing Engineer: John Frye Composer, Lyricist: Phalon Alexander Assistant Engineer: Warren Bletcher Composer, Lyricist: Clifford Harris Auto-generated by YouTube.
Peace. How y'all feel out there. That's cool. Alright. You know, sometimes I wanna rap. Sometimes I wanna sing, you know what I mean? Sometimes all it calls for is a nice mellow groove. Hit of rimshot, you know. Just get, you know, get you open. But I wanna do a piece for y'all tonight, it's called sometimes. Alright, so check it out. Sometimes a stranger can be your best friend. Sometimes being angry is the best mood. Sometimes seeing you feel good makes me feel even better. Sometimes hunger is the best food. Sometimes good just ain't good enough. And other times evil will get you even. Sometimes faith is not knowing any better. Sometimes nothing is what you believe in. Sometimes I don't even want a hit. Sometimes you fail trying. And sometimes happiness hurts wor...
Artist: Cee-Lo Song: The Evening News featuring Chazzie and Sir Cognac The Conversation Album:Cee-Lo Green Is The Soul Machine I do not own this song
Cee-lo The Great Pretender On The SoundTrack For "Not Easily Broken" Midieval Times
2004 Album "... Is The Soul Machine"
Die Trying By Cee-Lo Green, from his album; Cee-Lo Green... Is The Soul Machine If anybody has any requests for a song theyd like uploaded, send me a message or comment below.
priemo beat
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
I am the music
I've yet to define myself as just, one thing
Let's just say that
I am the actual and factual supernatural sight and surrounds
Signification of conversation
Two or more words rhyming in song form or spoken syncopation
The reason the rudery reanimation and realization of life is rhythm
I am the heartbeat and the heartache, the here and now
I am the purpose, the point, the living proof of a God somewhere
The lifeline, lifelike lazer beam, the progression and direction
Always will be always was what all comes from and all must return
The center of a perfect circle, I am your soul
Music of your mind, each feeling causing each function
To be in conjunction with the music, I am the music
I am the music
Let's get started shall we? 'Cause you know it's time gone
Every time these n****z rhyme wrong
So uhh, lights, camera, action I'm on
I'll have them standing in line to get their mind blown
I'm selling soul, rapping and singing, and screaming, and yelling soul
Manufacturing, marketing, pricing, packaging and e-mailing soul
With no rehearsal, this one verse'll whole hearse you
Now a commercial but what I must first do
Is make my presentation a bit more personal
Everything must go for a small price you can have the heart of me
There is no part of me that can't be calculated into a commodity
My musings amount to a milestone a million miles above monotony
And it'll make you feel so good, it got to be God, it got to be
I paint prophecy, you know airbrush atrocity with philosophy
And people ask me am I gon' preach one of these days
And I just tell 'em, "Possibly", if you let me
I'll end up being everything probably and obviously
It's like any other job would be so you might as well thank God for me
But isn't it amazing, how the antenna ain't nothing but a sinner
You just can't go and be ordained over dinner
Now I can interest an intellectual or A B C it for a beginner
But yes my seasons still change and it is almost winter
And it give it to you at God-speed but yet it's gentle
And when I rhyme I make reading fundamentals
Or even black and white, my lyric is live and living color
My flow if fluorescent like scripture highlighted in bright yellow
And all this for 999, s*** that's wonderful
And the great thing about it is, if you disagree you're money's refundable
But there's always something rewarding about every Cee-Lo Green Recording 'cause even after all your expenses
People still aspire affording
It's incredible how convincing I can be with a camera pointed at me
But really sometimes rapping feel like tapping to make a cracker happy
But when the dat play and the beat get bumping like adolescent acne
It's kinda sad but it's show time, my sentiment exactly
So don't get mad, everybody's doing it, you know you wouldn't mind
A commercial with your own tennis shoe in it
Whether you're selling a dream, selling a scheme or playing a role