- published: 07 Oct 2009
- views: 24813707
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
Official Music Video for Na-NaNa-Na performed by Nelly ft. Jazze Pha. Follow Nelly: Instagram: https://lnk.to/NellyIGID Twitter: https://lnk.to/NellyTWID #Nelly #NaNaNaNa
Listen to the album "OSAMA". Out now! Stream: https://Empire.lnk.to/MO3OSAMAYo @Mo3Badazz #Mo3 #OSAMA #StackItUp Official music video by Mo3 ft. Jazze Pha - Stack It Up © 2020 H$M Music / EMPIRE
Bun B & Cory Mo Ft. Jazze Pha, Slim Thug & Lil' Keke "Mo Trill" Video From The "Mo Trill" Album OUT NOW !!!! Music Produced By: Cory Mo - MO TRILL ALBUM features 2 Chainz, Wale, CeeLo Green, Big K.R.I.T., Talib Kweli, Benny The Butcher, Tobe Nwigwe, Larry June, David Banner, Jazze Pha, Devin The Dude, Slim Thug, Lil Keke, Z-Ro, Trae The Truth, Raheem DeVaughn & More...
Track 6 From T.I. - Trap Muzik (2003) https://itunes.apple.com/us/album/trap-muzik/1258990795
Super producer Jazze Pha is on the show with T-Pain. Recalibrated and ready to go, he shares his incredible life experiences working with music's greats from Rick James & Roger Troutman to Dr. Dre & Busta Rhymes! T-Pain and Jazze rap about their favorite remixers, producers, and their personal favorites in the game! Plus, they reminisce about Jazze's early years and run through the keys to his creative process. The laughs continue with this week's button question and the NBR "Creative Curse Word of The Week." Tap into this week's action packed Nappy Boy Radio Podcast w/ T-Pain. Follow us on IG: http://instagram.com/nappyboyradiopodcast NBR Podcast Merch: http://shop.tpain.com Follow T-Pain on Social Media: http://instagram.com/tpain http://twitter.com/tpain http://facebook.com/tpain ht...
The official video of "Let's Get Away" by T.I. from the album 'Trap Muzik'. Subscribe for more official content from Atlantic Records: https://Atlantic.lnk.to/subscribe Follow Atlantic Records https://facebook.com/atlanticrecords https://instagram.com/atlanticrecords https://twitter.com/AtlanticRecords http://atlanticrecords.com The official Atlantic Records YouTube Channel is home to the hottest in hip-hop, rock, pop, R&B, indie, musicals and soundtracks. With over 70 years of global recorded music history, Atlantic Records’ legacy and passion for artistry continues with Top 40 hitmakers like Wiz Khalifa, Sean Paul, Trey Songz, Bruno Mars, Charlie Puth, Janelle Monáe, and B.o.B. Atlantic Records prides itself for working on Motion Picture Soundtracks, such as “The Greatest Showman”,...
video Jazze Pha feat. Cee-Lo - Happy Hour
Album: Murphy's Law 2003 Label: Derrty Ent./Universal Records Producer: Jason "Jay E" Epperson https://en.wikipedia.org/wiki/Murphy%27s_Law_(Murphy_Lee_album)
Streaming Everywhere https://connect.ffm.to/thebarkays_chooseylover http://vevo.ly/k6CbGH
Jazze Pha made history signing to Birdman. He was the first producer #birdman signed that wasn't in his direct network in, New Orleans. #raydaniels #atlanta #musicinsider #podcast #podcaster
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
Now this the part where we break it down(uhuh)
Gon' break it down(uhuh uhuh)
Gon' break it down(x3)
Jus break it down
Now pick it up(uhuh)(jus break it down)
Now pick it up(uhuh uhuh)(gon' break it down)
Now pick it up
Jus pick it up
Now pick it up
Gon' pick it up
Im fresh off da block
Fresh off da press yes
Stay fresh wit da dress
Fresh sittin' in da lex-us
Fellas wanna date us
And da heffas wanna fight us
That's da word that got around
Then my joints as tight as arthritus
And i gotta hit da club
Gotta get some love
Mix it wit a lot otha stuff
Now i'm seein' double vision
Baby daddys trippin wit there baby mamas starting drama
But there aint no room to fight tonight
Its hotter than the suanna
Gotta be da track boys
If it's makin' that noise
Gettin' paper to my pockets bigger than da phat boys
Gon' and look around
While i gon' and put it down
While u scopin' around
Im on da floor gettin' down
And i gotta give you bits and pieces
Anything else is indecent
Da club is packed wit heathens
Who don't get madder they get even
Its gettin' hot in hurrr
Tell me how you got in hurrr
See so many fine niggas glad my man not in hurrr
(Chorus) x2
Now would you let me put my ass in ya face (in ya face)
(would you let me put my ass in ya face)
If i let you bend me over by the waist (by the waist)
(if i let you bend me over by the waist)
Now im back once again
Back in da benz
Back wit some friends
Stack in them ends
Gettin' it crackin' again
I don't need no riddas
Middle finga to da bitas
And i shit on more rappers than babies in diapers and cyphas
And you can bet that in set
Jet in a vet
Oh and don't let me forget
Da best you don' met yet
And i aint lyin'
Cats be dyin'
Tryin' ta get inside my tight jeans
They jus aint sayin' da right thing
No matta how it might seem
(oh)they like da way them ghetto girlz can get there coochie poppin'
Might take you out
And wine and dine u even take you shoppin'
Now he gon' keep on spendin'
Long as you can keep from grinnin'
Guraunteed that you be winnin'
This is only the beginin'
World gotta know
Dat this girl gotta flow
And im servin' em' yo
Nothin' like they've heard befo'
That's why i give it to em' 'cause i know they want it
And they need it
Don't mean to sound concieted
But if you don't eat it leave
(Chorus x2)
Now would you let me put my ass in ya face (in ya face)
(would you let me put my ass in ya face)
If i let you bend me over by the waist (by the waist)
(if i let you bend me over by the waist)
Now this the part where we break it down
Gon' break it down
Gon' break it down
Jus break it down
Gon' break it down(x3)
Jus break it down
Now pick it up
Gon' pick it up
Now pick it up
Jus pick it up
Now pick it up
Jus pick it up
Now pick it up
Gon' pick it up
(Chorus x2)
Now would you let me put my ass in ya face (in ya face)
(would you let me put my ass in ya face)
If i let you bend me over by the waist (by the waist)