- published: 24 Jul 2018
- views: 64851
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
Provided to YouTube by Universal Music Group On The Rocks · Baby · The D Boys · Jazze Pha Birdman ℗ 2002 Cash Money Records Inc. Released on: 2002-01-01 Producer: Jazze Pha Studio Personnel, Recording Engineer: Derrick Williams Studio Personnel, Mixer: Leslie Brathwaite Studio Personnel, Assistant Mixer: Steve Fisher Auto-generated by YouTube.
Provided to YouTube by Warner Music Group - X5 Music Group Awnaw (feat. Jazze Pha) · Nappy Roots feat. Jazze Pha Hip-Hop Legends ℗ 2017 Warner Music Group - X5 Music Group Released on: 2017-08-26 Main Artist: Nappy Roots Featured Artist: Jazze Pha Auto-generated by YouTube.
Tank - Let Me Live feat. Mannie Fresh & Jazze Pha Listen to & Download the Tank Catalog out now - https://ffm.bio/tank Lyrics - [Verse 1] I told you l I was next in line When you do big things (Extra shine) The R&B cast who can do clubs Hits for the ladies, shits for the thugs Purses on point with the Maybe I deserve [Pre-Chorus] Got this you can’t stop this I’ma straight rock You sure can’t knock this I’m gon’ have to pay some dudes I done fell out with some crews You might have to face ‘em too If you wanna do what I do [Chorus] Been around the world and I-I-I Been with all kind of girls that are fly-y-y-y Just tryna get this paper so I-I-I Are you open tonight Why don’t you let me live Let me live Let me live Let me live Oh yeah [Verse 2] Got a few pieces on the p...
Official Music Video for Na-NaNa-Na performed by Nelly ft. Jazze Pha. Follow Nelly: Instagram: https://lnk.to/NellyIGID Twitter: https://lnk.to/NellyTWID #Nelly #NaNaNaNa
Provided to YouTube by BMG Rights Management (US) LLC Savage (feat. Jazze Pha & B-Legit) · E-40 · Jazze Pha · B-Legit The D-Boy Diary ℗ BMG Rights Management (US) LLC Released on: 2016-11-18 Sound Engineer: Michael Denten Composer: Earl T. Stevens Auto-generated by YouTube.
Music video by Young Buck performing I Know You Want Me. (C) 2006 G Unit/Interscope Records
Provided to YouTube by Universal Music Group U Can Call (Jazze Pha Remix) · 2Pac · Jazze Pha Better Dayz ℗ 2002 Amaru Entertainment, Inc., Under exclusive license to Interscope Records Released on: 2002-01-01 Producer, Unknown, Other: Jazze Pha Producer: Johnny "J" Studio Personnel, Engineer: Keston Wright Studio Personnel, Asst. Recording Engineer: Bill Bennett Studio Personnel, Mixer: Leslie Brathwaite Composer Lyricist: Tupac Shakur Composer Lyricist: Johnny Jackson Composer Lyricist: Phalon Alexander Auto-generated by YouTube.
Music video by Field Mob performing So What. (C) 2006 Geffen Records
Nappy Roots - Awnaw Feat. Jazze Pha From the 2002 'Watermelon, Chicken, & Gritz' album FAIR USE: "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
U.T.P. in the buildin'
Sinista on the motherfuckin' track, nigga...
I'm ridin' dirty, way low to the grass
Whole hood payin' attention to me showin' my ass
I just cooked up and the tube was fulled up
I sold my whole thang 'cause my dude and them pulled up
They talkin' about a nigga like a hurricane forecast
Boy kinda ignorant but he could move the coke fast
To hell with the talkin' nigga, we could go do it
The package right here nigga, let's roll through it
I'm down South bred, that's what my mamma and my daddy say
Acts like New York and smoke cush the Cali way
Gutter, I hustled the corner, cuts and alleyways
Word mean nothin' to me, I'm goin' that-a-way
I got a dynasty and I ain't throwin' that away
I've been investin' my rhyme up on my strategy
And I don't feel that it's time to put the strap away
It's either that or just I'm full of that Alizee
We rock like that 'cause we rock like that
These U.T.P. niggaz we rock like that
We rock like that 'cause we rock like that
These Magnolia niggaz we rock like that
You can get it quick to your head, homeboy
I don't think you wanna fuck with me
You can get it quick to your head, lil' mama
I don't think you wanna fuck with me
I don't cut no corners to jip for no figures
I ain't kissin' no ass to live with no nigga
I don't need this rap shit, bitch I'm in these streets
When Cash Money didn't pay me, I still got sleep
Get capped, you're on the phone, tell her I need the teeth
To set the nigga up to get his Jesus piece
She used to run it with Nate Dean, now she's a beast
Got her daughter sellin' pussy for a G at least
I move a lil' work, ain't nothin' to brag on
Somethin' to keep me nice and my homie to tag on
24 inch shoes on the rag on
I got shit poppin' in my hood and I'm that strong
Fiends keep smokin', please don't quit
You want another hit? - fiend on this
But watch it, the gun is under the shirt now
Me lead love and me will keep sendin' the work down
We rock like that 'cause we rock like that
These U.T.P. niggaz we rock like that
We rock like that 'cause we rock like that
These Magnolia niggaz we rock like that
You can get it quick to your head, homeboy
I don't think you wanna fuck with me
You can get it quick to your head, lil' mama
I don't think you wanna fuck with me
Keep it trill, keep it gangsta, pimpin' keep it 100
Before a nigga be done got killed and I'm the one who done it
I'm in H-Town baby, the home of the hoe sale
Where niggaz don't just give you a brick
They give you the whole deal
Drug deals goin' down at ten dollar motels
Keep it on the down-low 'cause somebody might go tell
Like it, get you what you need, just have yo' mail
And send your people 'round here so I can get some more sale
Know that I got more yayo that most niggaz goin'
I'm gettin' it from the same niggaz bringin' all the 'dro in
I'm 'bout to get it dropped off, I'ma let you know when
("Shit, I'm tryin' to spend like fifty wit ya, dogg)
Shit, fo' sho' then
Bring your money with you, counted and wrapped up
And move like you 'sposed to be movin' because we strapped up
Don't get yourself clapped up for no reason
Cause we won't hesitate when it come down to the squeezin'
We rock like that 'cause we rock like that
These 3rd Coast niggaz we rock like that
Cause we rock like that 'cause we rock like that
These Rap-A-Lot niggaz we rock like that
You can get it quick to your head, homeboy
I don't think you wanna fuck with me
You can get it quick to your head, lil' mama