- published: 07 Oct 2009
- views: 24813707
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? 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Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
Official Music Video for Na-NaNa-Na performed by Nelly ft. Jazze Pha. Follow Nelly: Instagram: https://lnk.to/NellyIGID Twitter: https://lnk.to/NellyTWID #Nelly #NaNaNaNa
Listen to the album "OSAMA". Out now! Stream: https://Empire.lnk.to/MO3OSAMAYo @Mo3Badazz #Mo3 #OSAMA #StackItUp Official music video by Mo3 ft. Jazze Pha - Stack It Up © 2020 H$M Music / EMPIRE
Bun B & Cory Mo Ft. Jazze Pha, Slim Thug & Lil' Keke "Mo Trill" Video From The "Mo Trill" Album OUT NOW !!!! Music Produced By: Cory Mo - MO TRILL ALBUM features 2 Chainz, Wale, CeeLo Green, Big K.R.I.T., Talib Kweli, Benny The Butcher, Tobe Nwigwe, Larry June, David Banner, Jazze Pha, Devin The Dude, Slim Thug, Lil Keke, Z-Ro, Trae The Truth, Raheem DeVaughn & More...
Track 6 From T.I. - Trap Muzik (2003) https://itunes.apple.com/us/album/trap-muzik/1258990795
Super producer Jazze Pha is on the show with T-Pain. Recalibrated and ready to go, he shares his incredible life experiences working with music's greats from Rick James & Roger Troutman to Dr. Dre & Busta Rhymes! T-Pain and Jazze rap about their favorite remixers, producers, and their personal favorites in the game! Plus, they reminisce about Jazze's early years and run through the keys to his creative process. The laughs continue with this week's button question and the NBR "Creative Curse Word of The Week." Tap into this week's action packed Nappy Boy Radio Podcast w/ T-Pain. Follow us on IG: http://instagram.com/nappyboyradiopodcast NBR Podcast Merch: http://shop.tpain.com Follow T-Pain on Social Media: http://instagram.com/tpain http://twitter.com/tpain http://facebook.com/tpain ht...
The official video of "Let's Get Away" by T.I. from the album 'Trap Muzik'. Subscribe for more official content from Atlantic Records: https://Atlantic.lnk.to/subscribe Follow Atlantic Records https://facebook.com/atlanticrecords https://instagram.com/atlanticrecords https://twitter.com/AtlanticRecords http://atlanticrecords.com The official Atlantic Records YouTube Channel is home to the hottest in hip-hop, rock, pop, R&B, indie, musicals and soundtracks. With over 70 years of global recorded music history, Atlantic Records’ legacy and passion for artistry continues with Top 40 hitmakers like Wiz Khalifa, Sean Paul, Trey Songz, Bruno Mars, Charlie Puth, Janelle Monáe, and B.o.B. Atlantic Records prides itself for working on Motion Picture Soundtracks, such as “The Greatest Showman”,...
video Jazze Pha feat. Cee-Lo - Happy Hour
Album: Murphy's Law 2003 Label: Derrty Ent./Universal Records Producer: Jason "Jay E" Epperson https://en.wikipedia.org/wiki/Murphy%27s_Law_(Murphy_Lee_album)
Streaming Everywhere https://connect.ffm.to/thebarkays_chooseylover http://vevo.ly/k6CbGH
Jazze Pha made history signing to Birdman. He was the first producer #birdman signed that wasn't in his direct network in, New Orleans. #raydaniels #atlanta #musicinsider #podcast #podcaster
Phalon Alexander, professionally known as Jazze Pha (/ˌdʒæzi ˈfeɪ/ JAZ-ee FAY), is an American record producer, songwriter and rapper from Atlanta, Georgia. He is the founder and chief executive officer of Sho'nuff Records, which American R&B singer-songwriter Ciara was signed to.
Jazze Pha was born and raised in Memphis, Tennessee. His father is James Alexander, bassist for the Bar-Kays, an influential group on the Memphis soul scene in the 1960s. His mother is a singer named Denise Williams (not to be confused with chart-topping R&B and gospel singer Deniece "Niecy" Williams). Pha was named after the late Phalon Jones, another member of the Bar-Kays, who died in the December 10, 1967 plane crash that also killed three other Bar-Kays members and Otis Redding.
Pha is known for announcing "Ladies and gentlemen" or "This is a Jazze Phizzle production!", both at the beginning and, occasionally, at the end of songs on which he is featured. In 1990, Pha was signed to Elektra Records.
[Frukwan]
Check it... yo.
Instead of beat a brother's head off for half the rent
Half percent, brothers need to all get bent
Whips and gold to hold to a master flow
Rollin' with the G.O., these deeds for Castro
Competition far from close, rip and roast
Flip ducks on the skillet, feel it?
1-0-5th, the hood, only if the weed was good
Roll it up, make it last like I'm puffin' the past
Gaze beyond, where I'm from, brothers don't bargain
Gods on the grid like Murtogh's and Riggs
If you don't give a fuck, then you know what's up
Cock D.O.D's, with or without the nuts
Steady riot, heavy flow, East crush a ghetto delux
Muthafucker, what? Bum rush ya
Codeine ice breath, flexin' my biceps
Fuck with me, put your ass forever to sleep
[Chorus: Frukwan]
What da fuck is wrong with you?
What da fuck you gonna do?
What da fuck is wrong with you?
I'll bust your ass and cap your crew
[Frukwan]
Ssssss.
Yo, blind fury, whatever the force, I'll shake it off
Evidence I weight, ghetto cap backs and broth
Grew up, a teaspoon, overdose off jams
Hot watch, plenty of beats, shots of miligrams
Stone roller, head up, a shot release
Stay gritty, Black Lordz runnin' the whole city
B-Ball and rampage when I rip the stage
Part the Red Sea with a pump and a gauge
Niggaz wanna tailgate, then chase the bait
Black spider, drop brothers like a low rider
Lashin' my whip, watch brothers abandon ship
What the fuck's so new, about the shit I do?
Chargin' cats to breeze, palm M.C.'s
Catch you with mines, niggaz doin' serious time
Pick up from where I left and cross the globe
Represent E.N.Y., until I die... what?!
[Chorus]
[Frukwan]
Yo, I spit the live shit, divide the jewels
Rave reviews, the nuts on my prosecute
[Lady Tigra]
Midwest be the place where I rest
No time for the stress, yeah I get sit on with the best
Talk shit, nigga, I hit's the chest
Yeah, I smoke Philly blunts, nigga, with the best, what?
Hard hittin', cigar splittin', now I'm driftin'
Hustle just for days, new ways to get paid
Them niggaz on the blunt, serve weight
Turnin' bricks, nigga, into cash in a day
Check it -- one man suicide, another man's brief
If you bow down, nigga, you will self defeat
Talk is cheap, nigga, show the actions that you speak
I know the game plan to a T, street choke
Niggaz can't survive on these streets
You can feel the words that I say through this beat
This hip hop music be the code for the streets
My Chi-Town niggaz represent for the streets, what?