- published: 02 Mar 2014
- views: 1210950
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Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
A trumpet concerto is a concerto for solo trumpet and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day. Some major composers have contributed to the trumpet concerto repertoire, with the best known work being Joseph Haydn's Trumpet Concerto in E-flat.
Traditionally a three-movement work, the modern-day trumpet concerto has occasionally been structured in four or more movements. In some trumpet concertos, especially from the Baroque and modern eras, the trumpet is accompanied by a chamber ensemble rather than an orchestra.
The following concertos are presently found near the centre of the mainstream Western repertoire for the trumpet.
Joseph Arnold Gross
Joseph Haydn's Concerto per il Clarino, (Hob.: VIIe/1) (Trumpet Concerto in E flat major) was written in 1796 for his long-time friend Anton Weidinger. Joseph Haydn was 64 years of age.
Anton Weidinger developed a keyed trumpet which could play chromatically throughout its entire range. Before this, the trumpet was valveless and could only play a limited range of harmonic notes by altering the vibration of the lips; also called by the name of natural trumpet. Most of these harmonic notes were clustered in the higher registers, so previous trumpet concertos could only play melodically with the high register (e.g., Bach's Brandenburg Concerto No. 2). Haydn's concerto includes melodies in the middle and lower register, exploiting the capabilities of the new instrument.
There were attempts all over Europe around the mid-classical era to expand the range of the trumpet using valves, but Weidinger's idea of drilling holes and covering them with flute-like keys was not a success as it had very poor sound quality. Thus the natural trumpet still had continual use in the classical orchestra while the keyed trumpet had barely any repertoire. The valved trumpets used today were first constructed and used in the 1830s.
Leopold Mozart's Trumpet Concerto in D major was completed in 1762, and is now "popular with trumpeters." The work is in two movements:
Besides the solo trumpet in D, the concerto is scored for two horns in D and strings. Only the first movement provides room for a cadenza; the Gábor Darvas edition published by Editio Musica gives an 8-measure cadenza which requires no ledger lines but consistently involves small note values. In fact, in regards to range, the concerto is "cautious."
Nikolaus Harnoncourt with Vienna Concentus Musicus chooses this Trumpet Concerto to cap off a disc of music by the composer's son, which includes the Bassoon Concerto K. 191.
It can also be found on several CDs with trumpet concertos by other composers, such as:
"It takes a strong personality to make an impact with the trumpet," he told The New York Times in 1983. "You're like a matador in a bull ring. I see flutists and oboists go on the stage gingerly. If you do that with the trumpet you're finished. You have to go on as a winner."
Georg Philipp Telemann Work: Trumpet Concerto in D-major (1714) Mov.I: Adagio 00:00 Mov.II: Allegro 01:59 Mov.III: Grave 04:00 Mov.IV: Allegro 05:43 Trumpet: Niklas Eklund Orchestra: Drottningholms Barockensemble Conductor: Nils-Erik Sparf Georg Philipp Telemann's Concerto for trumpet, two violins and basso continuo has the traditional four-movement form of the Baroque church sonata, a slow movement leading to a fast, followed by a further slow movement and a fast final movement. In the first movement the melody is entrusted to the trumpet, with a more equable share of melodic material in the second and fourth movements. A full manuscript score has been handed down to posterity by the collector J. S. Endler, who made a complete copy of it. O. Bill of the Hesse County and University ...
COMPOSER: Georg Philipp Telemann (1681-1767) TITLE: Concerto in D Major for Trumpet and Two Oboes PERFORMERS: Amsterdam Bach Soloists 1. Allegro (3:02) 2. Adagio (0:54) 3. Aria (2:46) 4. Grave (0:35) 5. Allegro (2:24)
Provided to YouTube by Universal Music Group Telemann: Concerto in G major for Flute, Strings and Continuo, TWV Anh. 51:G1 - 1. Allegro ma non troppo · Maurice André · Hedwig Bilgram · Münchener Bach-Orchester · Karl Richter Maurice André - The trumpet shall sound ℗ 1967 Deutsche Grammophon GmbH, Berlin Released on: 2003-01-01 Producer, Recording Producer: Rainer Brock Studio Personnel, Balance Engineer: Harald Baudis Studio Personnel, Editor: Joachim Niss Composer: Georg Philipp Telemann Auto-generated by YouTube.
Provided to YouTube by Warner Classics International Trumpet Concerto in E flat : II Allegro · Maurice André Maurice André Edition - Volume 1 ℗ 2009 Warner Classics & Jazz, Warner Music UK Ltd Conductor: Géry Lemaire Orchestra: Les Solistes de Liège Trumpet: Maurice André Composer: Georg Philipp Telemann Arranger: Géry Lemaire Auto-generated by YouTube.
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Trust In me can't trust
I know, I don't believe it
All my life so scarred
what for, you can't conceive it
Everything you fear
I'll be, you couldn't live it
I whisper in your ear
so loud, why can't you hear it
I'm OK
All my faith is gone
you think I couldn't find it
Pieces falling down
shattered, nothing behind it
In my mind alone,
Lost here I'm separated
Crawl deeper in my hole
safe here from what I hated
All the demons in my head won't leave me
I know I can hear them
All the sacrifices made for nothing
Don't show can't believe it
Want to show that I'm good for something
I can't you won't let me
All your artificial words won't heal me
Because you can't accept me
And I hate myself
And I hate my face
And I hate my world
And I hate my ways
And I
And I
And I
I'M NOT OK!
I'm OK
Trust In me can't trust
Iknow, I don't believe in
All my life so scarred
what for,you can't conceive it
Everything you fear
I'll be, you couldn't live it
I whisper in your ear
why can't you feel it
All the demons in my head won't leave me
I know I can hear them
All the sacrifices made for nothing
Don't show can't believe in
Want to show that I'm good for something
I can't you won't let me
All your artificial words won't heal me
Because you can't accept me