- published: 06 Apr 2023
- views: 65076
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Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Georg Philipp Telemann (1681-1767) - Wind Concertos
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/TelemannTafelmusik More Information: https://www.brilliantclassics.com/articles/t/telemann-tafelmusik-complete/ Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics Brilliant Classics Spotify: https://open.spotify.com/user/brilliantclassics?si=HgGb_J0xS-avoQapy7XSHQ Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classica...
G. Ph. Telemann: Sonata in D major, TWV 44:1 Support us on Patreon: http://www.patreon.com/bremerbarockorchester Follow on Instagram: https://www.instagram.com/bremerbarockorchester/ Bremer Barockorchester: http://www.bremer-barockorchester.de Introduzione: 0:00 Sinfonia: 0:57 Largo: 3:55 Vivace: 6:54 Violin I : Stefano Rossi, Meelis Orgse, Annie Gard, Javier Lupiáñez Violin II: Katia Viel, Anna Stankiewicz, Isidro Albarreal Viola: Alice Vaz, Luis Pinzón Violoncello: Néstor Fabián Cortés Garzón, Azzurra Raneri Double bass: Juan Díaz Trumpet: Julian Zimmermann Oboe: Federico Forla, Beto Caserio Bassoon: Marit Darlang Lute, Guitar: Hugo Miguel de Rodas Sánchez Harpsichord, Organ: Nadine Remmert Camera: Tobias Hentze, Hendrik Röhrs Audio: Fabian Frank www.arcantus-musikproduktion.de Video...
For more information on this piece go to: https://kjos.com/sinfonia-in-a-minor.html Sinfonia by Georg Philipp Telemann, arranged by Bob Matthews Grade 2 set: SO337C - $48.00 score: SO337F - $6.00 This dramatic arrangement of Baroque master G. P. Telemann's "Sinfonia" features winding, chromatic harmonies, crisp rhythms, and dynamic ebbs and flows. A perfect introduction both to this amazing but often overlooked composer, and to Baroque style more generally. Not to be missed.
1. Overture 2. The Awakening of Quixotte 3. The Attack on the Windmills 4. Sighs of Love for the Princess Dulcinee 5. Rosinante’s Galloping (arr. Terje Tønnesen) 6. The Galloping of Sancho’s Donkey (arr. Terje Tønnesen) 7. Don Quixotte’s Sleep Terje Tønnesen, artistic director Norwegian Chamber Orchestra As part of the Hørbar Concert Series by the Norwegian Chamber Orchestra. Recorded live at Sentralen, Oslo Stay connected with us! ► Subscribe to our Youtube channel: https://bit.ly/2r9tVde ► Follow us on Facebook: https://www.facebook.com/detnorskekammerorkester ► Follow us on Instagram: https://www.instagram.com/detnorskekammerorkester ► Follow us on Twitter: https://twitter.com/kammerorkester
This is the twelfth track from Triple Concertos, performed by Collegium Musicum 90 and conducted by Simon Standage, 1995. Rachel Brown on flute, Anthony Robson on oboe d'amore, and Simon Standage on viola d'amore.
ADAGIO IN RE MAGGIORE PER TROMBA E ORCHESTRA.
Georg Philipp Telemann Musique de Table quartet in G major for flute, oboe, violin and continuo Largo Allegro Largo Vivace Moderato Vivace Grave Vivace http://www.hrba.hr/ https://www.facebook.com/CroBaroque/ #crobaroque #hrba #hrvatskibarokniansambl
Festival Festival Early Music-Persona Grata Georg Philipp Telemann (1681 - 1767) Viola concerto in G major TWV 51:G9 Largo, Allegro, Andante, Presto Anna Krzyżak-Siarkowska, viola Arte dei Suonatori Orchestra violin I Aureliusz Goliński - leader, Joanna Kreft, Izabela Kozak-Puch violin II Ewa Golińska, Vida Bobin-Sokołowska, Alicja Sierpińska viola Anna Wieczorek cello Matylda Adamus double bass Anna Bator harpsichord Dagmara Tyrcha Recorded in Concert Hall of Music School in Jastrzębie-Zdrój in November 2024 Production: Jakob Haendel - sound Piotr Łabanow - video #KPOdlakultury #KPO #KorzyściDlaCiebie #NextGenerationEU #funduszeue 🔗Polecane linki / Recommended links: Arte dei Suonatori https://youtu.be/arlcjmH2Jb0 Arte dei Suonatori & Marcin Świątkiewicz https://youtu.be/TjgPVEB1...
Georg Philipp Telemann: Quatuor en Suite, TWV 43:a2 from Nouveaux Quatuors en Six Suites: A une Flûte Traversiere, un Violon, une Basse de Viole, ou Violoncel, et Basse Continuë Support us on Patreon: http://www.patreon.com/bremerbarockorchester Follow on Instagram: https://www.instagram.com/bremerbarockorchester/ Bremer Barockorchester: http://www.bremer-barockorchester.de I. Prelude-Allègrement: 0:00 II. Flatteusement: 3:04 III. Légèrement: 6:39 IV. Un peu vivement: 8:48 V. Vite: 10:33 VI. Coulant: 12:30 Traverso: Felipe Maximiliano Egaña Labrín Violin: Annie Gard Violoncello: Néstor Fabián Cortés Garzón Harpsichord: Nadine Remmert Guitar: Hugo Miguel de Rodas Sánchez Double Bass: Juan Díaz Audio: Fabian Frank www.arcantus-musikproduktion.de Video: Tobias Hentze www.tobiashentze.de ...
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Hallo Thomas, hallo, alles klar?
Klar. Es ist schon wieder Freitag, es ist wieder diese Bar
Und ich muss dir jetzt erzaehlen, was mir wiederfahren ist
Jetzt seh ich die Zukunft positiv, denn ich bin Optimist
Aeh, Moment, um was geht's? Ich sags dir ganz konkret
Am Wochenende hab ich mir den Kopf verdreht
Ich traf eine junge Frau, die hat mir ganz gut gefallen
Und am Samstag in der Diskothek liess ich die Korken knallen
Wir haben viel Spass gehabt, viel gelacht und was ausgemacht
Haben uns nochmal getroffen und den Nachmittag zusammen verbracht
Wir gingen mal ins Kino, hatten noch ein Rendezvous
Und hast du sie ausgefuehrt? Hey, gehoert ja wohl dazu
Sie ist so elegant, sie hat auch allerhand
Du solltest sie wirklich mal treffen, denn ich find sie sehr charmant
Refrain:
Hey ist es die da, die da am Eingang steht?
(Nein)
Oder die da, die dir den Kopf verdreht?
(uhuh)
Ist es die da, die mit'm dicken Pulli an
Mann, nein es ist die Frau, die Freitags nicht kann
Es ist die da, die da, die da, die da, die
Es ist die da, die da, die da, oder die da
Es ist die da, die da, die da, die da, die
Ist es die da? Hey, freitags war sie nie da
Herzlichen Glueckwunsch Smudo, toi toi toi
Du kannst dir sicher sein, dass ich mich fuer dich freu
Ich selber bin auch froh, und falls es dich interessiert
Mir ist am Wochenende was ganz aehnliches passiert
Es war Sonntag, und ich trinke Tee in 'nem Kaffee
Als ich dieses huebsche Wesen hinter'm Tresen stehen seh
Gesell ich mich dazu, hab'n Tee fuer sie bestellt
Na ja, ich gebe zu, ich hab getan, als haett ich Geld
Doch alles lief wie geschmiert, jetzt mache ich mir Sorgen
Denn wir reden und verabreden uns fuer Uebermorgen
Ich wollt mit ihr ins Kino gehen, statt dessen waren wir essen
Denn sie hatte den Film schon gesehen, ich hielts fuer angemessen
Sie ins Restaurant zu fuehren, separe mit Kerzenlicht
Und hat sie die Rechnung bezahlt? Natuerlich nicht
Doch sie sagte zu mir noch, dass wir jetzt miteinander gehen
Und seitdem wart ich darauf, sie wiederzusehen
Refrain
Tja Thomas, tja, da haben wir beide viel gemeinsam
Seit letzten Wochenende sind wir beide nicht mehr einsam
Gehst du mit ihr zusammen
Aeh, ich hab mir vorgenommen
Moeglichst bald mit ihr zusammen zu kommen
Viel Spass damit, danke, doch eins gibt mir zu denken
Warum muss ich ihr die ganze Zeit hier nur Geschenke schenken?
Wem sagst du das, ich bin schon wieder blank
Und dafuer hat meine jetzt neue Klamotten im Schrank
Hey, bei mir kam 'se neulich mit 'nem neuen Kleid an
Und dabei hab ich mich noch gefragt, wie sie sich das leisten kann
Und ich hab frei am Freitag und sie ist nicht da
Hmm, Moment mal Smudo, da ist meine ja
Es ist die da, die da am Eingang steht
Was, das ist doch die da, um die es sich doch bei mir dreht
Es ist die da?
Und wer ist dieser Mann?
Ich glaub, das ist der Grund, warum sie Freitags nicht kann
Ist es die da, die da, die da, die da, die
Ist es die da, die da, die da, genau die da!
Ist es die da, die da, die da, die da, die