- published: 06 Apr 2023
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Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
The concerto grosso (pronounced [konˈtʃɛrto ˈɡrɔsso]; Italian for big concert(o), plural concerti grossi [konˈtʃɛrti ˈɡrɔssi]) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.
The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of 10 compositions published in Lucca in 1698.
The first major composer to use the term concerto grosso was Arcangelo Corelli. After Corelli's death, a collection of twelve of his concerti grossi was published; not long after, composers such as Francesco Geminiani, Pietro Locatelli and Giuseppe Torelli wrote concertos in the style of Corelli. He also had a strong influence on Antonio Vivaldi.
Eino Tamberg's Concerto Grosso, Op. 5, was composed in 1956. It was awarded a gold medal at the 6th World Festival of Youth and Students the following year and was subsequently performed through both the Eastern and Western Blocs, launching the Estonian composer's career.
Tamberg's Concerto Grosso is scored for a wind quintet consisting of flute, clarinet, trumpet, alto saxophone and bassoon, piano, percussion and a string orchestra, and consists of three movements lasting ca. 25 minutes:
A high-spirited neoclassical composition, it is representative of the mild modernism promoted by the Soviet regime though the Thaw after years of harsh artistic repression, and it is notable for its use of the saxophone, which had been banned in 1949 as a decadent instrument. Tamberg would use no less than three saxophones in his next composition, the Symphonic Dances.
Concerto Grosso is a work for string orchestra by Ralph Vaughan Williams. Originally composed in 1950 for a performance by the Rural Schools Music Association conducted by Sir Adrian Boult, the piece is unique in that the orchestra is split into three sections based on skill: Concertino (Advanced), Tutti (Intermediate), and Ad Lib (Novice) which only plays open strings. The piece is in five movements, and performances generally run for 14 minutes.
Grosso is a comune (municipality) in the Province of Turin in the Italian region Piedmont, located about 25 kilometres (16 mi) northwest of Turin. As of 31 December 2004, it had a population of 1,002 and an area of 4.3 square kilometres (1.7 sq mi).
Grosso borders the following municipalities: Corio, Mathi, Nole, and Villanova Canavese.
Grosso or Del Grosso is an Italian surname:
Groschen (Latin: Grossus, German: Groschen , Italian: grosso or grossone, Czech: groš, Lithuanian: grašis, Estonian: kross, Polish: grosz, Albanian: grosh, Hungarian: garas, Russian, Ukrainian, Macedonian and Bulgarian: грош (groš), Romanian: groș) was the (sometimes colloquial) name for a coin used in various German-speaking states as well as some non-German-speaking countries of Central Europe (Bohemia, Poland), the Danubian Principalities. The name, like that of the English groat, derives from the Italian denaro grosso, or large penny, via the Czech form groš. The Qirsh (also Gersh, Grush, Γρόσι (Grósi) and Kuruş), Arabic, Ethiopian, Hebrew, Greek and Turkish names for currency denominations in and around the territories formerly part of the Ottoman Empire, are derived from the same Italian origin.
Names like Groschen, grossus/grossi, grosso, grossone, grosz, gros, groš, groat, Groten, garas etc. were used in the Middle Ages for all thick silver coins, as opposed to thin silver coins such as deniers or pennies. Historically it was equal to between several and a dozen denarii.
Georg Philipp Telemann (1681-1767) - Wind Concertos
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/TelemannTafelmusik More Information: https://www.brilliantclassics.com/articles/t/telemann-tafelmusik-complete/ Brilliant Classics Facebook: https://www.facebook.com/brilliantclassics Brilliant Classics Spotify: https://open.spotify.com/user/brilliantclassics?si=HgGb_J0xS-avoQapy7XSHQ Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classica...
G. Ph. Telemann: Sonata in D major, TWV 44:1 Support us on Patreon: http://www.patreon.com/bremerbarockorchester Follow on Instagram: https://www.instagram.com/bremerbarockorchester/ Bremer Barockorchester: http://www.bremer-barockorchester.de Introduzione: 0:00 Sinfonia: 0:57 Largo: 3:55 Vivace: 6:54 Violin I : Stefano Rossi, Meelis Orgse, Annie Gard, Javier Lupiáñez Violin II: Katia Viel, Anna Stankiewicz, Isidro Albarreal Viola: Alice Vaz, Luis Pinzón Violoncello: Néstor Fabián Cortés Garzón, Azzurra Raneri Double bass: Juan Díaz Trumpet: Julian Zimmermann Oboe: Federico Forla, Beto Caserio Bassoon: Marit Darlang Lute, Guitar: Hugo Miguel de Rodas Sánchez Harpsichord, Organ: Nadine Remmert Camera: Tobias Hentze, Hendrik Röhrs Audio: Fabian Frank www.arcantus-musikproduktion.de Video...
For more information on this piece go to: https://kjos.com/sinfonia-in-a-minor.html Sinfonia by Georg Philipp Telemann, arranged by Bob Matthews Grade 2 set: SO337C - $48.00 score: SO337F - $6.00 This dramatic arrangement of Baroque master G. P. Telemann's "Sinfonia" features winding, chromatic harmonies, crisp rhythms, and dynamic ebbs and flows. A perfect introduction both to this amazing but often overlooked composer, and to Baroque style more generally. Not to be missed.
1. Overture 2. The Awakening of Quixotte 3. The Attack on the Windmills 4. Sighs of Love for the Princess Dulcinee 5. Rosinante’s Galloping (arr. Terje Tønnesen) 6. The Galloping of Sancho’s Donkey (arr. Terje Tønnesen) 7. Don Quixotte’s Sleep Terje Tønnesen, artistic director Norwegian Chamber Orchestra As part of the Hørbar Concert Series by the Norwegian Chamber Orchestra. Recorded live at Sentralen, Oslo Stay connected with us! ► Subscribe to our Youtube channel: https://bit.ly/2r9tVde ► Follow us on Facebook: https://www.facebook.com/detnorskekammerorkester ► Follow us on Instagram: https://www.instagram.com/detnorskekammerorkester ► Follow us on Twitter: https://twitter.com/kammerorkester
This is the twelfth track from Triple Concertos, performed by Collegium Musicum 90 and conducted by Simon Standage, 1995. Rachel Brown on flute, Anthony Robson on oboe d'amore, and Simon Standage on viola d'amore.
ADAGIO IN RE MAGGIORE PER TROMBA E ORCHESTRA.
Georg Philipp Telemann Musique de Table quartet in G major for flute, oboe, violin and continuo Largo Allegro Largo Vivace Moderato Vivace Grave Vivace http://www.hrba.hr/ https://www.facebook.com/CroBaroque/ #crobaroque #hrba #hrvatskibarokniansambl
Festival Festival Early Music-Persona Grata Georg Philipp Telemann (1681 - 1767) Viola concerto in G major TWV 51:G9 Largo, Allegro, Andante, Presto Anna Krzyżak-Siarkowska, viola Arte dei Suonatori Orchestra violin I Aureliusz Goliński - leader, Joanna Kreft, Izabela Kozak-Puch violin II Ewa Golińska, Vida Bobin-Sokołowska, Alicja Sierpińska viola Anna Wieczorek cello Matylda Adamus double bass Anna Bator harpsichord Dagmara Tyrcha Recorded in Concert Hall of Music School in Jastrzębie-Zdrój in November 2024 Production: Jakob Haendel - sound Piotr Łabanow - video #KPOdlakultury #KPO #KorzyściDlaCiebie #NextGenerationEU #funduszeue 🔗Polecane linki / Recommended links: Arte dei Suonatori https://youtu.be/arlcjmH2Jb0 Arte dei Suonatori & Marcin Świątkiewicz https://youtu.be/TjgPVEB1...
Georg Philipp Telemann: Quatuor en Suite, TWV 43:a2 from Nouveaux Quatuors en Six Suites: A une Flûte Traversiere, un Violon, une Basse de Viole, ou Violoncel, et Basse Continuë Support us on Patreon: http://www.patreon.com/bremerbarockorchester Follow on Instagram: https://www.instagram.com/bremerbarockorchester/ Bremer Barockorchester: http://www.bremer-barockorchester.de I. Prelude-Allègrement: 0:00 II. Flatteusement: 3:04 III. Légèrement: 6:39 IV. Un peu vivement: 8:48 V. Vite: 10:33 VI. Coulant: 12:30 Traverso: Felipe Maximiliano Egaña Labrín Violin: Annie Gard Violoncello: Néstor Fabián Cortés Garzón Harpsichord: Nadine Remmert Guitar: Hugo Miguel de Rodas Sánchez Double Bass: Juan Díaz Audio: Fabian Frank www.arcantus-musikproduktion.de Video: Tobias Hentze www.tobiashentze.de ...
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Undead
Midnight has passed, those streets are cold,
Emptiness
I can hear voices in my back
Silent footsteps
Need to feed
Rotten corps and flesh
Devouring
Wormy earth keeps moving in stone
At, the next corner an old man appear
Is it me, is it him, is it fear?
I'm a lamb in the middle of wolves
There's no further life round here
Crawling and lurking everywhere
I'm not alone
Rough smell of death perfumes the air
I am eaten
Dig the tomb
In the heart like flesh
Burn the grave
Skin's exploding on stone
At, the next corner an old man appear
Is it me, is it him, is it fear?
I'm a lamb in the middle of wolves
There's no further life round here