- published: 23 Sep 2014
- views: 315
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Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Igor Stravinsky's Concerto in D ("Basle") for string orchestra was composed in Hollywood between the beginning of 1946 and 8 August of the same year in response to a 1946 commission from Paul Sacher to celebrate the twentieth anniversary of the Basler Kammerorchester (BKO—in English, Basel Chamber Orchestra), and for this reason is sometimes referred to as the "Basle" Concerto ("Basle" being the French form of the city's name). It was premiered on 27 January 1947 in Basel by the BKO, conducted by Paul Sacher (Gritten 2003, xii; Walsh 2001; White 1979, 438). Other sources say it was six days earlier, on the day of the orchestra's twentieth anniversary, 21 January (Anon. 2012; Stephenson and Weed 2002, 348), when two other works commissioned by Sacher were also premiered: Arthur Honegger's Symphony No. 4 Deliciae Basiliensis and Bohuslav Martinů's Toccata e due Canzoni (Ford 2002; Halbreich 1999, 325).
The Concerto in D was the first composition Stravinsky created after becoming a naturalised American citizen on 28 December 1945, and was also the first of his works to be published under the contract with his new publisher, Boosey & Hawkes (White 1979, 123–25).
Provided to YouTube by The Orchard Enterprises Telemann: Ouverture in D for 3 trumpets, timpani, 2 oboes, strings & b.c. - (1) Intrada · Wolfgang Bauer · Dietlind Mayer · Petra Müllejans · Petra Muellejans · Georg Siebert · Ingo Goritzki · Ludwig Hampe · Martin Maier · Tobias Ziegler · Arie Hordijk · Clemens Weigel · Davide Vittone · Thomas Strauss · Gregor Daszko · Maulbronn Monastery Edition · Wolfgang Bauer Consort · Wolfgang Bauer Consort Musique Baroque De Telemann - performed according to the traditions of the time by Wolfgang Bauer Consort ℗ 2010 Josef-Stefan Kindler & Andreas Otto Grimminger, www.kuk-art.com Released on: 2010-01-22 Music Publisher: K&K Verlagsanstalt Auto-generated by YouTube.
Provided to YouTube by Supraphon Concerto in D Major for Three Trumpets Intrada - D major : I. · Georg Philipp Telemann · Virtuosi di Praga/Oldřich Vlček · Jan Hasenöhrl · Jaroslav Tůma · Jan Burian Trumpet Concertos, G. P. Telemann ℗ 1990 Sound Trust, s. r. o. Released on: 1990-06-01 Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Intrada: Telemann Concerto in D Major for 3 Trumpets 2 Oboes · Philharmonia Virtuosi Baroque Trumpetissimo ℗ 2004 ESSAY Recordings Released on: 1993-01-01 Auto-generated by YouTube.
G. P. Telemann: First movement "Intrada" from the "Gulliver Suite" for two unaccompanied violins. Violins: Luiza Labouriau www.luiza-labouriau.com
Jonathan Clarke, Trumpet. Nerys Richards, Piano.
La Serenissima, Adrian Chandler [00:00] I. Intrada-Grave [02:42] II. Allegro [05:36] III. Largo [08:07] IV. Vivace Painting: Detail from Apollo Leads Beatrix of Burgundy to Frederick Barbarossa by Giovanni Battista Tiepolo. 1750-53
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Christof Richter y Daniela Pierson, violines barrocos
Provided to YouTube by NAXOS of America I. Intrada · Wolfgang Bauer Consort Musique Baroque de Telemann ℗ 2011 K&K Verlagsanstalt Released on: 2011-05-01 Composer: Georg Philipp Telemann Ensemble: Wolfgang Bauer Consort Auto-generated by YouTube.
Provided to YouTube by NAXOS of America Pastorelle en Musique: Intrada · Doerthe Maria Sandmann Telemann, G.P.: Pastorelle En Musique (Opera) ℗ 2005 Capriccio Released on: 2005-01-01 Artist: Doerthe Maria Sandmann Artist: Barbara Fink Artist: Mathias Hausmann Artist: Lydia Vierlinger Artist: Bernhard Berchtold Orchestra: Capella Leopoldina Conductor: Kirill Karabits Composer: Georg Philipp Telemann Auto-generated by YouTube.
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.