- published: 11 Nov 2011
- views: 3327
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Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
Written for the Landgraf Louis VIII of Hessen-Darmstadt, Telemann composed this in 1765, only two years before he died. It's a late piece, and unusual in that most composers had abandoned the Ouverture as a form. A draft letter survives in Telemann's hand, stating that he had read in a local Hamburg newspaper about celebrations for the Landgraf's name day, and composed this ouverture as a homage for the court, where Telemann had his own compositions performed while working in Frankfurt from 1712 to 1722, and had a close working relationship with the Darmstadt kapelle. The music has elements of both the old (Telemann's fondness of the Loure dance) and new (i.e. the use of "galant triplets"). This ouverture is available in a new performing edition from Brian Clark's "Prima la musica!" web ...
Georg Philipp TELEMANN 1681 — 1767 Ouverture-Suite for Trumpet, Oboe, Strings and B.C. in D major TWV 55:D1 [from «Musique de table», p.II]: 1. Ouverture. Lentement - Vite - Lentement 2. Air 1. Tempo giusto 6:03 3. Air 2. Vivace 12:08 4. Air 3. Presto 14:40 5. Air 4. Allegro 17:21 Magdeburgische Philharmonie Michael Schneider [direction]
Ensemble Cordia, Stefano Veggetti [00:00] I. Ouverture [04:49] II. Plainte [08:50] III. Rejouissance. Très vite [10:27] IV. Carillon. Gracieusement [11:45] V. Tintamare [12:36] VI. Loure [14:05] VII. Menuet I-II Painting: Diana in a landscape by Louis-Michel van Loo. 1739
Provided to YouTube by NAXOS of America Overture (Suite) in D Major, TWV 55:D21: II. Plainte · Northern Chamber Orchestra Telemann: Changeante (La) / Les Nations Anciens Et Modernes ℗ 1998 Naxos Released on: 1998-09-23 Conductor: Nicholas Ward Orchestra: Northern Chamber Orchestra Composer: Georg Philipp Telemann Auto-generated by YouTube.
Georg Philipp Telemann: Ouverture-Suite in D Major for 2Horns, 2Oboes and Basso Continuo TWV 55:D21 00:23 1.Ouverture 05:00 2.Plainte 09:08 3.Rejouissance 11:19 4.Carillon 13:02 5.Tintamare 14:24 6.Loure 16:05 7.Menuet Orchestra: Cappella Accademica Conductor: Norihiko Yoshikawa(吉川 紀彦) Hamamatsu City Social Welfare & Exchange Center Hall October 29, 2022
Provided to YouTube by Kontor New Media Overture-Suite in D Major, TWV 55:D21: II. Plainte · Ensemble Cordia & Stefano Veggetti Telemann Edition, Vol. 6 ℗ Brilliant Classics Released on: 2016-10-01 Conductor: Stefano Veggetti Composer: Georg Philipp Telemann Music Publisher: Brilliant Classics Auto-generated by YouTube.
Provided to YouTube by Kontor New Media GmbH Overture-Suite in D Major, TWV 55:D23: II. Plainte · Collegium Instrumentale Brugense · Patrick Peire Telemann Edition, Vol. 1 ℗ Brilliant Classics Released on: 2016-10-01 Orchestra: Collegium Instrumentale Brugense Conductor: Patrick Peire Music Publisher: Brilliant Classics Composer: Georg Philipp Telemann Auto-generated by YouTube.
*La Stagione Frankfurt, _Michael Schneider_* [00:00] I. Ouverture [05:17] II. Plainte [09:35] III. Rejouissance. Très vite [11:19] IV. Carillon. Gracieusement [12:37] V. Tintamare [13:39] VI. Loure [15:05] VII. Menuet I-II *Painting:* _Diana by Rosalba Carriera. 1740-46_
Watch the full video here: www.youtube.com/watch?v=3GYq1A9u4Ao G. Ph. Telemann: Ouverture-Suite for trumpet, strings and basso continuo in D major, TWV 55:D7, Plainte Support us on Patreon: http://www.patreon.com/bremerbarockorchester Follow on Instagram: https://www.instagram.com/bremerbarockorchester/ Bremer Barockorchester: http://www.bremer-barockorchester.de Violin I : Stefano Rossi, Meelis Orgse, Annie Gard, Javier Lupiáñez Violin II: Katia Viel, Anna Stankiewicz, Isidro Albarreal Viola: Alice Vaz, Luis Pinzón Violoncello: Néstor Fabián Cortés Garzón, Azzurra Raneri Double bass: Juan Díaz Trumpet: Julian Zimmermann Oboe: Federico Forla, Beto Caserio Bassoon: Marit Darlang Lute, Guitar: Hugo Miguel de Rodas Sánchez Harpsichord, Organ: Nadine Remmert Camera: Tobias Hentze, Hendrik R...
I. Ouverture: Maestoso. Allegro 00:00-03:45 II. Plainte 03:45-07:35 III. Réjouissance 07:35-09:05 IV. Carillon 09:05-10:45 V. Tintamare 10:45-11:50 VI. Loure 11:50-12:50 VII. Menuet I and II 12:50-16:15 Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner.
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was and still is one of the most prolific composers in history and wrote many amazing songs that all classical fans love (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.