- published: 09 Mar 2012
- views: 295304
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Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
The Symphony No. 6 in E flat minor, Op. 23 by Nikolai Myaskovsky was composed between 1921 and 1923. It is the largest and most ambitious of his 27 symphonies, planned on a Mahlerian scale, and uses a chorus in the finale. It has been described as 'probably the most significant Russian symphony between Tchaikovsky's Pathétique and the Fourth Symphony of Shostakovich'. (Myaskovsky in fact wrote part of the work in Klin, where Tchaikovsky wrote the Pathétique.) The premiere took place at the Bolshoi Theatre, Moscow on 4 May 1924, conducted by Nikolai Golovanov and was a notable success.
Soviet commentators used to describe the work as an attempt to portray the development and early struggles of the Soviet state, but it is now known that its roots were more personal. The harsh, emphatically descending chordal theme with which the symphony begins apparently arose in the composer's mind at a mass rally in which he heard the Soviet Procurator Nikolai Krylenko conclude his speech with the call 'Death, death to the enemies of the revolution!' Myaskovsky had been affected by the deaths of his father, his close friend Alexander Revidzev and his aunt Yelikonida Konstantinovna Myaskovskaya, and especially by seeing his aunt’s body in a bleak, empty Petrograd flat during the winter of 1920. In 1919 the painter Lopatinsky, who had been living in Paris, sang Myaskovsky some French Revolutionary songs which were still current among Parisian workers: these would find their way into the symphony's finale. He was also influenced by Les Aubes (The Dawns), a verse drama by the Belgian writer Emile Verhaeren, which enacted the death of a revolutionary hero and his funeral.
The Symphony No. 6 of Roger Sessions, a symphony written using the twelve-tone technique, was composed in 1966. It was commissioned by the state of New Jersey and the New Jersey Symphony Orchestra. The score carries the dedication: "In celebration of the three hundredth anniversary of the state of New Jersey".
Sessions began composing the symphony in the summer of 1965 while traveling in South America, and completed it at Tanglewood in 1966. It is the first of a trilogy of symphonies, composed in rapid succession, which Sessions associated with the Vietnam war. The premiere was a disaster, with the finale still incomplete and the first movement played as a finale to make up for this; it was given its first complete performance and its New York premiere by the Juilliard Orchestra conducted by José Serebrier on 4 March 1977. It was published by 1976. The score bears the copyright year 1975.
The symphony is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, two trumpets, three trombones, tuba, timpani, percussion, piano, harp, and strings.
The Symphony No. 6 in D minor, Op. 104, by Jean Sibelius is a symphony completed in 1923. Although the score does not contain a key attribution, the symphony is usually described as being in D minor; much of the symphony is in fact in the (modern) Dorian mode. A typical performance lasts about 25 minutes. The composer called the work "cold spring water" in opposition to many contemporary "cocktails" - a veiled reference to Igor Stravinsky's often elaborate and extravagant orchestral style.
It was premiered by the Helsinki Philharmonic Orchestra, conducted by the composer, on 19 February 1923. It was to be dedicated to the Swedish composer Wilhelm Stenhammar, but the publisher lost the dedication page.
The work is scored for 2 flutes, 2 oboes, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, harp, timpani and strings.
The symphony has four movements:
Atlanta Symphony Orchestra - Louis Lane conductor For information and analysis of this work, visit http://muswrite.blogspot.com/2012/03/respighi-birds.html For information and analysis of other works, visit Musical Musings at : http://muswrite.blogspot.com/
Composed by Ottorino Respighi (1879-1936) pf: Giuseppe Sinopoli cond/ New York Philharmonic Orchestra FONTANE DI ROMA (1917): 0:00 - La fontana di Valle Giulia all'Alba 4:01 - La fontana del Tritone al mattino 6:35 - La fontana di Trevi al meriggio 10:13 - La fontana di Villa Medici al tramonto PINI DI ROMA (1924): 16:21 - I pini di Villa Borghese 19:10 - Pini presso una catacomba 26:23 - I pini del Gianicolo 33:31 - I pini della Via Appia FESTE ROMANE (1928): 39:45 - Circenses 44:34 - Giubileo 51:25 - L’Ottobrata 59:20 - La Befana
"Fontane di Roma" (Fountains of Rome) is a 1916 work by the Italian composer Ottorino Respighi, now considered part of the Roman Trilogy of symphonic poems along with Feste Romane and Pini di Roma. Each of the four sections is meant to depict one of Rome's fountains during different periods of the day and night. Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I. Consequently, it did not premiere until March 11, 1917 where it appeared at the Teatro Augusteo in Rome with Antonio Guarnieri as conductor. Although the premiere was unsuccessful, Toscanini finally conducted the work in Milan in 1918 with tremendou...
This is Ottorino Respighi's Notturno and is performed by Sergei Babayan
Resphigi is famed primarily as a master orchestrator, but it seems that the same vivid awareness of timbral colour which served him so well in the Roman Trilogy, Ancient Airs and Dances, and The Birds led him to write some remarkably effective piano music. The 6 pieces for piano, written relatively early in Respighi’s career, show him deftly deploying a wide range of pianistic textures to magical effect. Scherbakov delivers a wonderful performance – perfect dynamic control, crystalline melodic lines, and some very intelligent handling of multi-layered textures (notice how he slyly modifies the big rolled chords in the nocturne, for instance). 00:00 – Valse Caressante. Lilting and quintessentially salon-esque. 03:26 – Canone. A canon at the octave. Rhythmically playful, as the trailing voi...
Ottorino Respighi (1879-1936): Sinfonia Drammatica, per grande orchestra (P. 102) (1914) -- BBC Philharmonic diretta da Sir Edward Downes -- I. Allegro energico II. Andante sostenuto [25:05] III. Allegro impetuoso - Tempo di marcia triste [42:20] --- cover image : painting by Edward Burne-Jones ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your ...
Ottorino Respighi (1879-1936): Concerto all'antica per violino e orchestra (P. 75) (1908). I. Allegro II. Adagio non troppo [12:45] III. Scherzo, Vivace tempo di Minuetto [21:30] Andrea Cappelletti, violino Philharmonia Orchestra diretta da Matthias Bamert. Cover image: painting by Canaletto. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
NEW in 2019!!! STUNNING THE NEW WORLD SYMPHONY: https://youtu.be/O_tPb4JFgmw ;Stunning Ravel Daphnis and Chloe (https://youtu.be/UCpD_mTS_t4) NEW in 2017! An American in Paris - Stunning Performance of this Orchestra: https://youtu.be/RUMJPlQwa50 Stunnig Performance of this Amazing Orchestra: B.Smetana - The Moldau https://youtu.be/l6kqu2mk-Kw NEW! Crazy performance of Slavonic Dances: https://youtu.be/HJnh5MHgThg Gimnazija Kranj Great Christmas Concert 2013. Postcards from Italy. Gimnazija Kranj Symphony Orchestra performed Ottorino Respighi Pines of Rome. Amazing performance in Gallus Hall, Cankarjev dom, Ljubljana, Slovenia. Conductor maestro Nejc Bečan; Concert master: Nina Pirc; Sound engineer: Matjaž Culiberg; Head of Production: Grega Jeraša; Director: Primož Zevnik Dedicated ...
Respighi: Ancient Airs and Dances, Suite No. 1 [COMPLETE ] Ottorino Respighi (1879 - 1936) Ancient Airs and Dances / Antiche arie e danze per liuto Suite No. 1 (1917) I. Balletto, "Il Conte Orlando" (0:00) II. Gagliarda (2:25) III. Villanella (5:52) IV. Passo mezzo e mascherada (11:10) Sir Neville Marriner Los Angeles Chamber Orchestra 1976 Category Music License Standard YouTube License Music "Suite 1 De Danzas Antiguas" by La Orquesta Y Coros Del Festival De Praga
Ottorino Respighi - Trittico botticelliano (Botticelli Triptych, Three Botticelli Pictures) for orchestra, P. 151. Composed in 1927. Parts/Movements: 1. La Primavera 2. L' Adorazione dei Magi 3. La Nascita di Venere Although Respighi is best known for his glittering, even garish, suites of tone poems for large orchestra, many feel that some of his best work may be found in his more restrained and modestly scaled efforts. One such example is the Three Botticelli Pictures (1927) for chamber orchestra, a three-movement suite based on famous paintings by the Renaissance master Botticelli. Despite the work's economical scoring, it is fully as colorful and beguiling as the fulsome and flashy Pines of Rome (1924) or Fountains of Rome (1916). Commissioned by the Elizabeth Sprague Coolidge Found...
Composed in 1966, Roger Session's 6th symphony is a three-movement modernist work that sandwiches an ethereal, yearning middle section between two frenetic displays of syncopated counterpoint. Obviously, this isn't light music. It will require some effort from the listener. But I think it is well worth it. It is structured, not chaotic. It moves, doesn't drag. It is layered in color rather than forcing us to endure a drab, spare texture. Performed by the American Composers Orchestra Conducted by Dennis Russell Davies For more information on this recording, visit the following Decca Record link: http://www.deccaclassics.com/en/cat/4445192 Artwork for this video is credited to Andrew J. Gross. Check out his website for more great art: http://www.grossawareness.com/
BUY THE RECORD https://www.discogs.com/release/13327704 This record was produced in cooperation with Pro-Ject Audio Systems to reproduce the original music and sound experience of this famous concert in the Golden Hall at the Wiener Musikverein. Pressed on 180g premium-quality vinyl in highest precision by Pallas Germany. Music Wiener Philharmoniker & Karl Böhm – Ludwig Van Beethoven https://www.project-audio.com/en/product/ludwig-van-beethoven-karl-boehm-wiener-philharmoniker/ Turntable Debut Carbon EVO - satin golden yellow https://www.project-audio.com/en/product/debut-carbon-evo/ Cartridge Pick it S2 MM https://www.project-audio.com/en/product/pick-it-s2-mm/ Recorded with Phono Box DS2 USB https://www.project-audio.com/en/product/phono-box-ds2-usb/ Pro-Ject Amazon Shop: https:/...
Enjoy a preview of Beethoven's Symphony No. 6 from the next episode of "The Spirit of Beethoven" series on BSO NOW. About this Episode: Andris Nelsons leads the BSO in Beethoven’s Symphony No. 6, Pastoral, and Iman Habibi’s Jeder Baum spricht; chamber music performance of Debussy’s Sonata for flute, viola, and harp, featuring BSO musicians Cynthia Meyers, flute; Danny Kim, viola; and Jessica Zhou, harp. Available February 18 at 12PM through March 20 at bso.org/now. -- Follow us on all of our social channels! Facebook: https://www.facebook.com/bostonsymphony/ Instagram: @bostonsymphony Twitter: @BostonSymphony
Provided to YouTube by Universal Music Group Sessions: Symphony No. 6: 1. Allegro · American Composers Orchestra · Dennis Russell Davies Sessions: Symphonies Nos. 6, 7 & 9 ℗ 1995 Decca Music Group Limited Released on: 1995-01-01 Producer: Chris Hazell Studio Personnel, Balance Engineer: John Dunkerley Studio Personnel, Recording Engineer: Philip Siney Composer: Roger Sessions Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Symphony No. 6: I. Allegro · Roger Huntington Sessions · Dennis Russell Davies · American Composers Orchestra Sessions: Symphonies 6, 7, & 9 ℗ 2008 Phoenix USA Released on: 2008-04-01 Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Sessions: Symphony No. 6: 3. Allegro moderato · American Composers Orchestra · Dennis Russell Davies Sessions: Symphonies Nos. 6, 7 & 9 ℗ 1995 Decca Music Group Limited Released on: 1995-01-01 Producer: Chris Hazell Studio Personnel, Balance Engineer: John Dunkerley Studio Personnel, Recording Engineer: Philip Siney Composer: Roger Sessions Auto-generated by YouTube.
Provided to YouTube by Audio Network Limited Symphony No. 6 in F major Op.68 "Pastoral" (Excerpt) · David Tobin · Jeff Meegan · Julian Gallant · English Session Orchestra Classical Collection - Symphonic 2 ℗ Audio Network Ltd Released on: 2020-01-10 Artist: David Tobin Artist: English Session Orchestra Artist: Jeff Meegan Artist: Julian Gallant Auto-generated by YouTube.
German conductor Corinna Niemeyer leads the Konzerthausorchester Berlin in this performance of Beethoven’s Symphony No. 6 in F Major ‘Pastorale’. It was recorded live on June 30, 2018.
Living legend Martha Argerich is joined by Theodosia Ntokou in Beethoven's magnificent Pastoral Symphony (No. 6), transcribed for two pianos. Discover the album: https://w.lnk.to/anbLY While the best known two-piano transcription of this symphony is by Carl Czerny, a pupil of Beethoven, they have chosen to record Selmar Bagge's transcription, which Martha Argerich considers both pianistically superior and more technically demanding. #Beethoven2020 __________ Warner Classics ► Website: http://www.warnerclassics.com Subscribe to our: ► YT- Channel: https://wnrcl.me/subscribeYT ► Newsletter https://wnrcl.me/subscribeNL Follow us on: ► Facebook: http://www.fb.com/WarnerClassicsErato ► Instagram: http://www.instagram.com/warner_classics ► Twitter: http://twitter.com/WarnerCla...
Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.