- published: 27 Aug 2021
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Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
In classical music, a piano quintet is a work of chamber music written for piano and four other instruments. The genre particularly flourished in the nineteenth century.
Until the middle of the nineteenth century, the instrumentation most frequently consisted of piano, violin, viola, cello, and double bass. Following the phenomenal success of Robert Schumann's Piano Quintet in E-flat major, Op. 44 in 1842, which paired the piano with a string quartet (i.e., two violins, viola, and cello), composers began to adopt Schumann's instrumentation. Among the most frequently performed piano quintets, aside from Schumann's, are those by Franz Schubert, Johannes Brahms, Antonín Dvořák and Dmitri Shostakovich.
While the piano trio and piano quartet were firmly established in the eighteenth century by Mozart and others, the piano quintet did not come into its own as a genre until the nineteenth century. Its roots extend into the late Classical period, when piano concertos were sometimes transcribed for piano with string quartet accompaniment. Not before the mid-nineteenth century was music ordinarily composed expressly for this combination of instruments. Although such classical composers as Luigi Boccherini wrote quintets for piano and string quartet, it was more common through the early nineteenth century for the piano to be joined by violin, viola, cello and double bass.
César Franck's Piano Quintet in F minor is a quintet for piano, 2 violins, viola, and cello. The work was composed in 1879 and has been described as one of Franck's chief achievements alongside his other late works such as Symphony in D minor, the Symphonic Variations, the String Quartet, and the Violin Sonata.
The work was premiered with Camille Saint-Saëns playing the piano part, which Franck had written out for him with an appended note: "To my good friend Camille Saint-Saëns". A minor scandal ensued when at the piece's completion, Saint-Saëns walked off stage leaving the score open at the piano, a gesture which was interpreted as mark of disdain.
The work has been described as having a "torrid emotional power", and Édouard Lalo characterized it as an "explosion". Other critics have been less positively impressed: Roger Scruton has written of the quintet's "unctuous narcissism".
There are three movements:
The Quintet in A minor for Piano and String Quartet, Op. 84 is a chamber work by Edward Elgar.
He worked on the Quintet and two other major chamber pieces in the summer of 1918 while staying at Brinkwells near Fittleworth in Sussex. W. H. "Billy" Reed considered that all three were ‘influenced by the quiet and peaceful surroundings during that wonderful summer’.
The Quintet was first performed on 21 May 1919, by the pianist William Murdoch, the violinists Albert Sammons and W. H. Reed, the violist Raymond Jeremy and the cellist Felix Salmond. These players included some of the composer's musical confidantes – Reed worked with him on the Violin Concerto and the Third Symphony, and Salmond worked on the Cello Concerto with him. Albert Sammons later made the first complete recording of the Violin Concerto.
The work is dedicated to Ernest Newman, music critic of The Manchester Guardian.
There are three movements:
In performance, the first movement takes about 14 minutes, the adagio a little under 12, and the last movement a little over 10, making this the longest of Elgar’s chamber works.
Ottorino Respighi (9 July 1879 – 18 April 1936) was an Italian composer, violinist, teacher, and musicologist who was one of the leading Italian composers of the early 20th century. His compositions range over operas, ballets, orchestral suites, choral songs, and chamber music, and include transcriptions of pieces from Italian composers of the 16th, 17th, and 18th centuries and works of Bach and Rachmaninoff. Among his best known and most performed works are his three Roman tone poems, which brought him international fame: Fountains of Rome (1916), Pines of Rome (1924), and Roman Festivals (1928). All three demonstrate Respighi's use of rich orchestral colours. Please support my channel: https://ko-fi.com/bartjebartmans Piano Quintet in F minor (1902) 1. Allegro (0:00) 2. Andantino (9:4...
O. Respighi (1879-1936) Piano Quintet in F minor - Allegro (0:00) - Andantino (10:58) - Vivacissimo (12:53) Héctor J. Sánchez, piano Iván López, violín Dobrochna Banaszkiewicz, violín Sergio Sola, viola Suzana Stefanovic, cello Ciclo de Música de Cámara de la Orquesta de RTVE Concierto celebrado el día 11 de Marzo de 2017 en el Teatro Monumental de Madrid Chamber Music Concert. Members of RTVE Orchestra in Teatro Monumental, Madrid.
Provided to YouTube by NAXOS of America Piano Quintet in F Minor, P. 35: II. Andantino · Ambache Chamber Ensemble Respighi: Piano Quintet in F Minor / String Quartet in D Minor / 6 Pieces for Violin and Piano ℗ 2001 Chandos Released on: 2001-11-01 Ensemble: Ambache Chamber Ensemble Composer: Ottorino Respighi Auto-generated by YouTube.
Five Lines Quintet Gisella Curtolo, Marco Bronzi - violin Andrea Repetto - viola Lucio Labella Danzi - violoncello Davide Cabassi - pianoforte Ottorino Respighi: Piano Quintet in F minor 2 - Andantino (0:00) 3 - Vivacissimo (2:15)
Provided to YouTube by NAXOS of America Piano Quintet in F Minor, P. 35: II. Andantino · Ex Novo Ensemble di Venezia Martucci, G.: Piano Quintet / Respighi, O.: Piano Quintet / Wind Quintet ℗ 1994 Dynamic Released on: 1994-01-01 Artist: Aldo Orvieto Ensemble: Ex Novo Ensemble di Venezia Composer: Ottorino Respighi Auto-generated by YouTube.
Ottorino Respighi (1879-1936): Quintetto in fa minore per pianoforte e archi (P. 35) (1902) II. Andantino III.Vivacissimo Massimo Palumbo, pianoforte Nuovo Quartetto Modigliani ***** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in our channel violates the copyright, please inform us immediately before submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
"Arco dell' Arte" with Titos Gouvelis - piano. Recorded live at GNO (24/02/2013)) 1. Allegro 00:07 2. Andantino 10:53 3. Vivacissimo 13:04 I Violin - Nikos Karagiannis II Violin - Dimitra Triandafillou Viola - Eleftheria Togia Cello - Marilena Vassou Ηχογράφηση από συναυλία στο φουαγιέ της Ε.Λ.Σ. Πιάνο - Τίτος Γουβέλης Βιολί - Νίκος Καραγιάννης, Δήμητρα Τριανταφύλλου Βιόλα - Ελευθερία Τόγια Τσέλο - Μαριλένα Βάσσου
Provided to YouTube by NAXOS of America Piano Quintet in F Minor, P. 35: II. Andantino · Marco Vincenzi Respighi: Chamber Works ℗ 2000 Dynamic Released on: 2000-01-01 Artist: Marco Vincenzi Ensemble: Ensemble Filarmonico Italiano Composer: Ottorino Respighi Auto-generated by YouTube.
Teatro La Fenice - Sale Apollinee Festival Lo Spirito della Musica di Venezia Dagli archivi dell'Istituto per la Musica della Fondazione Giorgio Cini Ottorino Respighi Quintetto in fa minore per pianoforte e archi (1902) Allegro • Andantino • Vivacissimo Jakub Tchorzewski - pianoforte Quartetto Guadagnini Fabrizio Zoffoli, Giacomo Coletti - violini Margherita Di Giovanni - viola Alessandra Cefaliello - violoncello http://www.piano.info.pl http://www.quartettoguadagnini.com
Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.