- published: 09 Mar 2012
- views: 295304
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
Appian of Alexandria (/ˈæpiən/; Greek: Ἀππιανὸς Ἀλεξανδρεύς Appianòs Alexandréus; Latin: Appianus Alexandrinus; c. AD 95 – c. AD 165) was a Roman historian of Greek origin who flourished during the reigns of Emperors of Rome Trajan, Hadrian, and Antoninus Pius.
He was born c. 95 in Alexandria. After having filled the chief offices in the province of Aegyptus (Egypt), he went to Rome c. 120, where he practised as an advocate, pleading cases before the emperors (probably as advocatus fisci), that in 147 at the earliest he was appointed to the office of procurator, probably in Egypt, on the recommendation of his friend Marcus Cornelius Fronto, a well-known litterateur. Because the position of procurator was open only to members of the equestrian order (the "knightly" class), his possession of this office tells us about Appian's family background.
His principal surviving work (Ῥωμαικά Rhomaiká, known in Latin as Historia Romana and in English as Roman History) was written in Greek in 24 books, before 165. This work more closely resembles a series of monographs than a connected history. It gives an account of various peoples and countries from the earliest times down to their incorporation into the Roman Empire, and survives in complete books and considerable fragments. The work is very valuable, especially for the period of the civil wars.
Appian (Αππιανός) was a Roman historian. Appian may also refer to:
Places:
Organizations:
See also
Atlanta Symphony Orchestra - Louis Lane conductor For information and analysis of this work, visit http://muswrite.blogspot.com/2012/03/respighi-birds.html For information and analysis of other works, visit Musical Musings at : http://muswrite.blogspot.com/
Composed by Ottorino Respighi (1879-1936) pf: Giuseppe Sinopoli cond/ New York Philharmonic Orchestra FONTANE DI ROMA (1917): 0:00 - La fontana di Valle Giulia all'Alba 4:01 - La fontana del Tritone al mattino 6:35 - La fontana di Trevi al meriggio 10:13 - La fontana di Villa Medici al tramonto PINI DI ROMA (1924): 16:21 - I pini di Villa Borghese 19:10 - Pini presso una catacomba 26:23 - I pini del Gianicolo 33:31 - I pini della Via Appia FESTE ROMANE (1928): 39:45 - Circenses 44:34 - Giubileo 51:25 - L’Ottobrata 59:20 - La Befana
"Fontane di Roma" (Fountains of Rome) is a 1916 work by the Italian composer Ottorino Respighi, now considered part of the Roman Trilogy of symphonic poems along with Feste Romane and Pini di Roma. Each of the four sections is meant to depict one of Rome's fountains during different periods of the day and night. Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I. Consequently, it did not premiere until March 11, 1917 where it appeared at the Teatro Augusteo in Rome with Antonio Guarnieri as conductor. Although the premiere was unsuccessful, Toscanini finally conducted the work in Milan in 1918 with tremendou...
This is Ottorino Respighi's Notturno and is performed by Sergei Babayan
Resphigi is famed primarily as a master orchestrator, but it seems that the same vivid awareness of timbral colour which served him so well in the Roman Trilogy, Ancient Airs and Dances, and The Birds led him to write some remarkably effective piano music. The 6 pieces for piano, written relatively early in Respighi’s career, show him deftly deploying a wide range of pianistic textures to magical effect. Scherbakov delivers a wonderful performance – perfect dynamic control, crystalline melodic lines, and some very intelligent handling of multi-layered textures (notice how he slyly modifies the big rolled chords in the nocturne, for instance). 00:00 – Valse Caressante. Lilting and quintessentially salon-esque. 03:26 – Canone. A canon at the octave. Rhythmically playful, as the trailing voi...
Ottorino Respighi (1879-1936): Sinfonia Drammatica, per grande orchestra (P. 102) (1914) -- BBC Philharmonic diretta da Sir Edward Downes -- I. Allegro energico II. Andante sostenuto [25:05] III. Allegro impetuoso - Tempo di marcia triste [42:20] --- cover image : painting by Edward Burne-Jones ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your ...
Ottorino Respighi (1879-1936): Concerto all'antica per violino e orchestra (P. 75) (1908). I. Allegro II. Adagio non troppo [12:45] III. Scherzo, Vivace tempo di Minuetto [21:30] Andrea Cappelletti, violino Philharmonia Orchestra diretta da Matthias Bamert. Cover image: painting by Canaletto. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
NEW in 2019!!! STUNNING THE NEW WORLD SYMPHONY: https://youtu.be/O_tPb4JFgmw ;Stunning Ravel Daphnis and Chloe (https://youtu.be/UCpD_mTS_t4) NEW in 2017! An American in Paris - Stunning Performance of this Orchestra: https://youtu.be/RUMJPlQwa50 Stunnig Performance of this Amazing Orchestra: B.Smetana - The Moldau https://youtu.be/l6kqu2mk-Kw NEW! Crazy performance of Slavonic Dances: https://youtu.be/HJnh5MHgThg Gimnazija Kranj Great Christmas Concert 2013. Postcards from Italy. Gimnazija Kranj Symphony Orchestra performed Ottorino Respighi Pines of Rome. Amazing performance in Gallus Hall, Cankarjev dom, Ljubljana, Slovenia. Conductor maestro Nejc Bečan; Concert master: Nina Pirc; Sound engineer: Matjaž Culiberg; Head of Production: Grega Jeraša; Director: Primož Zevnik Dedicated ...
Respighi: Ancient Airs and Dances, Suite No. 1 [COMPLETE ] Ottorino Respighi (1879 - 1936) Ancient Airs and Dances / Antiche arie e danze per liuto Suite No. 1 (1917) I. Balletto, "Il Conte Orlando" (0:00) II. Gagliarda (2:25) III. Villanella (5:52) IV. Passo mezzo e mascherada (11:10) Sir Neville Marriner Los Angeles Chamber Orchestra 1976 Category Music License Standard YouTube License Music "Suite 1 De Danzas Antiguas" by La Orquesta Y Coros Del Festival De Praga
Ottorino Respighi - Trittico botticelliano (Botticelli Triptych, Three Botticelli Pictures) for orchestra, P. 151. Composed in 1927. Parts/Movements: 1. La Primavera 2. L' Adorazione dei Magi 3. La Nascita di Venere Although Respighi is best known for his glittering, even garish, suites of tone poems for large orchestra, many feel that some of his best work may be found in his more restrained and modestly scaled efforts. One such example is the Three Botticelli Pictures (1927) for chamber orchestra, a three-movement suite based on famous paintings by the Renaissance master Botticelli. Despite the work's economical scoring, it is fully as colorful and beguiling as the fulsome and flashy Pines of Rome (1924) or Fountains of Rome (1916). Commissioned by the Elizabeth Sprague Coolidge Found...
This video provides a quick overview of what Appian is, and what it’s used for. You’ll zoom in on the four core capabilities — Appian’s data fabric, process automation, total experience, and process mining — and ways in which these can solve your business, data, and automation challenges. Review real-life customer case studies on Academy Online: https://ap.pn/42MU1lZ Check out the “What is Appian?” playlist: https://youtube.com/playlist?list=PLb9YBzSNgKLMg5pZQ0sXSmx3PLhFUPBiv Built on Appian 23.1. Find more information here: https://docs.appian.com/suite/help/23.1/ #learnappian free at https://academy.appian.com Thank you for watching this video! To see more videos like this, subscribe to the Appian Community YT channel: https://www.youtube.com/@AppianCommunity
Build an Appian application in 4 simple steps with this tutorial using pre-built templates and drag-and-drop building. 00:00 - 1 Create an application 02:42 - 2 Connect to data 18:49 - 3 Provide access to users 21:07 - 4 Add analytics #learnappian free at academy.appian.com
Appian is the only unified, low-code platform that takes you from insight to action. Build apps 10x faster, reduce maintenance costs by 50%, and gain superior functionality compared to traditional development. Learn more at appian.com.
WATCH THE UPDATED TUTORIAL/QUICKSTART VIDEO: https://youtu.be/3Dnwxs7xXDA My contribution to the Appian Community as part of Appian's 2020 Hackathon. More tutorials: https://www.appiandev.com (work in progress) Connect with me! https://www.linkedin.com/in/augustinec START HERE: If you have time to study, familiarizing yourself with these functions will make you a stronger Appian developer: https://docs.appian.com/suite/help/19.4/Appian_Functions.html Appian Architecture: https://docs.appian.com/suite/help/19.4/Enterprise_Architecture_Overview.html Mastering SAIL code: If you are coming from a procedural programming background (Java, Python, ...), SAIL code (a functional programming language) may look off. To make things easier and neater, you can use the function "a!localVariables()" ...
The Appian World Live Build Challenge is back and bigger than ever! Six accomplished Appian developers from around the world will compete head-to-head on the main stage, showing off their speed and skill in a timed app-building challenge. Join us on Wednesday, May 3rd at Appian World to cheer on our competitors as they battle it out for a chance to win a $10,000 cash prize and bragging rights. Want to complete the Live Build Challenge yourself? Download the prompt here: https://community.appian.com/challenges #learnappian for free with https://academy.appian.com
Matt Calkins, CEO of Appian, shares his vision for how converging technologies and data will empower enterprises to thrive in the face of economic uncertainty.
Josh Aufrichtig, Director, Solutions Consulting, shares a demonstration of the Appian low-code platform at Appian Investor Day 2021. The longer it takes for a reinsurer to process a claim, the more expensive it is. In the demonstration we show how a reinsurer: -- Diagnoses the root of their problems using data-driven process mining. -- Rapidly designs their own unique solution to the discovered problems with low-code. -- Automates a workflow allocating digital workers based on their abilities and the nature of each job. (These digital workers can include RPA, no-code integrations, intelligent document processing, business rules, human tasks, machine learning, among others.) Learn more about Appian for reinsurance: https://appian.com/solutions/industry/insurance/re-insurance.html
Connect with me! https://www.linkedin.com/in/augustinec https://www.appiandev.com
This video provides an overview of Appian’s robust process automation capabilities. You’ll see how Appian process models allow you to automate complex business workflows that unify people, systems, data, robotic tasks, AI, and business rules — from start to finish. Review real-life customer case studies on Academy Online:https://ap.pn/42MU1lZ Check out the “What is Appian?” playlist: https://youtube.com/playlist?list=PLb9YBzSNgKLMg5pZQ0sXSmx3PLhFUPBiv Built on Appian 23.1. Find more information here: https://docs.appian.com/suite/help/23.1/ #learnappian free at https://academy.appian.com Thank you for watching this video! To see more videos like this, subscribe to the Appian Community YT channel: https://www.youtube.com/@AppianCommunity
Conoce más de Native Bean, usando este enlace: https://www.youtube.com/channel/UCu1j2rkTyySdLFBg8TO2gHg 🐊 Follow me: LinkedIn: https://www.linkedin.com/in/martin-camacho-9b228194/ Udemy: https://www.udemy.com/user/martin-camacho-2/ 🖥️ Videos Recomendados: Appian: CDTs Parte 1➞ https://youtu.be/zmEM1Ss8KnU Cómo consumir información de la base de datos ➞ https://youtu.be/yeoRgkzL49Y Appian: Función index ➞https://youtu.be/_7EAP249o9M 📩 Contacto: ➞ [email protected] #appian #lowcode #coding #desarrollo #software #NoCode #LowCode #DragAndDrop #RapidDevelopment #VisualDevelopment #BusinessLogic #ApplicationIntegration #Prototyping #Automation #DataVisualization #RealTimeData #UserExperience #DataAnalysis #CloudIntegration #WorkflowManagement #APIs #AI #MobileDevelopment #Cod...
Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
I came home to a house without you
The air was stale, the walls were bare
But somehow I still knew, that you were there
I wanna see you more
I miss your company
I wish that things were still
The way they used to be
The phone call at 3am
To come and pick me up
Was i born to be a ballet dancer, or an astronaut
If I needed to talk, you would make the time for me
I wish that things were still
The way they used to be
But only for a day
Just so I can say
That I remembered you
Because I wouldn't be the same
If anything was changed
And thats the truth
I wanna see you more
I miss your company
I wish that things were still
The way they used to be
I wanna see you more
I miss your company
I wish that things were still
The way they used to be
But only for a day
Just so I could say
That I remembered you
But only for a day
The way they used to be
But only for a day