- published: 09 Mar 2012
- views: 295304
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Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. In addition to being a renowned composer and conductor, Respighi was also a notable musicologist. His interest in Italian music of the 16th, 17th, and 18th centuries led him to compose works inspired by the music of these periods.
Suite No. 1 was composed in 1917. It was based on Renaissance lute pieces by Simone Molinaro, Vincenzo Galilei (father of Galileo Galilei) and additional anonymous composers.
Suite No. 2 was composed in 1923. It was based on pieces for lute, archlute, and viol by Fabritio Caroso, Jean-Baptiste Besard, Bernardo Gianoncelli, and an anonymous composer. It also includes an aria attributed to Marin Mersenne.
Suite No. 3 was composed in 1932. It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. It is based on lute songs by Besard, a piece for baroque guitar by Ludovico Roncalli, and lute pieces by Santino Garsi da Parma and additional anonymous composers.
Atlanta Symphony Orchestra - Louis Lane conductor For information and analysis of this work, visit http://muswrite.blogspot.com/2012/03/respighi-birds.html For information and analysis of other works, visit Musical Musings at : http://muswrite.blogspot.com/
Composed by Ottorino Respighi (1879-1936) pf: Giuseppe Sinopoli cond/ New York Philharmonic Orchestra FONTANE DI ROMA (1917): 0:00 - La fontana di Valle Giulia all'Alba 4:01 - La fontana del Tritone al mattino 6:35 - La fontana di Trevi al meriggio 10:13 - La fontana di Villa Medici al tramonto PINI DI ROMA (1924): 16:21 - I pini di Villa Borghese 19:10 - Pini presso una catacomba 26:23 - I pini del Gianicolo 33:31 - I pini della Via Appia FESTE ROMANE (1928): 39:45 - Circenses 44:34 - Giubileo 51:25 - L’Ottobrata 59:20 - La Befana
"Fontane di Roma" (Fountains of Rome) is a 1916 work by the Italian composer Ottorino Respighi, now considered part of the Roman Trilogy of symphonic poems along with Feste Romane and Pini di Roma. Each of the four sections is meant to depict one of Rome's fountains during different periods of the day and night. Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I. Consequently, it did not premiere until March 11, 1917 where it appeared at the Teatro Augusteo in Rome with Antonio Guarnieri as conductor. Although the premiere was unsuccessful, Toscanini finally conducted the work in Milan in 1918 with tremendou...
This is Ottorino Respighi's Notturno and is performed by Sergei Babayan
Resphigi is famed primarily as a master orchestrator, but it seems that the same vivid awareness of timbral colour which served him so well in the Roman Trilogy, Ancient Airs and Dances, and The Birds led him to write some remarkably effective piano music. The 6 pieces for piano, written relatively early in Respighi’s career, show him deftly deploying a wide range of pianistic textures to magical effect. Scherbakov delivers a wonderful performance – perfect dynamic control, crystalline melodic lines, and some very intelligent handling of multi-layered textures (notice how he slyly modifies the big rolled chords in the nocturne, for instance). 00:00 – Valse Caressante. Lilting and quintessentially salon-esque. 03:26 – Canone. A canon at the octave. Rhythmically playful, as the trailing voi...
Ottorino Respighi (1879-1936): Sinfonia Drammatica, per grande orchestra (P. 102) (1914) -- BBC Philharmonic diretta da Sir Edward Downes -- I. Allegro energico II. Andante sostenuto [25:05] III. Allegro impetuoso - Tempo di marcia triste [42:20] --- cover image : painting by Edward Burne-Jones ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your ...
Ottorino Respighi (1879-1936): Concerto all'antica per violino e orchestra (P. 75) (1908). I. Allegro II. Adagio non troppo [12:45] III. Scherzo, Vivace tempo di Minuetto [21:30] Andrea Cappelletti, violino Philharmonia Orchestra diretta da Matthias Bamert. Cover image: painting by Canaletto. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
NEW in 2019!!! STUNNING THE NEW WORLD SYMPHONY: https://youtu.be/O_tPb4JFgmw ;Stunning Ravel Daphnis and Chloe (https://youtu.be/UCpD_mTS_t4) NEW in 2017! An American in Paris - Stunning Performance of this Orchestra: https://youtu.be/RUMJPlQwa50 Stunnig Performance of this Amazing Orchestra: B.Smetana - The Moldau https://youtu.be/l6kqu2mk-Kw NEW! Crazy performance of Slavonic Dances: https://youtu.be/HJnh5MHgThg Gimnazija Kranj Great Christmas Concert 2013. Postcards from Italy. Gimnazija Kranj Symphony Orchestra performed Ottorino Respighi Pines of Rome. Amazing performance in Gallus Hall, Cankarjev dom, Ljubljana, Slovenia. Conductor maestro Nejc Bečan; Concert master: Nina Pirc; Sound engineer: Matjaž Culiberg; Head of Production: Grega Jeraša; Director: Primož Zevnik Dedicated ...
Respighi: Ancient Airs and Dances, Suite No. 1 [COMPLETE ] Ottorino Respighi (1879 - 1936) Ancient Airs and Dances / Antiche arie e danze per liuto Suite No. 1 (1917) I. Balletto, "Il Conte Orlando" (0:00) II. Gagliarda (2:25) III. Villanella (5:52) IV. Passo mezzo e mascherada (11:10) Sir Neville Marriner Los Angeles Chamber Orchestra 1976 Category Music License Standard YouTube License Music "Suite 1 De Danzas Antiguas" by La Orquesta Y Coros Del Festival De Praga
Ottorino Respighi - Trittico botticelliano (Botticelli Triptych, Three Botticelli Pictures) for orchestra, P. 151. Composed in 1927. Parts/Movements: 1. La Primavera 2. L' Adorazione dei Magi 3. La Nascita di Venere Although Respighi is best known for his glittering, even garish, suites of tone poems for large orchestra, many feel that some of his best work may be found in his more restrained and modestly scaled efforts. One such example is the Three Botticelli Pictures (1927) for chamber orchestra, a three-movement suite based on famous paintings by the Renaissance master Botticelli. Despite the work's economical scoring, it is fully as colorful and beguiling as the fulsome and flashy Pines of Rome (1924) or Fountains of Rome (1916). Commissioned by the Elizabeth Sprague Coolidge Found...
Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer and musicologist. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908/09 he spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. Many sources indicate that while he was in Germany, he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
I am lost in the crowd
I'm standing in line
I'm feeling so down
And i am full of doubt
He's not the one
Take notice,hear me out
I want him, need him
And you, always will pull me through
I'm tired
This games so dumb
He never played,
His race is won
IÂ'm tired,
Can't smile no more
i'll sure cave in, just like before
I want him, need him
And you always will pull me through
And i want him, need him
And you always will pull me through
I want him, need him
And you always will pull me through
And i want him, need him
And you always will pull me through
And i...want him, need him
And i...want him, need him
And i...want him, need him