- published: 12 Jan 2013
- views: 17027
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Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
Franz Schubert (original German title: Franz Schubert – Ein Leben in zwei Sätzen) is a 1953 Austrian film depicting composer Franz Schubert's life and work.
Franz Schubert works as an assistant teacher in the school led by his father. In his spare time, however, the young man, who considers Ludwig van Beethoven to be his unattainable role model, devotes himself to writing music. As public acceptance is denied to him, his friends lobby at the music publisher Anton Diabelli for a public performance of Schubert's music. During a reception, at which Schubert performs his Ave Maria, he gets to know singer Therese Grob.
Schubert decides to quit the employment at his father's and, instead, to concentrate merely on music, and moves in his with friends, poets Franz von Schober and Moritz von Schwind and painter Johann Mayerhofer. There, he is inspired to set Johann Wolfgang von Goethes ballad Der Erlkönig to music.
Schubert friends encourage him to play his music in public. Schubert and Therese, who sings his songs, are made one. The two make a living with performing Schuberts songs. Schubert, though, develops doubts, whether he can express himself in songs appropriately, and so decides to turn to writing symphonies and operas. As Schubert applies for the position of a Vice Director of Music, Therese hands over to the Secretary of the Court Theatre Schuberts latest work, the Unfinished Symphony. Disagreements arise during the rehearsals for Schubert's latest opera, as the singer of the leading part considers the music too difficult to sing. Music publishers Tobias Haslinger and Anton Diabelli reject his music. Even his very promising application as a Vice Director of Music proves to be unsuccessful.
Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. The album's themes were influenced by friends who suggested writing songs about the Trans Europ Express to reflect Kraftwerk's electronic music style. Critics have described the album as having two specific themes: celebration of Europe and the disparities between reality and image. Musically, the songs on this album differ from the group's earlier Krautrock style with a focus on electronic mechanized rhythms, minimalism, and occasional manipulated vocals.
Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics.
Symphony No. 5 by Hans Werner Henze was written in 1962.
Scored for large orchestra, it is in three movements, the first of which quotes directly from the aria My own, my own from Henze's opera Elegie für junge Liebende (Elegy for Young Lovers). This melodic fragment reappears in the lyrical adagio, which takes the form of a series of slow cadenzas for alto flute, viola and cor anglais over hushed strings. The finale is 32 miniature variations on the cadenza material of the slow movement.
Henze composed the symphony for the New York Philharmonic, which premiered the work on May 18, 1963 under Leonard Bernstein. Although it was assumed that, if anywhere, New York was celebrated in the music, Henze later wrote that in the work
In 1965 the symphony was recorded by the Berlin Philharmonic Orchestra under the composer. A broadcast of the world premiere, with Bernstein conducting, was released by the New York Philharmonic as part of a Bernstein Live set.
The Symphony No. 5 by Arnold Bax was completed in 1932 and dedicated to Jean Sibelius. It is in many ways heavily influenced by Sibelius.
It is scored for two piccolos, three flutes, two oboes, English horn, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, three trombones, tuba, timpani, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, glockenspiel, harp and strings.
It is in three movements:
It opens with a five-note motif that is used throughout the entire poco lento section, which is heavily reminiscent of Sibelius's Symphony No. 4. The allegro con fuoco section that follows however is highly Baxian, and all the features of his composition style are evident here. The second subject sees the return of Sibelian moods, but Bax's comprehensive musical technique is noticeable. The recapitulation is particularly exciting, making it one of the most energetic opening movements of all Bax's symphonies.
The Symphony No. 5 was composed by Peter Maxwell Davies in 1994 on commission from the Philharmonia Orchestra, who gave the world premiere under the composer’s direction at a BBC Promenade concert on 9 August 1994, at the Royal Albert Hall in London.
The form of the symphony (along with those of its predecessors) owes a great debt to the symphonies of Sibelius, in this case particularly the Seventh (Beecroft 1994, 2; Pruslin 1996). However, its sense of space, “less architectural than that of the previous symphonies, is a significant new departure, allowing a more relaxed attitude toward musical objects: closer to the Mahlerian aesthetic than at any time since the 1960s” (Beecroft 1994, 5). Davies has also cited the often canonic modal counterpoint of Sibelius's Sixth Symphony as an influence, and Sibelius's tone poem En saga has also been mentioned as a possible source of inspiration (Warnaby 1995, 34).
The symphony is scored for 2 flutes (second doubling alto flute), piccolo, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (marimba, glockenspiel, crotales, flexatone, 2 bass drums [small and large], cymbals, suspended cymbal, tambourine), celesta, harp, and strings.
Odysseus Chamber Orchestra Conducted by Jason Lim
Franz Peter Schubert (31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. The Piano Quintet in A major, D. 667 (Trout Quintet), the Symphony No. 8, D. 759 (Unfinished Symphony), the three last piano sonatas, D. 958-960, and his song cycles Die schöne Müllerin and Winterreise are some of his most important works. Please support my channel: https://ko-fi.com/bartjebartmans Symphony No. 5 in B♭ major, D. 485, (1816) I. Allegro (0:00) II. Andante con moto (7:07) III. Menuetto. Allegro molto – Trio (16:14) IV. Alle...
Provided to YouTube by Universal Music Group Schubert: Symphony No. 5 in B Flat Major, D. 485 - IV. Allegro vivace · Berliner Philharmoniker · Karl Böhm Schubert: 8 Symphonies ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 2001-01-01 Producer: Wolfgang Lohse Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Composer: Franz Schubert Auto-generated by YouTube.
Franz Schubert: 5. Sinfonie B-Dur D 485 ∙ (Auftritt) 00:00 ∙ I. Allegro 00:15 ∙ II. Andante con moto 07:25 ∙ III. Menuetto. Allegro molto – Trio – Menuetto 17:34 ∙ IV. Allegro vivace 22:53 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ hr-Sinfoniekonzert ∙ Alte Oper Frankfurt, 4. April 2019 ∙ Website: https://www.hr-sinfonieorchester.de ∙ Facebook: https://www.facebook.com/hrsinfonieorchester
IV. Allegro vivace
Provided to YouTube by Warner Classics International Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace · Nikolaus Harnoncourt Schubert : Symphonies Nos 1 - 9 (Complete) ℗ A Warner Classics/Teldec release, ℗ 1993 Warner Music UK Limited Conductor: Nikolaus Harnoncourt Orchestra: Royal Concertgebouw Orchestra Composer: Franz Schubert Auto-generated by YouTube.
Schubert : Symphony No. 5 in B flat major, D. 485 IV. Allegro vivace Johannes Wildner Conductor Philharmonia Cassovia
Wonkyung Chae (Music Director), Jaehee Choi (Cl), NFA Chmaber Orchestra Seoul Date: September 26th, 2017 Location: Seoul Arts Center, Seoul, Korea http://blog.naver.com/nfamusic http://www.youtube.com/nfamusic0105 [email protected]
Provided to YouTube by The Orchard Enterprises Symphony No. 5 in B-flat Major, d485: IV. Allegro vivace · Sir Thomas Beecham · London Philharmonic Orchestra Schubert: Symphony No. 5 ℗ 2009 Saland Publishing Released on: 2009-01-22 Composer: Franz Schubert Music Publisher: Saland Publishing Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Schubert: Symphony No. 5 In B Flat, D.485 - IV. Allegro vivace · Wiener Philharmoniker · Karl Böhm · Franz Schubert Beethoven: Symphony No. 6 "Pastoral" / Schubert: Symphony No. 5 ℗ 1980 Deutsche Grammophon GmbH, Berlin Released on: 1995-01-01 Producer, Recording Producer: Werner Mayer Studio Personnel, Recording Engineer: Hans-Rudolf Müller Studio Personnel, Balance Engineer: Günter Hermanns Composer: Franz Schubert Auto-generated by YouTube.
Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
War es also gemeint,
Mein rauschender Freund?
Dein Singen, dein Klingen,
War es also gemeint?
Zur Müllerin hin!
So lautet der Sinn.
Gelt, hab' ich's verstanden?
Zur Müllerin hin!
Hat sie dich geschickt?
Oder hast mich berückt?
Das möcht ich noch wissen,
Ob sie dich geschickt.
Nun wie's auch mag sein,
Ich gebe mich drein:
Was ich such, hab ich funden,
Wie's immer mag sein.
Nach Arbeit ich frug,
Nun hab ich genug
Für die Hände, fürs Herze
Vollauf genug!