- published: 11 Nov 2013
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Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
Franz Schubert (original German title: Franz Schubert – Ein Leben in zwei Sätzen) is a 1953 Austrian film depicting composer Franz Schubert's life and work.
Franz Schubert works as an assistant teacher in the school led by his father. In his spare time, however, the young man, who considers Ludwig van Beethoven to be his unattainable role model, devotes himself to writing music. As public acceptance is denied to him, his friends lobby at the music publisher Anton Diabelli for a public performance of Schubert's music. During a reception, at which Schubert performs his Ave Maria, he gets to know singer Therese Grob.
Schubert decides to quit the employment at his father's and, instead, to concentrate merely on music, and moves in his with friends, poets Franz von Schober and Moritz von Schwind and painter Johann Mayerhofer. There, he is inspired to set Johann Wolfgang von Goethes ballad Der Erlkönig to music.
Schubert friends encourage him to play his music in public. Schubert and Therese, who sings his songs, are made one. The two make a living with performing Schuberts songs. Schubert, though, develops doubts, whether he can express himself in songs appropriately, and so decides to turn to writing symphonies and operas. As Schubert applies for the position of a Vice Director of Music, Therese hands over to the Secretary of the Court Theatre Schuberts latest work, the Unfinished Symphony. Disagreements arise during the rehearsals for Schubert's latest opera, as the singer of the leading part considers the music too difficult to sing. Music publishers Tobias Haslinger and Anton Diabelli reject his music. Even his very promising application as a Vice Director of Music proves to be unsuccessful.
Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. The album's themes were influenced by friends who suggested writing songs about the Trans Europ Express to reflect Kraftwerk's electronic music style. Critics have described the album as having two specific themes: celebration of Europe and the disparities between reality and image. Musically, the songs on this album differ from the group's earlier Krautrock style with a focus on electronic mechanized rhythms, minimalism, and occasional manipulated vocals.
Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics.
No. 4 may refer to:
№ 4 (sometimes referred to as No. 4) is the fourth album released by American hard rock band Stone Temple Pilots, released on October 26, 1999, by Atlantic Records. The album was a return to the band's earlier hard rock roots, while also blending elements of heavy metal, psychedelic rock, and alternative rock. Despite the lack of promotion due to singer Scott Weiland's one-year jail sentence shortly before the album's release, No. 4 was certified Platinum by the RIAA on August 7, 2000, and by the CRIA in August 2001. The song "Down" was nominated for Best Hard Rock Performance at the Grammy Awards. The album also produced one of STP's biggest hits, "Sour Girl", which charted at #78 on the Billboard Hot 100, their only song to appear on that chart. The CD was originally released as a digipak, then later changed to a standard jewel case.
No.4 displays a deliberate effort by the band to return to a more hard rock-oriented sound featured on its first two albums. Allmusic cited the album as STP's "hardest effort" since Core, remarking that "it's as if STP decided to compete directly with the new generation of alt-metal bands who prize aggression over hooks or riffs." Stephen Erlewine also wrote that No.4 "consolidates all [of STP's] strengths."
Michael Tippett's Symphony No. 4 was written in 1977 and first performed by the Chicago Symphony Orchestra, and conducted by Sir Georg Solti. It was dedicated to Tippett's biographer and friend, Ian Kemp.
It is written in one movement divided into seven sections:
In terms of form, it combines sonata and fantasia forms, as well as that of the symphonic poem.
Tippett called the work "a birth to death piece". This is emphasized by a "breathing effect", either from tape or sampler, particularly prominent at the beginning and the end of the symphony, with a single, unaccompanied intake of breath as its conclusion.
Stylistically, the Fourth Symphony unites all previous stylistic tendencies in Tippett's work: the counterpoint and gentle lyricism of his first creative period and the angular, spiky modernism of his second period, thus creating a third and final period. Tippett quotes the opening of this Symphony in his Piano Sonata No. 4.
Russian composer Alfred Schnittke wrote his Symphony No. 4 in 1983. It is a choral symphony, written for tenor, countertenor, chorus, and orchestra. It was first performed on April 12, 1984, in Moscow.
The symphony is written in a single movement of 22 variations and is approximately 45 minutes in length. Ronald Weitzman writes, "The form of Schnittke's Fourth Symphony [is] at once cross-shaped and spherical.... The composer draws musically on the three main strands of Christianity—Orthodox, Catholic, Protestant—while underlying this is a three–note semitone interval motif representing synagogue chant, thus symbolizing the Jewish source of Christianity." The result, Ivan Moody writes, is that Schnittke "attempts to reconcile elements of znamennïy and Gregorian chant, the Lutheran chorale and Synagogue cantillation ... within a dense, polyphonic orchestral texture" A tenor and a countertenor also sing wordlessly at two points in the symphony. Words are saved for a finale in which all four types of church music are used contrapuntally as a four-part choir sings the Ave Maria. The choir can choose whether to sing the Ave Maria in Russian or Latin. The programmatic intent of using these different types of music, Schnittke biographer Alexander Ivashkin writes, is an insistence by the composer "on the idea ... of the unity of humanity, a synthesis and harmony among various manifestations of belief."
Picture: Carlo Bossoli - Terracina Franz Schubert Work: Symphony No.6 in C-major, D.589 (1818) scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings Mov.I: Adagio - Allegro 00:00 Mov.II: Andante 09:45 Mov.III: Scherzo: Presto 18:06 Mov.IV: Allegro moderato 24:34 Orchestra: Failoni Orchestra Conductor: Michael Halász The Symphony No. 6 in C major, D. 589, is a symphony by Franz Schubert composed between October 1817 and February 1818. Its first public performance was in Vienna in 1828. It is nicknamed the "Little C major" to distinguish it from his later Ninth Symphony, also in C major, which is known as "the Great."
Franz Schubert: 6. Sinfonie D 589 ∙ (Auftritt) 00:00 ∙ I. Adagio – Allegro 00:13 ∙ II. Andante 07:56 ∙ III. Scherzo. Presto 14:18 ∙ IV. Allegro moderato 21:03 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony Orchestra ∙ Antonello Manacorda, Dirigent ∙ Alte Oper Frankfurt, 22. Mai 2015 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
- Franz Peter Schubert (Viena 1797 – 1828) Sinfonía Nº 6, D.589 en do mayor/C major [00:01] 1. Adagio - Allegro [09:55] 2. Andante ]15:40] 3. Scherzo: Presto [21:33] 4. Allegro moderato Chamber Orchestra of Europe, Claudio Abbado La Sexta Sinfonía en Do mayor D. 589 de Franz Schubert fue escrita entre octubre de 1817 (fecha que figura a la cabeza del manuscrito) y febrero de 1818. Es conocida como la pequeña do mayor, para diferenciarla de la Gran Sinfonía en do mayor (D. 944) del mismo compositor. Esta sinfonía es una de las menos conocidas y menos reproducidas de Schubert. Su escritura se vio muy influenciada por Beethoven (el Scherzo presto recuerda en gran parte el de su Primera Sinfonía), pero también por Rossini. chubert compuso al mismo tiempo dos aperturas de estilo italiano (D....
Provided to YouTube by Universal Music Group Schubert: Symphony No.6 in C Major, D.589 - "The Little" - 4. Allegro moderato · Orchestra Of The 18th Century · Frans Brüggen Schubert: Symphonies Nos. 6 & 8 "Unfinished" ℗ 1995 Universal International Music B.V. Released on: 1995-04-01 Composer: Franz Schubert Auto-generated by YouTube.
Franz Peter Schubert (31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of piano and chamber music. The Piano Quintet in A major, D. 667 (Trout Quintet), the Symphony No. 8, D. 759 (Unfinished Symphony), the three last piano sonatas, D. 958-960, and his song cycles Die schöne Müllerin and Winterreise are some of his most important works. Please support my channel: https://ko-fi.com/bartjebartmans Symphony No. 5 in B♭ major, D. 485, (1816) I. Allegro (0:00) II. Andante con moto (7:07) III. Menuetto. Allegro molto – Trio (16:14) IV. Alle...
【Full HD & HQ Audio】 2:51 1st.mov - 3:57 2nd.mov - 14:23 3rd.mov - 20:36 4th.mov - 26:41 Zubin Mehta Israel Philharmonic Orchestra 2014.10.29 Tokyo Japan
Provided to YouTube by Universal Music Group Schubert: Symphony No.6 in C, D.589 - "The Little" - 2. Andante · London Symphony Orchestra · Josef Krips Haydn: Symphonies 92,94,99,104; Schubert: Symphony No.6; Mendelssohn: Symphony No.4 "Italian" ℗ 1949 Decca Music Group Limited Released on: 2012-01-01 Producer, Recording Producer: Victor Olof Studio Personnel, Recording Engineer: Kenneth Wilkinson Composer: Franz Schubert Auto-generated by YouTube.
Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
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Tu dois plus savoir.