- published: 03 Dec 2020
- views: 22285
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3917 Franz Schubert is a main-belt asteroid discovered by Freimut Börngen in Tautenburg on February 15, 1961. It is named after the composer Franz Schubert
Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
Franz Schubert (original German title: Franz Schubert – Ein Leben in zwei Sätzen) is a 1953 Austrian film depicting composer Franz Schubert's life and work.
Franz Schubert works as an assistant teacher in the school led by his father. In his spare time, however, the young man, who considers Ludwig van Beethoven to be his unattainable role model, devotes himself to writing music. As public acceptance is denied to him, his friends lobby at the music publisher Anton Diabelli for a public performance of Schubert's music. During a reception, at which Schubert performs his Ave Maria, he gets to know singer Therese Grob.
Schubert decides to quit the employment at his father's and, instead, to concentrate merely on music, and moves in his with friends, poets Franz von Schober and Moritz von Schwind and painter Johann Mayerhofer. There, he is inspired to set Johann Wolfgang von Goethes ballad Der Erlkönig to music.
Schubert friends encourage him to play his music in public. Schubert and Therese, who sings his songs, are made one. The two make a living with performing Schuberts songs. Schubert, though, develops doubts, whether he can express himself in songs appropriately, and so decides to turn to writing symphonies and operas. As Schubert applies for the position of a Vice Director of Music, Therese hands over to the Secretary of the Court Theatre Schuberts latest work, the Unfinished Symphony. Disagreements arise during the rehearsals for Schubert's latest opera, as the singer of the leading part considers the music too difficult to sing. Music publishers Tobias Haslinger and Anton Diabelli reject his music. Even his very promising application as a Vice Director of Music proves to be unsuccessful.
Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. The album's themes were influenced by friends who suggested writing songs about the Trans Europ Express to reflect Kraftwerk's electronic music style. Critics have described the album as having two specific themes: celebration of Europe and the disparities between reality and image. Musically, the songs on this album differ from the group's earlier Krautrock style with a focus on electronic mechanized rhythms, minimalism, and occasional manipulated vocals.
Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics.
""An Sylvia", D 891; Op. 106, No. 4, is a Lied for voice and piano composed by Franz Schubert in 1826 and published in 1828. Its text is a German translation by Eduard von Bauernfeld of "Who is Silvia?" from act 4, scene 2, of The Two Gentlemen of Verona by William Shakespeare. "An Sylvia" was composed during a peak in Schubert's career around the time he was writing the Ninth Symphony "Great" (D 944), two years before his death. Although considered to be myth, it is said that Schubert first came up with the idea to write "An Sylvia" as he was walking in Vienna and entered a beer garden with friends. There, he found a volume of Shakespeare on a table and as he was reading, he apparently exclaimed, "Oh! I have such a pretty melody running in my head. If only I had some paper!" His friend d...
Provided to YouTube by Alexandre Bak - Classical Music Reference Recording IX. An Sylvia, D. 891 (Shakespeare, trans. Bauernfeld) (2023 Remastered, London 1952) · Elisabeth Schwarzkopf · Edwin Fischer · Franz Schubert Schubert: 12 Lieder by Elisabeth Schwarzkopf and Edwin Fischer ℗ 2023 Alexandre Bak - Classical Music Reference Recording Auto-generated by YouTube.
Franz Schubert An Sylvia D.891 (William Shakespeare / Eduard von Bauernfeld) Dietrich Fischer-Dieskau Gerald Moore Studio recording, Berlin, 20 & 21.IX.1957 Was ist Silvia, saget an, Daß sie die weite Flur preist? Schön und zart seh ich sie nahn, Auf Himmelsgunst und Spur weist, Daß ihr alles untertan. Ist sie schön und gut dazu? Reiz labt wie milde Kindheit; Ihrem Aug' eilt Amor zu, Dort heilt er seine Blindheit Und verweilt in süßer Ruh. Darum Silvia, tön, o Sang, Der holden Silvia Ehren; Jeden Reiz besiegt sie lang, Den Erde kann gewähren: Kränze ihr und Saitenklang!
German speakers like Shakespeare just as much as English speakers, except they read it in German. My grandfather, being Viennese, used to say that you haven't really read Shakespeare until you've read the German versions! The most common translations, which are greatly revered, are by August Wilhelm Schlegel and Ludwig Tieck, or at least are attributed to them. In fact, Tieck's sister and daughter are known to have contributed but sadly are not credited. This particular song from "Two Gentlemen of Verona" was translated by Eduard von Bauernfeld, a friend of Schubert's. The translation is very close both in meaning and meter, which is never an easy task. This was also the song I sang for my first voice lesson in college.
Arguably one of Schubert's most recognisable melodies, we decided to open the Shakespeare block of our March 2020 Liederabend with this delightful but challenging song. An Sylvia is a setting of Eduard von Bauernfeld's German translation of "Who is Silvia", Act 4, Scene 2 from Shakespearean play, Two Gentlemen of Verona. Soprano / Gesang - Erika Simons Piano / Klavier - Eline Brys
Franz Schubert An Sylvia D.891 (William Shakespeare / Eduard von Bauernfeld) Dietrich Fischer-Dieskau Gerald Moore Live recording, Salzburg, 30.VII.1963 Was ist Silvia, saget an, Daß sie die weite Flur preist? Schön und zart seh ich sie nahn, Auf Himmelsgunst und Spur weist, Daß ihr alles untertan. Ist sie schön und gut dazu? Reiz labt wie milde Kindheit; Ihrem Aug' eilt Amor zu, Dort heilt er seine Blindheit Und verweilt in süßer Ruh. Darum Silvia, tön, o Sang, Der holden Silvia Ehren; Jeden Reiz besiegt sie lang, Den Erde kann gewähren: Kränze ihr und Saitenklang!
New videos and pieces everyday. Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg "An Sylvia", D 891; Op. 106, No. 4, is a Lied for voice and piano composed by Franz Schubert in 1826 and published in 1828. Its text is a German translation by Eduard von Bauernfeld of "Who is Silvia?" from act 4, scene 2, of The Two Gentlemen of Verona by William Shakespeare. "An Sylvia" was composed during a peak in Schubert's career around the time he was writing the Ninth Symphony "Great" (D 944), two years before his death. Performers: - Philippe Sly (Bass-Baritone) - John Charles Britton (Guitare)
Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throug...
Use a "BabelGuide" to learn the meaning and pronunciation of this text as set by Franz Schubert. Each BabelGuide includes a recitation of the text by a diction specialist & native speaker in a poetic reading; a slow reading; a reading which alternates between poetic and slow, line by line; a word-for-word English translation and printable phonetic guide. Professional and volunteer singers and conductors can use BabelGuides to learn pronunciation and meaning of this text and hundreds more in American English, French, German, Italian, Latin, and Russian. Get the complete BabelGuide at: http://www.singersbabel.com/marketplace/ProductDetail.aspx?pid=3320&sch=An%20Sylvia,%20D%20891
3917 Franz Schubert is a main-belt asteroid discovered by Freimut Börngen in Tautenburg on February 15, 1961. It is named after the composer Franz Schubert
War es also gemeint,
Mein rauschender Freund?
Dein Singen, dein Klingen,
War es also gemeint?
Zur Müllerin hin!
So lautet der Sinn.
Gelt, hab' ich's verstanden?
Zur Müllerin hin!
Hat sie dich geschickt?
Oder hast mich berückt?
Das möcht ich noch wissen,
Ob sie dich geschickt.
Nun wie's auch mag sein,
Ich gebe mich drein:
Was ich such, hab ich funden,
Wie's immer mag sein.
Nach Arbeit ich frug,
Nun hab ich genug
Für die Hände, fürs Herze
Vollauf genug!