- published: 06 Nov 2023
- views: 100
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3917 Franz Schubert is a main-belt asteroid discovered by Freimut Börngen in Tautenburg on February 15, 1961. It is named after the composer Franz Schubert
Franz Peter Schubert (German pronunciation: [ˈfʁant͡s ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer. Schubert died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
Schubert was born in Himmelpfortgrund (now a part of Alsergrund), Vienna, Archduchy of Austria on 31 January 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elisabeth (Vietz), was the daughter of a Silesian master locksmith and had been a housemaid for a Viennese family before marriage. Of Franz Theodor's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
Franz Schubert (original German title: Franz Schubert – Ein Leben in zwei Sätzen) is a 1953 Austrian film depicting composer Franz Schubert's life and work.
Franz Schubert works as an assistant teacher in the school led by his father. In his spare time, however, the young man, who considers Ludwig van Beethoven to be his unattainable role model, devotes himself to writing music. As public acceptance is denied to him, his friends lobby at the music publisher Anton Diabelli for a public performance of Schubert's music. During a reception, at which Schubert performs his Ave Maria, he gets to know singer Therese Grob.
Schubert decides to quit the employment at his father's and, instead, to concentrate merely on music, and moves in his with friends, poets Franz von Schober and Moritz von Schwind and painter Johann Mayerhofer. There, he is inspired to set Johann Wolfgang von Goethes ballad Der Erlkönig to music.
Schubert friends encourage him to play his music in public. Schubert and Therese, who sings his songs, are made one. The two make a living with performing Schuberts songs. Schubert, though, develops doubts, whether he can express himself in songs appropriately, and so decides to turn to writing symphonies and operas. As Schubert applies for the position of a Vice Director of Music, Therese hands over to the Secretary of the Court Theatre Schuberts latest work, the Unfinished Symphony. Disagreements arise during the rehearsals for Schubert's latest opera, as the singer of the leading part considers the music too difficult to sing. Music publishers Tobias Haslinger and Anton Diabelli reject his music. Even his very promising application as a Vice Director of Music proves to be unsuccessful.
Deutsche Messe, or The German Mass, (Deutsche Messe und Ordnung des Gottesdiensts) was published by Martin Luther in 1526. It followed his Latin mass, Formula missae (1523). Both of these masses were meant only as a suggestion made on request and were not expected to be used exactly as they were, but could be altered. The function of the mass, according to Luther, is to make people hear the word.
The German Mass was completely chanted, except for the sermon.
Deutsche Messe (German Mass), D 872, is a mass composed by Franz Schubert in 1827. Its text is not the Latin liturgical text, but a sequence of poems in German by Johann Philipp Neumann who commissioned the work. It was originally scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, timpani and basso continuo. It is also known as the Gesänge zur Feier des heiligen Opfers der Messe ("Songs for the celebration of the holy offering of the Mass"), and the "Wind Mass" due to its orchestration of primarily wind instruments.
The Deutsche Messe stems from a tradition of low masses, settings of religious texts in vernacular languages in Austria and southern Germany. It was commissioned by Johann Philipp Neumann, who was interested in simple music designed to appeal to "the widest possible congregation". Neumann wrote the German hymns, which Schubert scored in a block-chordal, homophonic style, suitable for congregational singing. Schubert commenced the work in December 1826, completing and publishing it in 1827. Neumann had previously written the libretto for Schubert's unfinished opera, Shakuntala.
Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. The album's themes were influenced by friends who suggested writing songs about the Trans Europ Express to reflect Kraftwerk's electronic music style. Critics have described the album as having two specific themes: celebration of Europe and the disparities between reality and image. Musically, the songs on this album differ from the group's earlier Krautrock style with a focus on electronic mechanized rhythms, minimalism, and occasional manipulated vocals.
Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics.
A performance of Schubert's Deutsche Messe. This is the fifth movement, Zum Sanctus.
Schubert Messe dir G Bessone F Chanoyan Soprano D Léandri Baryton P Capelle Ténor 22.11.1992
Provided to YouTube by Warner Classics International Mass in A-Flat Major, D. 678: Kyrie · Nikolaus Harnoncourt · Anton Scharinger · Arnold Schoenberg Chor · Birgit Remmert · Deon Van der Walt · Luba Orgonasova Schubert: Masses No. 5, D. 678 "Missa Solemnis" & No. 6, D. 950 "Missa Solemnis" ℗ A Warner Classics/Teldec release, ℗ 1997 Warner Music UK Limited Bass Vocals: Anton Scharinger Choir: Arnold Schoenberg Chor Contralto Vocals: Birgit Remmert Orchestra: Chamber Orchestra of Europe Tenor Vocals: Deon Van der Walt Soprano Vocals: Luba Orgonasova Conductor: Nikolaus Harnoncourt Composer: Franz Schubert Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Schubert: Die Sterne, D.939: Wie blitzen die Sterne · Dietrich Fischer-Dieskau · Gerald Moore · Franz Schubert Schubert: Lieder ℗ 1969 Deutsche Grammophon GmbH, Berlin Released on: 2005-01-01 Producer, Executive Producer: Otto Gerdes Producer, Recording Producer: Rainer Brock Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Studio Personnel, Engineer: Helmut Najda Studio Personnel, Engineer: Wolfgang Werner Composer: Franz Schubert Author: Karl Gottfried Von Ritter Leitner Auto-generated by YouTube.
Concert Choeur Cantabile Sanctum et Benedictus Messe du Credo
Marc Minkowski (conductor), Chœurs des Musiciens du Louvre, Les Musiciens du Louvre
Mitschnitt aus dem Kirchenkonzert "Viva Mozart" von Chor & Orchester St. Magnus, Bad Schussenried vom 24.11.2019
J.S.Bach : Matthäus-Passion BWV 244 Rezitativ und Arie "Geduld" Ernst Haefliger, Tenor Münchener Bach-Orchester Karl Richter, Leitung ________________________________ Nr.34 Rezitativ - Tenor Mein Jesus schweigt zu falschen Lügen stille, um uns damit zu zeigen, das sein Erbarmens voller Wille vor uns zum Leiden sei geneigt, und das wir in dergleichen Pein ihm sollen ähnlich sein und in Verfolgung stille schweigen Nr.35 Arie - Tenor Geduld,Geduld, wenn mich falsche Zungen stechen. Leid ich wider meine Schuld Schimpf und Spott, ei, so mag der liebe Gott meines Herzens Unschuld rächen. __________________________________ バッハ:マタイ受難曲 BWV 244 エルンスト ヘフリガー、テノール ミュンヘン バッハ-オーケストラ カール リヒター、指揮 第 34 曲 レチタティーヴォ(テノール) 私のイエスは偽りの証言に 静かに黙っておられる。 私たちに示すために、 彼の慈悲深いみこころは 私たちのために受難を厭われないことを...
Sanctus dei
CREDO "Die Friedensmesse" -Gotthilf fischer- Liederkranz Enzweihingen - Gemischter Chor Kammersinfonie - Fred Schuster Dirigent WERNER DIPPON aus Benefiz- Chor und Orchesterkonzert 28.03.2009 - Pauluskirche Mühlacker Live Sound CREDO "Die Friedensmesse" (G. Fischer) Liederkranz Enzweihingen - Gemischter Chor Kammersinfonie - Fred Schuster Dirigent WERNER DIPPON aus Benefiz- Chor und Orchesterkonzert 28.03.2009 - Pauluskirche Mühlacker 04.04.2009 - Stadtkirche Vaihingen/Enz Live Sound Lateinische und deutsche Übersetzung Credo in unum deum Ich glaube an den einen Gott, patrem omnipotentem, den Vater, den Allmächtigen, factorem caeli et terrae, der alles geschaffen hat, Himmel und Erde, visibilium omnium et invisibilium. die sichtbare und die unsichtbare Welt. Et in ...
3917 Franz Schubert is a main-belt asteroid discovered by Freimut Börngen in Tautenburg on February 15, 1961. It is named after the composer Franz Schubert
War es also gemeint,
Mein rauschender Freund?
Dein Singen, dein Klingen,
War es also gemeint?
Zur Müllerin hin!
So lautet der Sinn.
Gelt, hab' ich's verstanden?
Zur Müllerin hin!
Hat sie dich geschickt?
Oder hast mich berückt?
Das möcht ich noch wissen,
Ob sie dich geschickt.
Nun wie's auch mag sein,
Ich gebe mich drein:
Was ich such, hab ich funden,
Wie's immer mag sein.
Nach Arbeit ich frug,
Nun hab ich genug
Für die Hände, fürs Herze
Vollauf genug!