François Schubert (néFranz Anton Schubert (the Younger); 22 July 1808, Dresden – 12 April 1878, Dresden) was a violinist and composer.
After training with concertmaster Antonio Rolla in Dresden, Schubert studied violin with Charles Philippe Lafont in Paris and began working under the name François Schubert. He played in the Staatskapelle in Dresden from 1823 to 1873.
The son of church composer Franz Anton Schubert (the Elder, 1768–1824), Schubert was married to the singer and actress Maschinka Schubert (1815–1882) who was the daughter of horn player and composer Georg Abraham Schneider. Their daughter was the opera singer Georgina Schubert (1840–1878).
Schubert composed concert pieces, études, and chamber music, but is largely known for the bagatelleThe Bee, a perpetuum mobile for violin and piano – a piece that is often misattributed to Franz Schubert due to the similarity of the two men's names.
Selected works
9 Études for violin solo, Op. 3
Divertissement sur des motifs de l'opéra Lestocq d'Auber in D major for violin and piano, Op. 4 (1836)
#piano #violon #music #musiqueclassique #concerts #violoncelle #schubert
Schubert, Trio No. 2, Op. 100, Andante con moto
Ambroise Aubrun, violin
Maëlle Vilbert, cello
Julien Hanck, piano
12/12/2016, Live at Cathédrale Sainte-Croix des Arméniens, Paris
For more content, follow us on #instagram : https://www.instagram.com/arpeggiofilms
published: 31 Dec 2016
Franz Schubert - Piano Trio in E flat, op. 100 (Second movement) (Barry Lyndon Soundtrack)
Piano Trio in E flat, op. 100 (Second movement) composed by Franz Schubert.
From the Barry Lyndon Soundtrack.
published: 13 May 2011
Schubert: Piano Sonata in A Major D. 664, II. Andante | Paul Lewis
Schubert: Piano Sonatas D. 664, 537 & 568
Paul Lewis, piano
💿 Listen/Ecouter/Anhören: https://lnk.to/Schubert4LewisID
Paul Lewis completes his exploration of Schubert’s sonatas, begun almost twenty years ago, with three early masterpieces. The Sonatas D 537 and D 568 display the daring and freshness of their youthful creator, while with D 664, dazzling in its artless charm, he already opens a window towards new musical horizons.
Paul Lewis parachève son exploration des sonates de Schubert démarrée il y a près de 20 ans avec trois chefs-d’œuvre de jeunesse. Les D. 537 et 568 font entendre la musique d’un créateur plein de fraîcheur et d’audace, tandis qu’avec la D. 664, éblouissante d’évidence et de charme, il entrouvre déjà la porte menant vers de nouveaux horizons musicaux.
Paul Le...
published: 18 Nov 2022
Franz Schubert: Andante for piano C major (D 29)
Franz Schubert: Andante C major D 29
Kerstin Sieben-Kaiser, Piano
#schubert #classicalpiano #heidelbergpiano
published: 23 Aug 2020
The Bee (L'Abeille) by François Schubert
The Bee (L'Abeille) by François Schubert
violin-Eduardo Bortolotti
piano-Pascual Cerezo
I hop eyou enjoy it and thanks for your comments or advises.
published: 03 Feb 2012
Schubert Andante in A D.604
From his Waltzes and other Dances improvised to entertain friends, and later written down we have a good sense of Schubert's public improvisations.
How the private solitary Schubert may have improvised there is less to go on.
This Andante is one of Schubert's "orphans",:standing alone not part of any larger whole like a Sonata or group of Impromptus..
The opening three chords and following phrase have the sense of a "middle" rather than beginning. Of something arising out of musing at the instrument,a question posed then reflected on in various ways.
In his song "An mein Klavier"(To my piano) he speaks to his instrument ... "when I am alone I whisper my innermost feelings to you...".
In a letter he writes about his playing of the slow movement of op 42 Sonata
"some people assure...
published: 23 Jun 2018
Franz Schubert Piano trio Op.100 : Andante
President of Selecteum des Arts et des Sciences
Mrs. Dédé Hourani
in coordination with the American University of Beirut
proudly presents
Quatuor Musique del Tempo
pianist Diana Avanesian from Tchaikovsky Conservatory
in
Sounds Variation
concert
Johann Sebastian Bach (1685-1750)
Concerto in A major, BWV 1055
Allegro
Larghetto
Allegro ma non tanto
Franz Schubert (1797-1828)
Piano trio Op.100
Andante
Antonin Dvorak (1841-1904)
Piano Quintet in A major, Op. 81
Allegro, ma non tanto
Dumka: Andante con moto
Scherzo Furiant: molto vivace
Finale: Allegro
published: 06 Jun 2019
Schubert Piano trio No.2 in E-flat Major. Op.100.D.929:II. Andante con moto
Rudolf Serkin & Hermann Busch 1958
published: 01 Jul 2014
Schubert Andante Con Moto Piano Trio op 100
Schubert Andante Con Moto Piano Trio op 100
Peinture : A Summer Pastoral - François Boucher
#piano #violon #music #musiqueclassique #concerts #violoncelle #schubert
Schubert, Trio No. 2, Op. 100, Andante con moto
Ambroise Aubrun, violin
Maëlle Vilbert, cello
Julien Hanck, piano
12/12/2016, Live at Cathédrale Sainte-Croix des Arméniens, Paris
For more content, follow us on #instagram : https://www.instagram.com/arpeggiofilms
#piano #violon #music #musiqueclassique #concerts #violoncelle #schubert
Schubert, Trio No. 2, Op. 100, Andante con moto
Ambroise Aubrun, violin
Maëlle Vilbert, cello
Julien Hanck, piano
12/12/2016, Live at Cathédrale Sainte-Croix des Arméniens, Paris
For more content, follow us on #instagram : https://www.instagram.com/arpeggiofilms
Schubert: Piano Sonatas D. 664, 537 & 568
Paul Lewis, piano
💿 Listen/Ecouter/Anhören: https://lnk.to/Schubert4LewisID
Paul Lewis completes his exploration o...
Schubert: Piano Sonatas D. 664, 537 & 568
Paul Lewis, piano
💿 Listen/Ecouter/Anhören: https://lnk.to/Schubert4LewisID
Paul Lewis completes his exploration of Schubert’s sonatas, begun almost twenty years ago, with three early masterpieces. The Sonatas D 537 and D 568 display the daring and freshness of their youthful creator, while with D 664, dazzling in its artless charm, he already opens a window towards new musical horizons.
Paul Lewis parachève son exploration des sonates de Schubert démarrée il y a près de 20 ans avec trois chefs-d’œuvre de jeunesse. Les D. 537 et 568 font entendre la musique d’un créateur plein de fraîcheur et d’audace, tandis qu’avec la D. 664, éblouissante d’évidence et de charme, il entrouvre déjà la porte menant vers de nouveaux horizons musicaux.
Paul Lewis vollendet seine fast 20 Jahre währende Erkundung von Schuberts Sonaten mit drei bedeutenden Jugendwerken. D 537 und D 568 bringen die Musik eines überaus vergnügten, kühnen Tonschöpfers zu Gehör, während mit der Sonate D 664, die von klarer, reizvoller Strahlkraft ist, die Erschließung neuer musikalischer Horizonte beginnt.
#Schubert #piano #classicalmusic
Schubert: Piano Sonatas D. 664, 537 & 568
Paul Lewis, piano
💿 Listen/Ecouter/Anhören: https://lnk.to/Schubert4LewisID
Paul Lewis completes his exploration of Schubert’s sonatas, begun almost twenty years ago, with three early masterpieces. The Sonatas D 537 and D 568 display the daring and freshness of their youthful creator, while with D 664, dazzling in its artless charm, he already opens a window towards new musical horizons.
Paul Lewis parachève son exploration des sonates de Schubert démarrée il y a près de 20 ans avec trois chefs-d’œuvre de jeunesse. Les D. 537 et 568 font entendre la musique d’un créateur plein de fraîcheur et d’audace, tandis qu’avec la D. 664, éblouissante d’évidence et de charme, il entrouvre déjà la porte menant vers de nouveaux horizons musicaux.
Paul Lewis vollendet seine fast 20 Jahre währende Erkundung von Schuberts Sonaten mit drei bedeutenden Jugendwerken. D 537 und D 568 bringen die Musik eines überaus vergnügten, kühnen Tonschöpfers zu Gehör, während mit der Sonate D 664, die von klarer, reizvoller Strahlkraft ist, die Erschließung neuer musikalischer Horizonte beginnt.
#Schubert #piano #classicalmusic
From his Waltzes and other Dances improvised to entertain friends, and later written down we have a good sense of Schubert's public improvisations.
How the pr...
From his Waltzes and other Dances improvised to entertain friends, and later written down we have a good sense of Schubert's public improvisations.
How the private solitary Schubert may have improvised there is less to go on.
This Andante is one of Schubert's "orphans",:standing alone not part of any larger whole like a Sonata or group of Impromptus..
The opening three chords and following phrase have the sense of a "middle" rather than beginning. Of something arising out of musing at the instrument,a question posed then reflected on in various ways.
In his song "An mein Klavier"(To my piano) he speaks to his instrument ... "when I am alone I whisper my innermost feelings to you...".
In a letter he writes about his playing of the slow movement of op 42 Sonata
"some people assured me that my fingers had transformed the keys into singing voices. If this is really true I am highly delighted, since I cannot abide the damnable thumping which is peculiar to even the most distinguished pianists which pleases neither the ear nor the mind".
In this andante we get a glimpse of the private Schubert.
The song concludes " beloved Klavier I consecrate myself to you. When life's cares engulf me, golden Klavier faithful Klavier ,sing to me".
nc 29 June 2018
From his Waltzes and other Dances improvised to entertain friends, and later written down we have a good sense of Schubert's public improvisations.
How the private solitary Schubert may have improvised there is less to go on.
This Andante is one of Schubert's "orphans",:standing alone not part of any larger whole like a Sonata or group of Impromptus..
The opening three chords and following phrase have the sense of a "middle" rather than beginning. Of something arising out of musing at the instrument,a question posed then reflected on in various ways.
In his song "An mein Klavier"(To my piano) he speaks to his instrument ... "when I am alone I whisper my innermost feelings to you...".
In a letter he writes about his playing of the slow movement of op 42 Sonata
"some people assured me that my fingers had transformed the keys into singing voices. If this is really true I am highly delighted, since I cannot abide the damnable thumping which is peculiar to even the most distinguished pianists which pleases neither the ear nor the mind".
In this andante we get a glimpse of the private Schubert.
The song concludes " beloved Klavier I consecrate myself to you. When life's cares engulf me, golden Klavier faithful Klavier ,sing to me".
nc 29 June 2018
President of Selecteum des Arts et des Sciences
Mrs. Dédé Hourani
in coordination with the American University of Beirut
proudly presents
Quatuor Musique del T...
President of Selecteum des Arts et des Sciences
Mrs. Dédé Hourani
in coordination with the American University of Beirut
proudly presents
Quatuor Musique del Tempo
pianist Diana Avanesian from Tchaikovsky Conservatory
in
Sounds Variation
concert
Johann Sebastian Bach (1685-1750)
Concerto in A major, BWV 1055
Allegro
Larghetto
Allegro ma non tanto
Franz Schubert (1797-1828)
Piano trio Op.100
Andante
Antonin Dvorak (1841-1904)
Piano Quintet in A major, Op. 81
Allegro, ma non tanto
Dumka: Andante con moto
Scherzo Furiant: molto vivace
Finale: Allegro
President of Selecteum des Arts et des Sciences
Mrs. Dédé Hourani
in coordination with the American University of Beirut
proudly presents
Quatuor Musique del Tempo
pianist Diana Avanesian from Tchaikovsky Conservatory
in
Sounds Variation
concert
Johann Sebastian Bach (1685-1750)
Concerto in A major, BWV 1055
Allegro
Larghetto
Allegro ma non tanto
Franz Schubert (1797-1828)
Piano trio Op.100
Andante
Antonin Dvorak (1841-1904)
Piano Quintet in A major, Op. 81
Allegro, ma non tanto
Dumka: Andante con moto
Scherzo Furiant: molto vivace
Finale: Allegro
#piano #violon #music #musiqueclassique #concerts #violoncelle #schubert
Schubert, Trio No. 2, Op. 100, Andante con moto
Ambroise Aubrun, violin
Maëlle Vilbert, cello
Julien Hanck, piano
12/12/2016, Live at Cathédrale Sainte-Croix des Arméniens, Paris
For more content, follow us on #instagram : https://www.instagram.com/arpeggiofilms
Schubert: Piano Sonatas D. 664, 537 & 568
Paul Lewis, piano
💿 Listen/Ecouter/Anhören: https://lnk.to/Schubert4LewisID
Paul Lewis completes his exploration of Schubert’s sonatas, begun almost twenty years ago, with three early masterpieces. The Sonatas D 537 and D 568 display the daring and freshness of their youthful creator, while with D 664, dazzling in its artless charm, he already opens a window towards new musical horizons.
Paul Lewis parachève son exploration des sonates de Schubert démarrée il y a près de 20 ans avec trois chefs-d’œuvre de jeunesse. Les D. 537 et 568 font entendre la musique d’un créateur plein de fraîcheur et d’audace, tandis qu’avec la D. 664, éblouissante d’évidence et de charme, il entrouvre déjà la porte menant vers de nouveaux horizons musicaux.
Paul Lewis vollendet seine fast 20 Jahre währende Erkundung von Schuberts Sonaten mit drei bedeutenden Jugendwerken. D 537 und D 568 bringen die Musik eines überaus vergnügten, kühnen Tonschöpfers zu Gehör, während mit der Sonate D 664, die von klarer, reizvoller Strahlkraft ist, die Erschließung neuer musikalischer Horizonte beginnt.
#Schubert #piano #classicalmusic
From his Waltzes and other Dances improvised to entertain friends, and later written down we have a good sense of Schubert's public improvisations.
How the private solitary Schubert may have improvised there is less to go on.
This Andante is one of Schubert's "orphans",:standing alone not part of any larger whole like a Sonata or group of Impromptus..
The opening three chords and following phrase have the sense of a "middle" rather than beginning. Of something arising out of musing at the instrument,a question posed then reflected on in various ways.
In his song "An mein Klavier"(To my piano) he speaks to his instrument ... "when I am alone I whisper my innermost feelings to you...".
In a letter he writes about his playing of the slow movement of op 42 Sonata
"some people assured me that my fingers had transformed the keys into singing voices. If this is really true I am highly delighted, since I cannot abide the damnable thumping which is peculiar to even the most distinguished pianists which pleases neither the ear nor the mind".
In this andante we get a glimpse of the private Schubert.
The song concludes " beloved Klavier I consecrate myself to you. When life's cares engulf me, golden Klavier faithful Klavier ,sing to me".
nc 29 June 2018
President of Selecteum des Arts et des Sciences
Mrs. Dédé Hourani
in coordination with the American University of Beirut
proudly presents
Quatuor Musique del Tempo
pianist Diana Avanesian from Tchaikovsky Conservatory
in
Sounds Variation
concert
Johann Sebastian Bach (1685-1750)
Concerto in A major, BWV 1055
Allegro
Larghetto
Allegro ma non tanto
Franz Schubert (1797-1828)
Piano trio Op.100
Andante
Antonin Dvorak (1841-1904)
Piano Quintet in A major, Op. 81
Allegro, ma non tanto
Dumka: Andante con moto
Scherzo Furiant: molto vivace
Finale: Allegro
François Schubert (néFranz Anton Schubert (the Younger); 22 July 1808, Dresden – 12 April 1878, Dresden) was a violinist and composer.
After training with concertmaster Antonio Rolla in Dresden, Schubert studied violin with Charles Philippe Lafont in Paris and began working under the name François Schubert. He played in the Staatskapelle in Dresden from 1823 to 1873.
The son of church composer Franz Anton Schubert (the Elder, 1768–1824), Schubert was married to the singer and actress Maschinka Schubert (1815–1882) who was the daughter of horn player and composer Georg Abraham Schneider. Their daughter was the opera singer Georgina Schubert (1840–1878).
Schubert composed concert pieces, études, and chamber music, but is largely known for the bagatelleThe Bee, a perpetuum mobile for violin and piano – a piece that is often misattributed to Franz Schubert due to the similarity of the two men's names.
Selected works
9 Études for violin solo, Op. 3
Divertissement sur des motifs de l'opéra Lestocq d'Auber in D major for violin and piano, Op. 4 (1836)